That is the set Glands purchased after it had been restored by Brad Angus a couple of years back. Glands later returned it to Kevin Rowesome and family. Great looking old set.
Willie Rowsome did this on a couple of sets (this one in Bflat, and Pat Mitchell’s C set). Later, Leo did a similar thing with a hollow puck on the baritone of two sets. Didn’t catch on - no acoustical advantage (apparently the opposite). Other than that, I don’t know of any makers who did this.
What do you think of this (coloured) photo (obviously taken on the bank of sweet Lough Erne ) ? I can´t remember where I downloaded it from - all I saved was “Patrick Galvin”. The set appears to be another Willie Rowsome. Strikingly similiar but look e. g. at the base drone´s U-bend, the base-reg-cap or the chanter-top.
Also compare the design of the chair and the bench!
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The set Paddy Gavin has in that picture is a different one to whats now in the museum in Arrowtown. I have a picture of it here somewhere. When I find it I’ll post it.
I’ve heard it said that the set Gavin has in the picture is the Bb Rowsome set. The set in the museum in Arrowtown is an Egan set.
The set in the museum in Arrowtown is an Egan set.
That’s what I thought but I wasn’t sure. The 1982 article says Lorcan Dunne was on the track of the Rowsome but maybe we can assume by now the track went cold on him.