I’ve been eying the Killarney D Nickel whistle hoping to find one used for about $50-$60, but nothing has turned up. Almost tempted to buy one new. But before I decide on doing that, I figured I better check all whistle options in that price range. I know theres the Cheiftan Mezzo D whistle. Which is a nice one, but I like the brighter sound of the Killarney. Anyone know of any other whistles in that price range that I could check on?
You may want to think through first the type of whistle that suits you best, taking into account what music you play, the style you’re aiming for, playing characteristics of the instrument and make a decision based on that. The Killarney and the Chieftain are hardly interchangeable choices, except when any old whistle would do.
Unless you’ve got compelling reasons to choose wide bore, I’d go standard. With any maker. Even where you get the full high range with both, upwards cross-register slurs to, say, high G and above will be cleaner. No matter how skilled the maker, it’s ultimately physics.
The Killarney, or a Jerry Freeman modified whistle, should be in your price range.
Of course for under $20 you can find a great-playing Generation, Feadog, Waltons, etc but it might require hunting through a number of whistles till you find a really good one.
It is always going to come down to you, the player, and how the whistle sounds as everyone has differing playing styles and purposes. CutiePie will soon review new Killarney whistles after more thorough playing time. Enjoy your whistling.
I’ve seen her videos. All quite good. I have also had the Dixon Pro in mind, but I already have a Dixon Trad, and 2 Susato whistles. So far im really drawn to the Killarney (Nickel D) whistle. It has a very bright and chirp sound to it like a good generation or my Freeman Bluebird (both of which are great, but I kinda want to go a little higher end for my price range for my next whistle). And it sounds like it handles all octaves really well also.
Nothing wrong with the Killarney whistles in nickel or brass, I have them all. Here’s an earlier thread about Killarney whistles so see what people think.
I second Richard’s suggestion of Freeman whistles as well. My Freeman Bb is quite a remarkable whistle. I have all of Freeman whistle from high D to low G. I don’t like going higher than the D on any whistle.
If the 2nd octave of your Killarney was flat, I dont think it would have been wrong of you to call them and let them know about the issue and ask for an exchange. I mean with a sub $50 whistle, I wouldn’t worry so much about it as it would be the luck of the draw (or would the be the un-luck of the draw?). But with a whistle thats closer to $100 or over, I would expect far superior quality control than that of a sub $50 whistle.