Analyze this amazing performance: Part Deux
- Liney Bear
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Analyze this amazing performance: Part Deux
http://www.youtube.com/watch?v=mtSjM3YU7Qw
You could make the argument that this belongs in the Great and Awesome Youtube Thread, but I hope you'll forgive me once you watch it.
About 1:12 into the clip, Matt Molloy begins to dominate all life on earth with his invincible super powers.
Thanks to Blackwood for finding it.
You could make the argument that this belongs in the Great and Awesome Youtube Thread, but I hope you'll forgive me once you watch it.
About 1:12 into the clip, Matt Molloy begins to dominate all life on earth with his invincible super powers.
Thanks to Blackwood for finding it.
Re: Analyze this amazing performance: Part Deux
Liney Bear wrote: ...Matt Molloy begins to dominate all life on earth with his invincible super powers.
Indeed. I think you can hear thunder starting to roll in the background... literally.
Aanvil
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I am not an expert
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I am not an expert
- Whistlin'Dixie
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Well there ya' are...you'd be hard pressed to say that that young lass, Ms. McAuliffe, is any better than this gent with the white beard. Man, what talent!
And the youtube videos of the mid-70's Bothy Band with Molloy are amazing as well. Thanks for the link.
And the youtube videos of the mid-70's Bothy Band with Molloy are amazing as well. Thanks for the link.
Bob
Come to the edge/ It's too high/ Come to the edge/ We might fall/ Come to the edge/ And we came/ And he pushed/ And we flew!
Guillaume Apollinaire
Come to the edge/ It's too high/ Come to the edge/ We might fall/ Come to the edge/ And we came/ And he pushed/ And we flew!
Guillaume Apollinaire
- AaronMalcomb
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- jemtheflute
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I'm inclined to agree with Gabriel - absolutely stunning technically, and he carries it off, but I suspect he himself would say it was too fast - it certainly subjectively seems faster to me than other renditions of that setting by him I have heard, not that I've tried to test that in any scientific way. I wouldn't list it in my favourite MM performances (if I did such lists!).
Still-an'-all, he was unashamedly showboating! He has more than adequately proven his real musical sensibilities over many years, and if you can, why not occasionally?
Still-an'-all, he was unashamedly showboating! He has more than adequately proven his real musical sensibilities over many years, and if you can, why not occasionally?
I respect people's privilege to hold their beliefs, whatever those may be (within reason), but respect the beliefs themselves? You gotta be kidding!
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Nothing wrong with speed in the right hands - Roger certainly seemed be enjoying it. As Jem says, MM was exuberantly showboating and doing a nice job of it, at that. Of course, he wouldn't have played at that speed with others trying to play along, nor to relax and enjoy a nice tune by himself. In the context of this concert hall moment, the speed was just fine. Most players - even good ones - usually lose the lift big-time at that tempo, and ruin the music altogether. MM doesn't, and it's great to see someone actually speed up as they get older...
- Rob Sharer
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- Cathy Wilde
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I have that "Live in Dublin" recording of this, and it doesn't sound quite as fast to start -- in the video, he seems to start tempowise more where he ends up on my recording. Although Paddy Maloney says the same thing at the end of this go, so ... :?
But on the audio recording I have he seems to "wind up" the tempo a little more throughout, which I get a kick out of -- all that technical exercise plus the lift plus constant tempo ramping, plus ....
The guy's amazing.
And besides. He's Matt Molloy; he can do what he wants.
Next up: a reinterpretation of this tune with ... Martin Hayes. Whaddya think?
But on the audio recording I have he seems to "wind up" the tempo a little more throughout, which I get a kick out of -- all that technical exercise plus the lift plus constant tempo ramping, plus ....
The guy's amazing.
And besides. He's Matt Molloy; he can do what he wants.
Next up: a reinterpretation of this tune with ... Martin Hayes. Whaddya think?
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- Il Friscaletto
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keep in mind that the performance is cut in half. During the concert he actually plays it through twice. They did a very good editing job making it seemless, but when they cut from the band kick-off to his solo performance the speed-up seems unnatural as they immideiately cut to his second time through. He had slowly sped it up during the 1st time he played it through.
That build-up is unfortunately missing.
That build-up is unfortunately missing.