Burke Session high D?

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CranberryDog
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Burke Session high D?

Post by CranberryDog »

I am looking for a good session high D. I was impressed by the sample on the Burke web site of his session high D. It sounds to me like it has ample volume, fast transitions, and accurate upper register. Anyone have experience with one? Thanks.
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pipersgrip
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Post by pipersgrip »

burke is a great whistle in any key. i highly reccommend them.
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Post by Byll »

For dependability, dead-on intonation, playability, and consistency, you cannot go wrong with a Burke.

Good luck in your choice.
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Scott McCallister
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Post by Scott McCallister »

Yes, truly, Burkes rock. :)
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Post by straycat82 »

I have a brass session bore Burke in D and it's a very clear, pure sounding whistle. Very responsive and balanced.
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Post by anniemcu »

I will likely own my Burke for life. It is my most played whistle.
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Post by Adrian »

Burke BRASS 'D' is fantastic. The aluminium is good as well but for me it lacks the life and rich tone colour of the brass.
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Post by Slayer »

I have Burke DBSBT and agree, that it is good for session.
But a sound on my taste too clean and snotty. Some notes, apparently, will consist all their one harmonic :)
Nevertheless it - oustanding whistle for good money!

PS: Now i wait Overton High D to replace Burke
Happy whistling!
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Post by fancypiper »

My favorite soprano D whistle is the Clarke origional design and my second favorite is my Burke blacktip brass session pro (too "pure" in the second octave places it second).
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MTGuru
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Re: Burke Session high D?

Post by MTGuru »

CranberryDog wrote:It sounds to me like it has ample volume, fast transitions, and accurate upper register.
That description is spot-on. A fine whistle. Some people find the tone a bit pure, but there are things you can do to add complexity. I prefer the sound and feel of aluminum to brass. I also prefer chocolate to vanilla. :-)
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Scott McCallister
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Re: Burke Session high D?

Post by Scott McCallister »

MTGuru wrote:... I also prefer chocolate to vanilla. :-)
DIE HERETIC!!!

:lol: :lol: :D :lol: :lol:
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CranberryDog
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Post by CranberryDog »

Thanks for the replies folks. Chocolate is the choice. I find it easy to mess up a pure tone so that will not be a problem. Any opinions on the optional thumb hole. Will the hole cause more of the dreaded purity?
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Post by Wanderer »

I don't like the thumb hole. But I think that's a matter of being an old dog not wanting to learn new tricks. It's not where I've been putting my thumb for years, so it feels awkward.

That said, I reviewed an aluminum Burke with the thumb hole, and the c-natural using it was strong, and well in tune. Much better than cross-fingering. So if you can take to it, I'd say use it.
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CranberryDog
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Post by CranberryDog »

Wanderer wrote:I don't like the thumb hole. But I think that's a matter of being an old dog not wanting to learn new tricks. It's not where I've been putting my thumb for years, so it feels awkward.

That said, I reviewed an aluminum Burke with the thumb hole, and the c-natural using it was strong, and well in tune. Much better than cross-fingering. So if you can take to it, I'd say use it.
I have not played whistle for several years; mostly highland pipes during the interim, so the thumb hole does not pose a problem. Thanks for the insight; makes sense. Best.
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Post by fancypiper »

CranberryDog wrote:I have not played whistle for several years; mostly highland pipes during the interim, so the thumb hole does not pose a problem. Thanks for the insight; makes sense. Best.
Perhaps, perhaps not.

The thumb hole isn't an octave above six fingers down on the chanter, it is below the index finger of the top hand and above the middle finger of the top hand.

It seems as if it would be pretty awkward for me, at least.

My Burke likes this fingering for C natural:

OXX OOX
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