Taming the Dreaded Susato Beast :-)
- peeplj
- Posts: 9029
- Joined: Mon Jan 21, 2002 6:00 pm
- Please enter the next number in sequence: 1
- Location: forever in the old hills of Arkansas
- Contact:
Taming the Dreaded Susato Beast :-)
Apologies for the duplicate post, but after the fact I realized this makes more sense to be its own topic.
That said...
Ok, here are some "hints" on the Susato. These are from my own playing experience as well as watching some very advanced players who play them.
These work for me and have helped me to "tame the savage beast." They may not work as well for you. They may not work at all for you. Your mileage may vary. Do not eat...yada, yada, yada, you get the idea.
1. The mouthpiece of the Susato is shaped that way for a reason. Don't just stick it out in front of you; keep your head straight and bring the whistle down until your lower lip fits in the curve of the fipple.
2. This will force you to open your mouth a bit more than you may be used to, and you'll need to drop your jaw a bit. That's a good thing. With the Susato, open your mouth wider for a sweeter, softer sound, and close your mouth up tighter for a louder, stronger sound. Also you can vary the lip pressure to vary the tone. Try it out.
3. Support the air column, from the diaphragm on up. The whistle only gets air for maybe an inch. You have the air for much longer, so realize that it is you and not the whistle that controls the air column.
4. Don't back away. If you just blow with a pitiful little anemic airstream, a Susato will squawk to high heaven and be no where close to in tune. This isn't a whistle that rewards a cautious approach, especially in the upper octave.
5. Lean into it. This is a whistle you can punch the hell out of. You want a note to "pop out?" Give it a good extra push of air and it will.
6. Practice, practice, practice. About three years ago I decided I was going to learn how to play the damn Susato whistle. Early this year I finally "got it." And guess what? I'm no world-class whistler, but the things I learned on this whistle have made me better on all of my others.
That's it---it's what works for me. I can't swear it'll work for everybody, but for whatever it's worth, it works for me.
--James
That said...
Ok, here are some "hints" on the Susato. These are from my own playing experience as well as watching some very advanced players who play them.
These work for me and have helped me to "tame the savage beast." They may not work as well for you. They may not work at all for you. Your mileage may vary. Do not eat...yada, yada, yada, you get the idea.
1. The mouthpiece of the Susato is shaped that way for a reason. Don't just stick it out in front of you; keep your head straight and bring the whistle down until your lower lip fits in the curve of the fipple.
2. This will force you to open your mouth a bit more than you may be used to, and you'll need to drop your jaw a bit. That's a good thing. With the Susato, open your mouth wider for a sweeter, softer sound, and close your mouth up tighter for a louder, stronger sound. Also you can vary the lip pressure to vary the tone. Try it out.
3. Support the air column, from the diaphragm on up. The whistle only gets air for maybe an inch. You have the air for much longer, so realize that it is you and not the whistle that controls the air column.
4. Don't back away. If you just blow with a pitiful little anemic airstream, a Susato will squawk to high heaven and be no where close to in tune. This isn't a whistle that rewards a cautious approach, especially in the upper octave.
5. Lean into it. This is a whistle you can punch the hell out of. You want a note to "pop out?" Give it a good extra push of air and it will.
6. Practice, practice, practice. About three years ago I decided I was going to learn how to play the damn Susato whistle. Early this year I finally "got it." And guess what? I'm no world-class whistler, but the things I learned on this whistle have made me better on all of my others.
That's it---it's what works for me. I can't swear it'll work for everybody, but for whatever it's worth, it works for me.
--James
http://www.flutesite.com
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
I've done all of that, but can't seem to get it to stop sounding like a re&%!der. HELP!
Check out: Folding@Home!
- Coffee
- Posts: 1699
- Joined: Fri Aug 25, 2006 5:41 pm
- antispam: No
- Please enter the next number in sequence: 8
- Location: Anchorage, AK
I think that's not something you can really help. Susatos, played well, will sound similar to a recorder to some people because they lack the raspy quality that we typically associate with the voice of a whistle. Clark's Sweettone is another one of those whistles that some say sounds like a recorder. *shrug* What can ya do?
"Yes... yes. This is a fertile land, and we will thrive. We will rule over all this land, and we will call it... This Land."
- King Friday
- Posts: 407
- Joined: Tue May 09, 2006 3:37 pm
- Please enter the next number in sequence: 1
- Location: Chicago
- peeplj
- Posts: 9029
- Joined: Mon Jan 21, 2002 6:00 pm
- Please enter the next number in sequence: 1
- Location: forever in the old hills of Arkansas
- Contact:
You know, it's odd.
If my Susato is louder than my Feadog, it isn't by much. I think they are pretty much neck-and-neck for volume.
The Susato has a purer sound and in my experience that'll tend to make it cut through instead of blend in; the Feadog has a more traditional sound gets lost in the blend--not that this is a bad thing! There are times you want to blend, and times you want to cut through. It's good to have whistles that can do both.
If you want real volume, the loudest whistle I've played by far is the little wide-bore powerhouse made by Michael Cronnolly of M&E Flutes. It takes a hell of a lot of air, but I would call it at least twice as loud as a Susato, pretty much as loud as an orchestral clarinet.
--James
If my Susato is louder than my Feadog, it isn't by much. I think they are pretty much neck-and-neck for volume.
The Susato has a purer sound and in my experience that'll tend to make it cut through instead of blend in; the Feadog has a more traditional sound gets lost in the blend--not that this is a bad thing! There are times you want to blend, and times you want to cut through. It's good to have whistles that can do both.
If you want real volume, the loudest whistle I've played by far is the little wide-bore powerhouse made by Michael Cronnolly of M&E Flutes. It takes a hell of a lot of air, but I would call it at least twice as loud as a Susato, pretty much as loud as an orchestral clarinet.
--James
http://www.flutesite.com
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
-
- Posts: 9
- Joined: Thu Aug 31, 2006 8:35 am
- Please enter the next number in sequence: 1
- Location: Adelaide, South Australia
Re: Taming the Dreaded Susato Beast :-)
I'd agree, except for the low D which I can lean into much more if I do play it straight out in front. And it's uncomfortable, but have you ever tried inverting the head (window pointing downwards)? It sounds like a weird thing to do, I know, but it gives a smoother sound and a whole other way of controlling the whistle through the playing angle (I got the idea from watching Kwela players).peeplj wrote:1. The mouthpiece of the Susato is shaped that way for a reason. Don't just stick it out in front of you; keep your head straight and bring the whistle down until your lower lip fits in the curve of the fipple.
- RonKiley
- Posts: 1404
- Joined: Sun Mar 16, 2003 12:53 pm
- Please enter the next number in sequence: 1
- Location: Germantown, MD
Try recording yourself playing the Susato. It may sound much different than it does to your ear while playing. Then again it is a matter of personal taste. Many people like the sound of the Clarke original. I can't stand the Clarke original. I have Clarkes but never play them. It is just personal preference.
Ron
Ron
I've never met a whistle I didn't want.
- peeplj
- Posts: 9029
- Joined: Mon Jan 21, 2002 6:00 pm
- Please enter the next number in sequence: 1
- Location: forever in the old hills of Arkansas
- Contact:
I was really thinking about my Susato high D whistles when I wrote this.
I have a Susato low D but once you get the trick of making the reach and sealing the tone holes well, there really isn't any special effort needed to play it--as low whistles go, it's an easy player.
I also have a Howard low D...some days I like one better, some days the other.
--James
I have a Susato low D but once you get the trick of making the reach and sealing the tone holes well, there really isn't any special effort needed to play it--as low whistles go, it's an easy player.
I also have a Howard low D...some days I like one better, some days the other.
--James
http://www.flutesite.com
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
-------
"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
- michael_coleman
- Posts: 762
- Joined: Wed Nov 20, 2002 6:00 pm
- antispam: No
- Please enter the next number in sequence: 8
- Tell us something.: I play the first flute Jon Cochran ever made but haven't been very active on the board the last 9-10 years. Life happens I guess...I owned a keyed M&E flute for a while and I kind of miss it.
- Location: Nottingham, England
Do not hesitate to send your retired Susato whistle to me. We have a very nice facility for whistles. You can rest easy knowing your Susato is in good hands.
''Whistles of Wood'', cpvc and brass. viewtopic.php?f=1&t=69086
Tommy (or anyone else in the USA, that might be interested),
I have a hardly-been-played, black, non-tuneable Susato C that wants to be traded for a never-been-tweaked Oak D. It was ordered for a specific occasion, but not received until it was no longer needed.
Edit: I've changed my mind about the Susato - I'm thinking about keeping it. However I might still trade it for the older series of Oak D, that has the clear vinyl label (as opposed to the paper sticker) and was packaged in a vinyl envelope (as opposed to a plastic box). The holes on these have edges that are more comfortable than those of the newer Oaks.
Contact me via private message if you have one of these Oaks that you might want to trade.
I have a hardly-been-played, black, non-tuneable Susato C that wants to be traded for a never-been-tweaked Oak D. It was ordered for a specific occasion, but not received until it was no longer needed.
Edit: I've changed my mind about the Susato - I'm thinking about keeping it. However I might still trade it for the older series of Oak D, that has the clear vinyl label (as opposed to the paper sticker) and was packaged in a vinyl envelope (as opposed to a plastic box). The holes on these have edges that are more comfortable than those of the newer Oaks.
Contact me via private message if you have one of these Oaks that you might want to trade.
Last edited by Tweeto on Sat Sep 02, 2006 10:10 am, edited 2 times in total.
Check out: Folding@Home!