Why can't we sing every song?

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lixnaw
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Why can't we sing every song?

Post by lixnaw »

Don't get me wrong, i'm very satisfied with my repertoire of nearly 40 songs, but some song just come natural and others i'll never get the hang of.
But this doesn't happen with jigs&reels. And i can't figure out why. I know a human voice is an instrument on it's own, but still it doesn't make much sense to me.
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Post by Jack »

What exactly happens when you try to sing them?
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Post by Walden »

Cranberry wrote:What exactly happens when you try to sing them?
Tries, but just Kant.
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Post by Nanohedron »

I think it's subatomic. Like certain vibration sequences don't mesh well with your throat.
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Post by Redwolf »

Unless something falls outside your vocal range, it's more a matter of practice than anything else.

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Post by lixnaw »

Cranberry wrote:What exactly happens when you try to sing them?
Nothing, they're like French to me, the energy i get when i try to sing these song is blocked, doesn't flow, so practicing these makes no sense. But the ones i can sing, i sing in sessions.
Last edited by lixnaw on Mon Jun 26, 2006 2:59 pm, edited 1 time in total.
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Post by Innocent Bystander »

Well, my repertoire is getting up to fifty. I've noticed that I really need to practice some of them more. I need to work out a schedule.

In my case it's hornpipes. They just don't come naturally. Slip jigs - great, I can pick them up easily. All except that Kid on the Mountain, which has been a bugbear for years. Jigs, okay, Reels, no problem. Hornpipes: crunch!

Nobody can do everything. And if there was someone like that, they'd be in danger of being assassinated. At least I'm safe from envy.
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Post by lixnaw »

Innocent Bystander wrote: At least I'm safe from envy.
:o far from if you can lilt nearly 50 tunes, i can't $^ù$ lilt at all!
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Post by Lambchop »

Just be glad you can sing even one song. :oops:
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Post by Cynth »

Well, don't you see certain paintings or read certain books that mean alot to other people but don't seem to mean a lot to you and vice versa? I think music is the same really.

When I took piano lessons years ago, my teacher would play a number of pieces for me and then I would think about which few I wanted to work on. I guess the ones I picked were the ones I liked best, but also I think they were the ones that made sense to me. I remember having to work on a piece once that I simply did not understand and apparently could not understand. Perhaps I could have learned, maybe I was not mature enough. But as it was, it was a complete flop. It was not any kind of music at all the way I was playing it.

It seems natural to me that your temperament---whatever that is exactly---makes you gravitate toward some songs and not toward others. The ones you gravitate toward would be the ones that say something to you, that you feel some understanding for. I don't know. I am not explaining it well, but it doesn't seem at all surprising to me.

Some pianists play music especially by one composer sometimes---wasn't Rubenstein known for his playing of Chopin? There was something in that particular composer that matched his temperament or feelings I would think.
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Post by djm »

This is something counterintuitive that was pointed out to me a long time ago. The tunes you don't understand/can't follow/can't make sense of are the tunes you need to learn. They take a long time, and its usually a bit of a fight, but eventually you will have knocked a new attitude/outlook/POV into your head, and expanded your understanding a wee bit.

Not every step on the journey is a smooth one.

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Post by lixnaw »

djm wrote:This is something counterintuitive that was pointed out to me a long time ago. The tunes you don't understand/can't follow/can't make sense of are the tunes you need to learn. They take a long time, and its usually a bit of a fight, but eventually you will have knocked a new attitude/outlook/POV into your head, and expanded your understanding a wee bit.

Not every step on the journey is a smooth one.

djm
I'm learning as much dance music as i can, and i love to play just about everything in ITM.
But singing songs is different for me, it's not just a matter if it's inside your vocal range or not, it's not as simple as that, i agree with Nano.
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Post by Wombat »

You have to practice singing just as hard as you would practice an instrument. And if you aren't happy with your voice you can't trade up to a high-end one.

If I have a problem with certain songs I really want to sing I try different keys until I'm comfortable. Then I just practice hard. I try to learn how to phrase each passage. I find if I'm unsure of a passage, or what I want to do with it, I can easily stray out of tune or just trail off. Even if I get the notes out, it certainly won't be expressive. Just keep singing the hard bits over and over till they feel right and pay attention to your breathing.
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20'

Post by talasiga »

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Post by Nanohedron »

lixnaw wrote:
djm wrote:This is something counterintuitive that was pointed out to me a long time ago. The tunes you don't understand/can't follow/can't make sense of are the tunes you need to learn. They take a long time, and its usually a bit of a fight, but eventually you will have knocked a new attitude/outlook/POV into your head, and expanded your understanding a wee bit.

Not every step on the journey is a smooth one.

djm
I'm learning as much dance music as i can, and i love to play just about everything in ITM.
But singing songs is different for me, it's not just a matter if it's inside your vocal range or not, it's not as simple as that, i agree with Nano.
Heh.

The thing about most songs (those I've heard from the Irish tradition, anyway) is that they don't range too much beyond one octave, so yes, that shouldn't the problem at all. All one should have to do is sing within one's comfort zone.
"If you take music out of this world, you will have nothing but a ball of fire." - Balochi musician
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