Hooverizing for Travel
- crookedtune
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Hooverizing for Travel
I've been looking for a mid-priced 'pocket' whistle that I can carry around, and also take with me on my vacation to England this month. After debating the merits of the 'Laughing Whistle' by Noah Herbison (which has a waiting list), and the 'Whitecap' by Mack Hoover, I chose the latter.
Here's what happened:
I ordered the whitecap and also ordered a 2-piece Clare whistle to put it on. I figured that would make a good set. Well, the whitecap arrived before the Clare, and I just couldn't wait to try it out, so I bought an Oak D here in town.
Well, the Oak has a very well-made barrel, but was a horrible player. With the Whitecap, it became the best Gen-style whistle I've ever played! Just wonderful!
So yesterday the Clare came, and guess what? It plays so nice just as it is, that I couldn't bear to put the Whitecap on it. The Clare 2-part is a great pocket whistle sweet with just a touch of chiff, and I like it a lot better than comparable Gens, Feadogs and Soodlums that I've played. The Whitecap Oak is a true 'high-end' player, very pure and sweet, that costs under $50 complete.
I never did get to try the Laughing Whistle, which is probably great, but I can highly recommend the Clare and the Hoover/Oak combo. And Mack was just great to deal with. So, don't leave home without 'em!
Here's what happened:
I ordered the whitecap and also ordered a 2-piece Clare whistle to put it on. I figured that would make a good set. Well, the whitecap arrived before the Clare, and I just couldn't wait to try it out, so I bought an Oak D here in town.
Well, the Oak has a very well-made barrel, but was a horrible player. With the Whitecap, it became the best Gen-style whistle I've ever played! Just wonderful!
So yesterday the Clare came, and guess what? It plays so nice just as it is, that I couldn't bear to put the Whitecap on it. The Clare 2-part is a great pocket whistle sweet with just a touch of chiff, and I like it a lot better than comparable Gens, Feadogs and Soodlums that I've played. The Whitecap Oak is a true 'high-end' player, very pure and sweet, that costs under $50 complete.
I never did get to try the Laughing Whistle, which is probably great, but I can highly recommend the Clare and the Hoover/Oak combo. And Mack was just great to deal with. So, don't leave home without 'em!
Charlie Gravel
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
EDIT: Should've been a PM
P.S. Whitecaps rock!
P.S. Whitecaps rock!
Last edited by fearfaoin on Thu May 04, 2006 7:39 am, edited 1 time in total.
- Jason Paul
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I can agree to that.
Almost the same thing happened to me. I ordered a whitecap and another Oak (already had one) and got the whitecap first. I put it on my Feadog and liked it. When I put it on the Oak though, it was really nice, so it's staying there for the time being.
Along with the Oak, I ordered a Clare one-piece. Whistle Shop was out of brass so he sent me nickel. I actually like the Clare quite a bit the way it is, but I'll probably try the whitecap on it. I think the tuning is better on the Oak though.
As far as the stock Oak being a horrible player, you may just need to spend some more time on it. I had a hard time playing mine when I first got it because of the breath control required. It just doesn't like as much air. But when I got used to it I began to like it quite a bit - sweet and fairly quiet. That's why I ordered a second one; because I wanted to keep one stock.
I agree though that the Oak/Whitecap is a nice whistle. I only have cheapies to compare it to, but I really like it. Although, it took a few days to get used to the second register. I now like the way that you can lean into it there, and that it's so strong in the lower register as well.
Jason
Almost the same thing happened to me. I ordered a whitecap and another Oak (already had one) and got the whitecap first. I put it on my Feadog and liked it. When I put it on the Oak though, it was really nice, so it's staying there for the time being.
Along with the Oak, I ordered a Clare one-piece. Whistle Shop was out of brass so he sent me nickel. I actually like the Clare quite a bit the way it is, but I'll probably try the whitecap on it. I think the tuning is better on the Oak though.
As far as the stock Oak being a horrible player, you may just need to spend some more time on it. I had a hard time playing mine when I first got it because of the breath control required. It just doesn't like as much air. But when I got used to it I began to like it quite a bit - sweet and fairly quiet. That's why I ordered a second one; because I wanted to keep one stock.
I agree though that the Oak/Whitecap is a nice whistle. I only have cheapies to compare it to, but I really like it. Although, it took a few days to get used to the second register. I now like the way that you can lean into it there, and that it's so strong in the lower register as well.
Jason
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- crookedtune
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Yeah, I didn't mean to be so harsh about the stock Oak. Truth is, it played very different from what I'm used to. After ten minutes I popped the whitetop onto it, and loved it so much I couldn't bring myself to go back.
Every whistle takes getting used to, and it's premature to make a judgement without spending at least a few hours with it.
Every whistle takes getting used to, and it's premature to make a judgement without spending at least a few hours with it.
Charlie Gravel
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
- swizzlestick
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Construction is a little different. (Or mine is anyway.) There is no brass liner inside the Blacktop. I expected the sound to be the same, but my Blacktop has a more complex sound than my Whitecap. Not really better, just different.
It does seem to clog less.
It does seem to clog less.
All of us contain Music & Truth, but most of us can't get it out. -- Mark Twain
How do the chiff-factor and volume compare on the two?swizzlestick wrote:Construction is a little different. (Or mine is anyway.) There is no brass liner inside the Blacktop. I expected the sound to be the same, but my Blacktop has a more complex sound than my Whitecap. Not really better, just different.
It does seem to clog less.
- swizzlestick
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OK. I need to clarify the situation. Mack put my Blacktop on a Jubilee tube, one just a little larger in diameter than the brass tube he used on my original Whitecap. So it's not surprising that it is a little louder.
This is a nice combination. I didn't want an exact clone of my Whitecap so I am pleased with the result, but it doesn't make for the best comparison. Plus Mack can and will vary his design to target your needs. For example, I have seen a Whitecap with a smaller window than mine that seemed to have less volume and a little more chiff. (It could have been because I was in front of the whistle instead of behind it.)
This probably is not helping you much, so let me try again. I think the sounds are very, very close, but I think you will detect some minor differences side by side. I think of the Whitetop as having a sharper, less complex sound, but I am not sure your listeners will hear it. (I plan to record them sometime and do a blind test.) I wanted a Blacktop mostly to help cope with condensation problems, but you can make a Whitecap almost as good with the soapy water solution. (Covered in detail elsewhere on this site.)
And because it does have a little less volume, the Whitecap is still my whistle of choice when I practice with the rest of the family around.
This is a nice combination. I didn't want an exact clone of my Whitecap so I am pleased with the result, but it doesn't make for the best comparison. Plus Mack can and will vary his design to target your needs. For example, I have seen a Whitecap with a smaller window than mine that seemed to have less volume and a little more chiff. (It could have been because I was in front of the whistle instead of behind it.)
This probably is not helping you much, so let me try again. I think the sounds are very, very close, but I think you will detect some minor differences side by side. I think of the Whitetop as having a sharper, less complex sound, but I am not sure your listeners will hear it. (I plan to record them sometime and do a blind test.) I wanted a Blacktop mostly to help cope with condensation problems, but you can make a Whitecap almost as good with the soapy water solution. (Covered in detail elsewhere on this site.)
And because it does have a little less volume, the Whitecap is still my whistle of choice when I practice with the rest of the family around.
All of us contain Music & Truth, but most of us can't get it out. -- Mark Twain
- crookedtune
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As mentioned, I LOVE my whitecapped Oak. But I am starting to notice the clogging problem mentioned here. I tried the soapy water solution last night, and it seemed to help. I need to find convenient ways to do something like this that will last a little longer --- maybe that Duponol stuff (or whatever it's called). Or maybe dabbing the windway, rather than dipping. Any suggestions? Or can condensation be reduced through playing technique?
Charlie Gravel
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde