Very long rolls
- phcook
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Very long rolls
I heared in WFOx some tunes with rolls over 4 or 5 notes.
For 3 notes (G for instance), you first play the note coming from another note, then cut and tap.
How do you proceed for more than 3 notes?
Thanks all
For 3 notes (G for instance), you first play the note coming from another note, then cut and tap.
How do you proceed for more than 3 notes?
Thanks all
Breizh soner
- kkrell
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Some of what I've been hearing are just 1 roll right after another, not necessarily even on the same notes.Peter Laban wrote:Are you sure you don't mean multiple rolling?
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to make rolls longer than three notes, I use alternately tap and cut, to make five times E, I make E, then cut, then tap, then cut, then tap.
Sometimes, I try another kind of long roll, using cuts, taps and 't' with tongue.
Lixnaw, please, could you explain your notation? I don't understant it.
Sometimes, I try another kind of long roll, using cuts, taps and 't' with tongue.
Lixnaw, please, could you explain your notation? I don't understant it.
In theory, there's no difference between theory and practise, but in practise there is
- lixnaw
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x=closedAsturian piper wrote: Lixnaw, please, could you explain your notation? I don't understant it.
o=open
or you could have a roll and right after it, a tap. i like that!
Last edited by lixnaw on Sun Jun 05, 2005 4:30 pm, edited 1 time in total.
- chas
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I was taught to tap between two rolls on the same note, but I suspect there's no single right or wrong.phcook wrote:Thanks for your kind replies
Lixnaw, I don't understand your fingering; why not 6 holes?
You may be right Peter, I can't hear if it's multiple rolls or not; but in that case, how do you make the transition: tongue?cut?
Charlie
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I was not quite sure what you meant, multiple rolling is something you find in the playing of Johnny Doran and Willie Clancy who used it fairly extensively in their piping, Willie (and I assume Doran as well) used it a lot in his whistleplaying at times and it is safe to assume again it occurred in his fluteplaying, while it lasted.phcook wrote: You may be right Peter, I can't hear if it's multiple rolls or not; but in that case, how do you make the transition: tongue?cut?
Best regards
I would basically do a bunch of rolls without tongueing but I suppose you could if you wanted to, the effect I would aim for would be a purely legato one.
- lixnaw
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i just left a little more space between, i hope it's more readable now. i think you''ll have to be very good to put double rolls to good use. i have enough trouble with my rythm
short E roll :
x x x x top hole
x x x x
o x x x
x x x x
x x x x
o o x o Bottom hole
used alot in reels
long E roll :
x x x x x top hole
x x x x x
x o x x x
x x x x x
x x x x x
o o o x o bottom hole
used alot in jigs
that's the way i do it anyway.
short E roll :
x x x x top hole
x x x x
o x x x
x x x x
x x x x
o o x o Bottom hole
used alot in reels
long E roll :
x x x x x top hole
x x x x x
x o x x x
x x x x x
x x x x x
o o o x o bottom hole
used alot in jigs
that's the way i do it anyway.
Last edited by lixnaw on Mon Jun 06, 2005 4:17 pm, edited 1 time in total.
- Cathy Wilde
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Lixnaw,
I've spent all day trying to figure out the four x's as opposed to six (or three if you're only illustrating one hand but I still can't make the roll work there, either), and I'm thinking this is where people are getting hung up.
Anyway, I'm still mystified. Do you have extra fingers? Or extra holes on your flute?
From,
One Who Must Just Have Too Few Brain Cells.
I've spent all day trying to figure out the four x's as opposed to six (or three if you're only illustrating one hand but I still can't make the roll work there, either), and I'm thinking this is where people are getting hung up.
Anyway, I'm still mystified. Do you have extra fingers? Or extra holes on your flute?
From,
One Who Must Just Have Too Few Brain Cells.
Deja Fu: The sense that somewhere, somehow, you've been kicked in the head exactly like this before.
- lixnaw
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sorry for my deluded tablature, i just edited my above post. but i'll swab my braincells for your repertoire anytimeCathy Wilde wrote:Lixnaw,
I've spent all day trying to figure out the four x's as opposed to six (or three if you're only illustrating one hand but I still can't make the roll work there, either), and I'm thinking this is where people are getting hung up.
Anyway, I'm still mystified. Do you have extra fingers? Or extra holes on your flute?
From,
One Who Must Just Have Too Few Brain Cells.
- fluti31415
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OH -- I got it! lixnaw is showing the fingerings vertically instead of horizontally!!!Cathy Wilde wrote:Lixnaw,
I've spent all day trying to figure out the four x's as opposed to six (or three if you're only illustrating one hand but I still can't make the roll work there, either), and I'm thinking this is where people are getting hung up.
Shannon
(aka fluti31415)
(aka fluti31415)
- Ro3b
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I frequently play two short rolls in a row, taking up the space of a half note. Like this on G (showing the fingerings horizontally):
xox ooo - cut
xxx ooo - G
xxx xoo - tap
xxx ooo - G
xox ooo - cut
xxx ooo - G
xxx xoo - tap
xxx ooo - G
The most usual place I might want to do this is where there's already a dotted quarter note on the beat followed by an eighth, replacing both notes with the double short roll. E.g. the first bit of "Trim the Velvet:"
~G3B AGFA|~G3B cCFA|
Becomes
~G2~G2 AGFA|~G3B cCFA|
xox ooo - cut
xxx ooo - G
xxx xoo - tap
xxx ooo - G
xox ooo - cut
xxx ooo - G
xxx xoo - tap
xxx ooo - G
The most usual place I might want to do this is where there's already a dotted quarter note on the beat followed by an eighth, replacing both notes with the double short roll. E.g. the first bit of "Trim the Velvet:"
~G3B AGFA|~G3B cCFA|
Becomes
~G2~G2 AGFA|~G3B cCFA|
- rama
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Re: Very long rolls
is there a specific track that you can refer to? that would make it easier.phcook wrote:I heared in WFOx some tunes with rolls over 4 or 5 notes.
For 3 notes (G for instance), you first play the note coming from another note, then cut and tap.
How do you proceed for more than 3 notes?
Thanks all