OT response, but I must say - what a great attitude to (reasonable) responses ranging from "learn to play" to the other end of the spectrum.bearbro wrote:Thank you everybody for all the kind words.
Welcome!
I never got goldwave's reverb to sound anything other than terrible. I use Audacity now.benbrad wrote:I listened to the recordings you posted and I would really like to know how you have your reverb/echo settings. Did you record these on your computer? I use the Goldwave recorder software and would really like to get my reverb/echo setting like you have on your recordings. Thanks in advance for you help.
Best wishes,I did the reverb two ways, and I can't remember which I did on which clip. One way was to add the reverb effect on my Fostex digital recorder--and since I don't think the person who asked the question has that, I imagine the other way is the one to report back on. I did use GoldWave, but I adjusted all three of the variables for the reverb downward, just a little. I was highly unscientific about it...I just moved the settings slightly to the left of where they are in the default.
It's the nature of the beast. The high B on your standard tin whistle is subjectively anyway about 10 times louder than the lowest note. You have to think of it as a feature, not a defect. It is generally held that conical whistles are better balanced between the octaves, but I have heard many Copelands with screaming top registers.bearbro wrote:The reason I said they where crap is because of the volume between the lower and upper register. My Clarke Megs, both the C & D play just fine. But the others in the upper register in order to get a good clean note the volume so so much higher then the lower register it makes the song sound bad.
I just fiddle with it until it sounds good Sorry I can't be more precise than that. I haven't had Audacity long enough to really know it well yet.benbrad wrote:I have the Audacity program too. What settings do you use for the Delay Time and Factor?