"Going Home"
- rkottke
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"Going Home"
A while back, I heard a person playing on a whistle "Going Home" from Dvorak's New World Symphony. It was fantastic. Any idea where I might find whistle-friendly sheet music for it?
Sláinte
- chattiekathy
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- Location: South Central PA
Here are the dots in the key of D. Along with the dulicmer tab. Lots of other great songs here too. Songs are listed alphabetically scroll down to find "Going Home".
http://everythingdulcimer.com/tab/#256
Cheers,
Kathy
http://everythingdulcimer.com/tab/#256
Cheers,
Kathy
~*~Creativity is God's gift to you. What you do with it is your gift to God~*~
Ah! I see! Its been transposed from E minor to B minor key (signature)!chattiekathy wrote:Here are the dots in the key of D.
Along with the dulicmer tab. Lots of other great songs here too.
Songs are listed alphabetically scroll down to find "Going Home".
http://everythingdulcimer.com/tab/#256
Cheers,
Kathy
qui jure suo utitur neminem laedit
- IDAwHOa
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- Tell us something.: I play whistles. I sell whistles. This seems just a BIT excessive to the cause. A sentence or two is WAY less than 100 characters.
Huh? Care to explain?talasiga wrote:Ah! I see! Its been transposed from E minor to B minor key (signature)!chattiekathy wrote:Here are the dots in the key of D.
Along with the dulicmer tab. Lots of other great songs here too.
Songs are listed alphabetically scroll down to find "Going Home".
http://everythingdulcimer.com/tab/#256
Cheers,
Kathy
Steven - IDAwHOa - Wood Rocks
"If you keep asking questions.... You keep getting answers." - Miss Frizzle - The Magic School Bus
"If you keep asking questions.... You keep getting answers." - Miss Frizzle - The Magic School Bus
- chattiekathy
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- Location: South Central PA
Since I am just learning to read music, I might be wrong about the key. My understanding is that if there are 2 sharps and the last note ends on a D, That most likely it is in the key of D. I would appreciate an explanation of how it is the b minor key for future reference.NorCalMusician wrote:Huh? Care to explain?talasiga wrote:Ah! I see! Its been transposed from E minor to B minor key (signature)!chattiekathy wrote:Here are the dots in the key of D.
Along with the dulicmer tab. Lots of other great songs here too.
Songs are listed alphabetically scroll down to find "Going Home".
http://everythingdulcimer.com/tab/#256
Cheers,
Kathy
Thanks,
Kathy
~*~Creativity is God's gift to you. What you do with it is your gift to God~*~
Bush Composer
Key Signature of E minor and G major = same thang
Key signature of B minor and D major = same thang
Its just that if something with a G tonic in the original is expressed as being in E minor
(for whatever reason)
it is more covenient when its transposed to D tonic to express it as transposed to key of B minor
(rather than as key of D) .
For consistency you see.
Otherwise, for those not familiar with the piece, it may create momentary confusion and askance.
But even that has its delights and made me to laugh
(at myself).
Also orchestral music compositions are multi-modal and the key
signature for the staff notation does not dictate a single tonic for
all the different strands of music within the piece.
Ultimately the piece will resolve harmonically into the key
that the composer has in mind, for instance in the piece in question
it will all resolve to E natural minor.
Let me use an example with the key signature in D (also denotes B minor).
Let's say I've written a composition for 3 instruments and the predominant chord is D major.
Now, in this piece I'm using an Irish flute and it is playing a strand with an A tonic (Mixolydian mode)
and I also have a sarangi playing a strand with a D tonic (Ionian mode)
and a bouzouki doing Phrygian riffs (with F# tonic) and regular strums of D major chord.
For the purpose of this "unison" of musical strands, the piece must be written in
D major. However you will see that singling out one instrument's strand
- let's say the bouzouki -
and saying its in D major does not help our modal
appreciation and understanding of the strand.
The key signature is only relevant to how the piece of music is staff
notated and serves
as an index to what the tonics in the piece may be.
It would be more useful to say the bouzouki plays with F# tonic in a D major piece.
Key signature of B minor and D major = same thang
Its just that if something with a G tonic in the original is expressed as being in E minor
(for whatever reason)
it is more covenient when its transposed to D tonic to express it as transposed to key of B minor
(rather than as key of D) .
For consistency you see.
Otherwise, for those not familiar with the piece, it may create momentary confusion and askance.
But even that has its delights and made me to laugh
(at myself).
Also orchestral music compositions are multi-modal and the key
signature for the staff notation does not dictate a single tonic for
all the different strands of music within the piece.
Ultimately the piece will resolve harmonically into the key
that the composer has in mind, for instance in the piece in question
it will all resolve to E natural minor.
Let me use an example with the key signature in D (also denotes B minor).
Let's say I've written a composition for 3 instruments and the predominant chord is D major.
Now, in this piece I'm using an Irish flute and it is playing a strand with an A tonic (Mixolydian mode)
and I also have a sarangi playing a strand with a D tonic (Ionian mode)
and a bouzouki doing Phrygian riffs (with F# tonic) and regular strums of D major chord.
For the purpose of this "unison" of musical strands, the piece must be written in
D major. However you will see that singling out one instrument's strand
- let's say the bouzouki -
and saying its in D major does not help our modal
appreciation and understanding of the strand.
The key signature is only relevant to how the piece of music is staff
notated and serves
as an index to what the tonics in the piece may be.
It would be more useful to say the bouzouki plays with F# tonic in a D major piece.
qui jure suo utitur neminem laedit
A DISTILLATION.
"Going Home" is a pentatonic piece within the major scale range.
Its upward motion omits the 4th and the 7th and its downward motion
omits the 6th and the 4th.
It could be considered Raag Deshkar in ascent and Raag Hans-dhwani in descent.
hence the practise of the following Raag modes may enhance the performance
of the piece of music:-
(using D tonic)
D E F# A B A B D+ (going up)
E+ D+ C# F# A F# E D (coming down)
"Going Home" is a pentatonic piece within the major scale range.
Its upward motion omits the 4th and the 7th and its downward motion
omits the 6th and the 4th.
It could be considered Raag Deshkar in ascent and Raag Hans-dhwani in descent.
hence the practise of the following Raag modes may enhance the performance
of the piece of music:-
(using D tonic)
D E F# A B A B D+ (going up)
E+ D+ C# F# A F# E D (coming down)
qui jure suo utitur neminem laedit
- chattiekathy
- Posts: 793
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- Location: South Central PA
Ditto :roll: I see! It's that mode thing again. One of these days, I will understand exactly what they are about. I get that modes give the music a kind of "mood" so I do kind of get what you are saying. Thank you for taking the time to explain it.peteinmn wrote:It's completely clear to me now!
I never realized that you could mix modes. That's neat.
Cheers,
Kathy
Last edited by chattiekathy on Fri Nov 05, 2004 6:03 pm, edited 1 time in total.
~*~Creativity is God's gift to you. What you do with it is your gift to God~*~