The same is true of the Old-Timey music that Bluegrass is partly derived from. I've been playing Old-Timey since the early '60s, and Bluegrass since the early '70s, and I learned my first jig (Swallowtail) on the guitar just a little over 3 years ago.Colin wrote:... one thing's for sure - Blugrass player's are entirely unused to playing in 6/8 or any jig time. Considering the Scots-Irish influence on the origins of Bluegrass I always find the total lack of tunes in jig time somewhat perplexing.Jennie wrote: Some of my bluegrass musician friends claim it's hard to play along to Irish traditional music because they can't find the beat. I changed my style to suit them when I play there, using more articulation and less ornamentation.
Jennie
And it wasn't till I started reading about jigs on Brother Steve's site that I figured out how to flatpick a jig properly. That made it so much easier.
http://www.mustrad.org.uk/reviews/m_wilson.htm mentions:
"As one has come to expect there are no jigs - although 6/8 tunes were played in the Ozarks within living memory and still occur in north Missouri. As in most of the south it seems jigs have either been dropped or converted to 4/4 ."
I wonder if this has anything to do with the predjudice against dancing on the part of some Protestant groups. (And the Scots-Irish immigrants were generally Protestants right from the beginning.) Jean Ritchie mentions how people got around the prohibition against dancing by treating round dances and square dances as games, rather than as dances, per se. It might be harder to do this in the case of jigs. Just a wild guess.