OT: Where are you from?
OT: Where are you from?
I occurred to me the majority of folks here seem to be American, which is rather odd, since whistle aren't. I'm curious as to where Chiff and Fipplers are from.
I'm a North American of the American variety.
edited because I forgot to mark it OT and later because somehow the poll was missing
I'm a North American of the American variety.
edited because I forgot to mark it OT and later because somehow the poll was missing
Last edited by lilymaid on Tue Jun 10, 2003 6:42 pm, edited 3 times in total.
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Re: OT: Where are you from?
Very few instruments are American in origin, modern banjo, Appalachian dulcimer, and NA flute being some of the more American instruments. Most instruments probably developed, or were adapted, in more than one culture. But, mostly, I still don't believe that musical instruments generally have nationalities.lilymaid wrote:I occurred to me the majority of folks here seem to be American, which is rather odd, since whistle aren't.
Fiddles, for example, are prominent in many cultures, often in the form of the classical violin, which was developed in Italy, from earlier forms. But the same instrument is used in indigenous ways in the folk music of the world.
And it is so often so; Hawaiian ukulele, comes from Portuguese original, but indiginized. And from Hawaii, it became quite popular in the American mainland.
Often, as in the case of the steel guitar, instruments reach another culture, being associated with a national music that has become popular. In that case, the popularity of Hawaiian music in the United States. But once the instrument becomes indiginized, it ceases to have the "foreign connotation." As in the adaptation of the steel guitar in country & western music, and blues.
There seems to be the same phenomenon with "simple system" flutes, tinwhistles, uillean pipes, bodhrans, and so forth. These instruments are common in Irish folk music, and that music is very popular now. So, many people in America, and abroad, have taken up the instruments they associate with this music. But we already see these instruments used increasingly in various American forms of music.
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... same as our pipes probably evolved from Middle East origins,
and our "typical" Breton bombarde borrows a lot from the muslim world free-reeds encountered during the Crusades. Same with a likely Arab origin of the Spanish guitar.
More recently, what to say of the presence of banjos, squeezeboxes and booze-ookies in Ireland? The Hooligans' pipe itself seems to have French "musette" roots (as we say, deepest roots make the best glass or wine. Or pipe of whine :roll: )
Fortunately, it seems that there are no more "ethnically pure" instruments than men.
and our "typical" Breton bombarde borrows a lot from the muslim world free-reeds encountered during the Crusades. Same with a likely Arab origin of the Spanish guitar.
More recently, what to say of the presence of banjos, squeezeboxes and booze-ookies in Ireland? The Hooligans' pipe itself seems to have French "musette" roots (as we say, deepest roots make the best glass or wine. Or pipe of whine :roll: )
Fortunately, it seems that there are no more "ethnically pure" instruments than men.
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