Denny wrote:*preen*
Ha!
Denny wrote:*preen*
And now I expect you to keep your promise. Even if you explode.benhall.1 wrote:I promise I'll stop after this ...
benhall.1+ wrote:Can't you hear the direness in that? I mean, really, truly, dire.
Think there's a fair body of evidence to suggest that Cape Breton style largely preserves an older Scots style now lost to us at home?jemtheflute wrote:I've heard (not much but) enough Cape Breton and French Canadian music to know that although they use much ITM and STM material, they play it in their own style, not as it would mostly be played by Irish or Scottish players. I know far less about the Scottish tradition and what might be the "right feel" for that than I do about Irish or Welsh music...
Having heard a lot of Cape Breton style, I really don't hear this at all in their playing.MTGuru wrote: It reminds me of the raw, aggressive drive I associate with Cape Breton style, the kind of feel I get when I play with Barbara Magone
I don't mean, of course, that I'd mistake it for the real thing, and not that I'm an expert on CB. But I think I can hear a hint of that influence informing their approach. And the musicianship and integrity behind the intent of any effort is one of several criteria* that I tend to judge on, regardless of whether I personally like the result or not. In this case I do, but more importantly I think the intent is legitimate here. Once that's established, the appeal is a matter of taste, and not everyone is necessarily the target audience for everything.NicoMoreno wrote:Having heard a lot of Cape Breton style, I really don't hear this at all in their playing.MTGuru wrote: It reminds me of the raw, aggressive drive I associate with Cape Breton style, the kind of feel I get when I play with Barbara Magone
NicoMoreno wrote:Also, why a motorcycle garage?
The clue appears to be 'at the Vax Moto sessions', where Google tells me Vax Moto is a motorcycle garage/workshop and someone appears to have organised some sessions/gigs there...Trip- wrote:I will have to take my hat off for that although I didn' t understand the motorcycle scenery at all.
By way of a slightly oblique response to Davy's Russian Haydn murder (*no trad element/associations whatever*), here's some very very tasty period instrument Bach - if this lady ('s voice/vocal technique) was substituted into Davy's clip, even the modern instruments and playing approach would seem rather more OK.BigDavy wrote:Haydn - 3 Scots songs a perfect example of how good musicians and singers can absolutely destroy a song or tune. David
Of course. You'd have to be mad to suggest otherwise. (IMO)jemtheflute wrote:I think it is absolutely valid for classical composers to utilise and adapt trad material.
You rang? Bwa ha ha ha!!!benhall.1 wrote:Of course. You'd have to be mad to suggest otherwise. (IMO)jemtheflute wrote:I think it is absolutely valid for classical composers to utilise and adapt trad material.