I’m having problems with arthritis in my fingers and finding it harder to play whistle. It has been suggested that playing harmonica would allow me to continue playing the music I love so much. I’m willing to give it a try.
A good portion of Irish traditional is in the keys of D and G. The D whistle is wonderful for playing both.
Will I need to purchase both a D and a G harmonica?
Yes, it is likely you will require both harmonica’s in Paddy Richter tuning. If you get a D, make it easy on yourself and get a low D as playing a normal D will require quite advanced techniques.
The Seydel Sampler is a all in one solution, in essence, two harmonica’s in one. If the quality is good (that I don’t know, but it probably is) than it’s not a bad idea to start with that instead.
There are some trad harmonica lessons on youtube that might be interesting for you.
Paddy Richter is for melody playing, normal Richter is for chords. It\s made for Irish music.
Paddy Richter tuning basically means you can play relatively easily over 2.5 octaves instead of 2 octaves. It just gives you that extra bit of range. Especially if you run a D harmonica, where the top notes are near impossible to play and don’t sound pretty you need that bottom register to play at all. For a G harmonica you’ll find that most tunes in Eminor are easy with Paddy Richter and awkward without.
Soloist tuning is much more consistent over the octaves, every octave is played the same while on a paddy richter the note direction changes on the upper octave and on the bottom octave you need to bend to get all the notes.
Another thing, Irish music has a much richer history on tremolo harmonica’s than bluesharps.
I’m no harmonica expert and not much of a player, but I think I can help …
The difference between standard Richter tuning and Paddy Richter tuning is one note. But that note makes a big difference.
In the first octave, Richter tuning is set up to play chords, and it’s missing the 6th and 4th of the scale (A and F in the key of C). That’s not a good thing for playing Irish melodies down into that octave. Paddy Richter restores the 6th (A), making those melodies possible down to the 5th (G) of the scale. And this advantage applies to any diatonic harmonica, not just a blues or tremolo harp.
Solo tuning OTOH restores both the 4th and 6th. It also repeats the tonic note (key note) in each octave, avoiding the blow-draw “inversion” that happens in the 3rd octave of Richter tuning. The extra tonics require two extra holes, so a 12 hole Solo covers the same range as a 10 hole Richter. Irish box players who are used to the inversion may find Solo tuning odd at first, but it should be easy enough to adjust to.
Given the relative scarcity of Paddy Richter and Solo tuned harps in the marketplace, the Seydel Sampler “double” does seem like a good choice if you’re serious about investing that much in a diatonic harmonica for Irish playing.