I had my first lesson today with my tin whistle. I am in the process of purchasing my first flute and there are so many options. My teacher suggested buying a Seery Pratten model flute in Delrin, however, I am also looking at a Copley & Boegli Irish Flute in Delrin and the Casey Burns Folk Flute. I am wondering if anyone has advice on these models. Thank you very much.
Any of those are good choices. Given the suggestion of the Seery, you’re probably in Ireland, the UK or Europe. If so, the other flutes will likely come with the additional expense of import duties and shipping.
Oh? Someone carrying them again in the U.S.? I used to help Desi rep them back in 2001 or so. Not sure who’s taken over the business since he & his daughter died.
Having owned a few Seerys (including one as a gift specially made from Desi), I’d currently recommend the Copley with an oval (not the squared modern) embouchure. If you want a wood flute, the Burns Folk flutes are a value you cannot beat. I’ve had both blackwood & boxwood, and love the boxwood flutes for the variety. No personal experience with the Mopane.
Also, if you’re going to take up the flute, may I be self-serving and recommend the CDs in my signature?
All three are good flutes for starters, even for intermediate musicians.
The problem with the flute is that you will have to break the first barrier that involves the grip and the embouchure, the first time you take a flute is a it is a very strange artifact to the hands, and you will have the sensation of needing a third lung to play it.
So the question is if you are really interested in learning to play the flute, it´s not an easy way. If the answer is yes, go ahead, Seery, Copley and Burns are solid options, if the answers is “I don´t know” give yourself some more time with the whistle, I spent 3 years playing the whistle before trying with the flute, now I only play the flute
I’ve also played all three and vote for the Copley–especially the bottom of the line
without rings or metal tuning slide. As far as I can tell, it plays at least as well as any other
delrin flute he makes, and it’s cheaper than they are. Also, IMO, the all black delrin flute without rings
is visually elegant. And the Copley is also cheaper than the Seery and the Burns. The delrin on delrin tuning slide
works well, certainly well enough to play in sessions, and my guess is that
his flute without the metal slide has an exceptionally good sound. I think all
of the flutes mentioned are good, and I believe Dave hit the jack pot on this one.
I play it in various ensembles and I think it’s a professional level flute, no holds
barred, for under 400.
About embouchure. The key to success is patience. It takes
literally months for this to come on line, at least it did me (nine months
before I was consistently up and running).
So when you get to the point where you realize transverse flute
is not for you, your body just wasn’t made to blow the thing
well, etc., please remember we have all been there too and kept
going. Once you get it it improves for the rest of your life. Most
satisfying.
What Jim said! Patience with yourself until the embouchure comes in. There are a few other physical issues, that take time (hyperventilation, finger strength, posture, breath control), but the longest is embouchure. I took me two months to get notes to sound across two octaves. It took me 18 months to achieve a moderately okay tone… sometimes, and now at my two year mark, I think I’m finally achieving some consistency in quality.
I highly recommend that you get a teacher for one-on-one attention right at the start. Start with proper technique, and you don’t have to unlearn things later. And a teacher will spot things you didn’t realize were problems. For example, I have a lip shape that doesn’t work for blowing through the center of the mouth. I only figured that out by luck, and a teacher would have saved me a month of frustration!
Alright I have ordered a Copley flute with rings, now the wait begins! Apparently there is a 12 week wait. Does anyone have any good ideas to pass the time?
I’ve been working on the reel, “Come West Along the Road,” and I’ve been having some trouble keeping the rhythm of the music. Does anyone have any advice on ways to keep the rhythm of a tune?