3:10 to Yuma
- ISU Trout Bum
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3:10 to Yuma
Hi All,
Anyone seen this flick yet? If so, thoughts?
I'll let the cat out of the bag and say I saw it last night. In my opinion, it more than lived up to the hype. Excellent sort of yin-yang dynamic with very good character development. One of the best westerns I've seen in years.
Happy to hear thoughts!
Trout Bum
Anyone seen this flick yet? If so, thoughts?
I'll let the cat out of the bag and say I saw it last night. In my opinion, it more than lived up to the hype. Excellent sort of yin-yang dynamic with very good character development. One of the best westerns I've seen in years.
Happy to hear thoughts!
Trout Bum
http://northwaystringedinstruments.blogspot.com/
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
- Whistlin'Dixie
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- ISU Trout Bum
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Dixie,
I couldn't agree more - I'd love to see it twice too (is that redundant? ), and I never do that either. Interesting message concerning morality that I wasn't expecting in a shoot 'em up.
I couldn't agree more - I'd love to see it twice too (is that redundant? ), and I never do that either. Interesting message concerning morality that I wasn't expecting in a shoot 'em up.
http://northwaystringedinstruments.blogspot.com/
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
- I.D.10-t
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You can always watch They Call Me Trinity while you are waiting.chrisoff wrote:Trailer looks good and I love westerns, but I'll probably wait until it's out on DVD.
"Be not deceived by the sweet words of proverbial philosophy. Sugar of lead is a poison."
- AaronMalcomb
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- ISU Trout Bum
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Hi Aaron,
Thanks for the heads-up. I have not seen it (nor even heard of it for that matter). I'm off to look on Netflix . . . . . .
Thanks for the heads-up. I have not seen it (nor even heard of it for that matter). I'm off to look on Netflix . . . . . .
http://northwaystringedinstruments.blogspot.com/
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
"Sine Cerere et Baccho friget Venus" - Terence, Eunuchus, IV.v
- Whistlin'Dixie
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- Location: It's too darn hot!
Amazing film, all the way around, ending was great, with plenty to reflect upon.ISU Trout Bum wrote: Dixie,
Interesting message concerning morality that I wasn't expecting in a shoot 'em up.
The acting was unquestionably superb.
Actually, if nothing better is on this weekend, I may just actually go again with one of my sons who is coming home from college for a couple of days.... Talking myself into it
M
thanks for noticing.AaronMalcomb wrote:Has anybody seen the original, The Tall T? Both films are based on the same story but are apparently quite different tellings.
edit: Oops, I just noticed that Dr. Stone has seen it.
Just to add, I'm jim, please.
The only time I want folks to
call me doctor is when I'm
trying to pass myself off
as a gynecologist. love to all
Directed by Delmer Daves
USA 1957
A classic Western scenario, adapted from a short story by Elmore Leonard. For $200, the sum he desperately needs to save his land from drought, a small-time farmer (Heflin) agrees to escort a notorious outlaw (Ford) to the state penitentiary in Yuma; holed up in a hotel to await the train, with the outlaw's gang gathering in force outside, the escort finds himself in effect the prisoner; nevertheless, although the financial inducement evaporates (he's offered more to let matters slide by both the outlaw and the town's alarmed mayor), he insists on fulfilling his contract. It's of necessity a talkative film, with Ford working on Heflin's nerves in a stream of Machiavellian banter, but one held in perfect balance by Daves, who keeps the tension strung taut (especially in the gauntlet-running final walk to the station) while at the same time elaborating a subtle psychological conflict. The nerve centre is exposed in an early scene where Heflin, the dour family man careworn by responsibilities, watches as his wife and sons come under the spell of Ford's carefree charm: the conflict, ultimately, stems from each man's envy of what the other has.
Excerpt from TimeOut Film guide located HERE
USA 1957
A classic Western scenario, adapted from a short story by Elmore Leonard. For $200, the sum he desperately needs to save his land from drought, a small-time farmer (Heflin) agrees to escort a notorious outlaw (Ford) to the state penitentiary in Yuma; holed up in a hotel to await the train, with the outlaw's gang gathering in force outside, the escort finds himself in effect the prisoner; nevertheless, although the financial inducement evaporates (he's offered more to let matters slide by both the outlaw and the town's alarmed mayor), he insists on fulfilling his contract. It's of necessity a talkative film, with Ford working on Heflin's nerves in a stream of Machiavellian banter, but one held in perfect balance by Daves, who keeps the tension strung taut (especially in the gauntlet-running final walk to the station) while at the same time elaborating a subtle psychological conflict. The nerve centre is exposed in an early scene where Heflin, the dour family man careworn by responsibilities, watches as his wife and sons come under the spell of Ford's carefree charm: the conflict, ultimately, stems from each man's envy of what the other has.
Excerpt from TimeOut Film guide located HERE