The hive of honeyed sound

A forum about Uilleann (Irish) pipes and the surly people who play them.
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rorybbellows
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The hive of honeyed sound

Post by rorybbellows »

I could be wrong ,but I think this is the set of pipes that ,that term was first applied to
It,s the Moloney brothers set that is pictured in IMAM page 339 .

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RORY
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Post by PJ »

From Kevin Rowsome's website:

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brianc
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Post by brianc »

...there was danger of them passing into American ownership.
Well, then.
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Post by Patrick D'Arcy »

Pesky American's buying up everything in the world like that :lol:

Pat.
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Post by Joseph E. Smith »

Patrick D'Arcy wrote:Pesky American's buying everything in the world like that :lol:

Pat.
... if we didn't, somebody else would... like space aliens or something. :P

Interesting though, even back then we Yanks had a hunger for the Uilleann Pipes. :twisted:
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Post by brianc »

Patrick D'Arcy wrote:Pesky American's buying up everything in the world like that :lol:

Pat.
Prob'ly woulda turned that thing into a trombone and played music by - GASP! - John Phillip SOUSA! :o

:wink:
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Post by Christopher »

The Photo of the Set from the museum suprises me, the Contra bass Regulator Low D Key is sitting bent really, really high! It would get in the way of the right wrist! Its hard to tell, but it seems like the Picture with Leo holding the set is far less extreme.
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Post by PJ »

Here's a link to another thread on the same subject. Peter Laban has some interesting information on the history of the set. Seems like it's cursed - the potential owner gets injured, the makers go to the wall because of it - may be a museum is the best place for it :wink:

By the way, it looks very much like the Dave Williams/Alain Froment C# set featured in this YouTube clip. Is it possible that Dave Williams studied/copied the Vandeleur set?
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Post by itisi »

Good to see such nice sets in a museum and not being played by a good piper.... :boggle:
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Post by kenr »

PJ said: By the way, it looks very much like the Dave Williams/Alain Froment C# set featured in this YouTube clip. Is it possible that Dave Williams studied/copied the Vandeleur set?

Sorry the answer here is a definite no. That set is in concert pitch and the only similarity it has with the Moloney brothers set is the loop across the top - I don't think it took much study to borrow that idea.

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Post by Cayden »

I have taken the Maloney paperclip set apart once in the museum during the mid 80 (in those days you could phone the curator and ask to see the pipes and if you spun a good story they'd let you spend the afternoon in the room where the stuff was, unsupervised hmm.) Anyhow, the thing is huge, you can drive a truck through the bass reg and drop a golfball into the holes of it. The Maloneys were blacksmiths and it reflects in their work, which is to say it wasn't exactly refined.

I am not sure you know the picture of Thomas McCarthy the piper from Ballybunion (the man who lived in three centuries, born 1799 died 1904). Ballybunion being across the Shannon from the Maloney's workshop he obviously had one of their sets, a four reg one, it has the keys bent up in the same way as the Vandeleur set. The picture (which was the first and rare postcard of a piper) is not in the NPU archive but I may scan it later. Another shot appears in O Neill's IMM but doesn't show the angle of the keys as well as the other one.
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Post by Kevin L. Rietmann »

Aren't the keys on that Moloney made out of forks, with coins for the "hole covers"? The low D key may be bent up so the player's wrist goes under it, although it doesn't seem like players in the old days used the DF/DG wrist chord much anyway - you never see it in photos or hear it on recordings. To get at it you'd have to use a shoulder strap which would probably dislocate your shoulder (speaking as one who knows!).
That Moloney chanter has the gravity-driven popping valve on it, too, for the curious.
Do you have more pics like that, Rory? Who made that other set? I think it was in An Piobarie actually. Bass reg plugs into the front of the stock. Built by Ryan, maybe.
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Post by Patrick D'Arcy »

It' looks to me like the two bass regs have been switched. It would make more sense to have the high keys on the furthest regulator.

I'd like to see that photo of Thomas McCarthy that you mentioned Peter if you have time.

All the besht now,

Pat.
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Post by Kevin L. Rietmann »

Patrick D'Arcy wrote:It' looks to me like the two bass regs have been switched.
Don't stand on your head when you go online, Pat.
The set's pointing in the opposite direction other pics have shown it, maybe that's confusing you (further).
I think someone switched the tenor and baritone regulators around for whatever reason, pipers used to do that - I wrote an article about it, you see it in a good few old photos.
You can think of this as a standard full set with an extra "baritone regulator" and the double bass.
It would make more sense to have the high keys on the furthest regulator.
Which direction is "furthest"? If you put keys like that on the bass reg you'd need to shift dimensions to play the small regs. It might come in handy for scratching your nose or pressing chanter keys, hrmm....

I've come to the conclusion that the Taylors had the right idea for a double bass - just put the keys next to the tenor regulator, set a bit lower, and you're in business.
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Post by Patrick D'Arcy »

:party:
Last edited by Patrick D'Arcy on Wed Jan 10, 2007 3:52 pm, edited 2 times in total.
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