As I am still learning to play the lovely overton low D I got and think doing fine so far there is ONE thing that I have a hard time with.....
Doing a C# (all fingers off) now how to you avoid the whistle drops?
Must be something in how I hold the whistle but it would be particularly helpful if some magic low d player could shed some light on this
berti
C# on a low d... tips?
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That's what I do as well. or, since mine's a susato, sometimes I just stick on the thumb rest.O'Brien wrote:You can cover the bottom hole without affecting the pitch of the C sharp.
Some people are able to hold the instrument with the pinky of the right hand anchoring it. My pinkys are abnormally shorter than the rest of my fingers, so I cannot do this.
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It is more of an issue with low whistles. For me my thumbs and lips (no teeth) are enough to hold the whistle in place. I dislike using my ring finger as an anchor as I don't want that to become a habit on notes where the pitches can be affected. I also dislike using my pinky because when it's down it limits the function of my ring finger. Trying to avoid bad habits before they start I guess. I imagine the angle of the whistle would affect how much the whistle would want to slip If you're holding it at a 90degree angle to the floor it's gonna wanna drop.
Sincerely,
-George
Sincerely,
-George
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thanks for the tip of the ringfinger I am going to give it a go later today....
it made me wonder also, if you could keep that finger down on more notes than just the C# to make things easier?
as for georges remark on how you hold the whistle that could make it drop, holding mine at a 45 degrees angle I think should not cause any troubles.....
berti
it made me wonder also, if you could keep that finger down on more notes than just the C# to make things easier?
as for georges remark on how you hold the whistle that could make it drop, holding mine at a 45 degrees angle I think should not cause any troubles.....
berti
You'd be surprised at how little covering the lowest holes matters on C#. My pinkie doesn't reach the whistle, so I can't do that. I hate thumbrests. I simply keep my lowest finger on the bottom hole.
This holds, BTW, for a soprano D whistle too.
Just picked up my low D and played a scale...my right hand, lowest finger comes down playing G and stays there until I play the high E. Hmmm. Never noticed that it was there that much. Played G, A, B and C# with and without that finger and couldn't hear any differece in the note at all.
EDIT:
I knew I didn't figure this one out myself... here is the link to where I started using this technique pretty exclusively:
http://www.rogermillington.com/siamsa/b ... fting.html
This holds, BTW, for a soprano D whistle too.
Just picked up my low D and played a scale...my right hand, lowest finger comes down playing G and stays there until I play the high E. Hmmm. Never noticed that it was there that much. Played G, A, B and C# with and without that finger and couldn't hear any differece in the note at all.
EDIT:
I knew I didn't figure this one out myself... here is the link to where I started using this technique pretty exclusively:
http://www.rogermillington.com/siamsa/b ... fting.html
Remember, you didn't get the tiger so it would do what you wanted. You got the tiger to see what it wanted to do. -- Colin McEnroe
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On my Kerry, the C# is actually more in tune with all three right-hand fingers down.Byll wrote:To be honest, all 3 of the lowest fingers can be left down and the C# sounds just fine. It makes it much easier to have to place only two more fingers down when moving from C# to D, when one is playing very fast.
Best.
Byll
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