Bent notes.

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peeplj
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OT: sorry

Post by peeplj »

talasiga wrote:
Lambchop wrote:
vomitbunny wrote:I keep my tuning slide really slick so I can use it like a trombone slide while I'm playing.
You have such a cute sense of humor, Bun!

:D
vegetarians unite!
Hmmm...

9 out of 10 cannibals agree, vegetarians taste better!
:twisted:

--James
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dow
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Re: OT: sorry

Post by dow »

peeplj wrote:
talasiga wrote:
Lambchop wrote: You have such a cute sense of humor, Bun!

:D
vegetarians unite!
Hmmm...

9 out of 10 cannibals agree, vegetarians taste better!
:twisted:

--James
And they're on menus everywhere. Why just tonight, while eating out at the Tip Top Cafe in San Antonio, I saw that they have a Vegetarian Platter... How do you cook vegetarians, anyway? :boggle:
Dow Mathis ∴
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Wormdiet
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Re: OT: sorry

Post by Wormdiet »

dow wrote:
peeplj wrote:
talasiga wrote: vegetarians unite!
Hmmm...

9 out of 10 cannibals agree, vegetarians taste better!
:twisted:



--James
And they're on menus everywhere. Why just tonight, while eating out at the Tip Top Cafe in San Antonio, I saw that they have a Vegetarian Platter... How do you cook vegetarians, anyway? :boggle:
I've heard they taste best fried in the grease of a veal calf. 8) :twisted:
OOOXXO
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Jack Bradshaw
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Post by Jack Bradshaw »

Ahhhhhh, yesss.................

I see (in typical scholarly fashion) the class has spent the homework period passing notes instead of reading the assignment...... :o

We'll pass on today's lecture......"Why One Would Want to Bend Notes in the First Place"......... :cry:

Those interested should read Benade........Secs. 15.3,15.4,15.6.......extra credit for 15.5.................. :-?

(Tal........I,m really surprised at your lack of attention this semester... :lol: )


Herr Doktor Profffesssor Jack
603/329-7322
"I fail to see why doing the same thing over and over and getting the
same results every time is insanity: I've almost proved it isn't;
only a few more tests now and I'm sure results will differ this time ... "
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I.D.10-t
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Post by I.D.10-t »

Jack Bradshaw wrote:"Why One Would Want to Bend Notes in the First Place"
Well the F nat, I would assume that you would need to (not part of the original sidcussion because this is cross fingering). You can usually find creative fingerings for the third octave (disclamer I am more a fife/piccolo player at the moment) So I would think that again it would be best to concentrate on the lower octaves.

While playing with others cork adjustment would bring the flute partly out of tune with its self, so again a necessity.

I also heard that and tuning to “Perfict” pitch would be different than tuning to “piano” pitch (sorry I do not know the correct termonology). Adjusting pitch, again seems to be a necicity depending on who you play with.

Also It seems like something to thinkabout if you want to have dynamics rather than playing lous all the time.
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Lambchop
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Re: OT: sorry

Post by Lambchop »

dow wrote:
9 out of 10 cannibals agree, vegetarians taste better!
:twisted:

--James
And they're on menus everywhere. Why just tonight, while eating out at the Tip Top Cafe in San Antonio, I saw that they have a Vegetarian Platter... How do you cook vegetarians, anyway? :boggle:
Ohhhh! You're in San Antonio!

Words cannot express how much I miss real fajitas. :cry: :cry: :cry:

It doesn't matter what kind, either . . . vegetarian . . . beef . . . chicken . . . it's just not the same anywhere else.

And now, back to our regularly scheduled thread . . .
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talasiga
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Post by talasiga »

Jack Bradshaw wrote: ......
Tal........I,m really surprised at your lack of attention this semester... :lol:
.........

Is it surprising that I was distracted by a Lambchop fraternising with a chundering wabbit?
:-?
qui jure suo utitur neminem laedit
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Jack Bradshaw
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Post by Jack Bradshaw »

No...in this case, I guess not.....you are excused...
603/329-7322
"I fail to see why doing the same thing over and over and getting the
same results every time is insanity: I've almost proved it isn't;
only a few more tests now and I'm sure results will differ this time ... "
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Jack Bradshaw
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Post by Jack Bradshaw »

As an addendum, a friend just passed along this little tidbit:

http://www.anl.gov/Media_Center/Explore ... _1_p1.html

The "blue" notes refered to here are only briefly touched in Benade.

Enjoy
603/329-7322
"I fail to see why doing the same thing over and over and getting the
same results every time is insanity: I've almost proved it isn't;
only a few more tests now and I'm sure results will differ this time ... "
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Post by vomitbunny »

Sometimes when you are playing a tight musical passage, there isn't room for the note to fit in, so you have to bend it to make it fit. Sorta like undertakers do when they get a body that's too tall.
My opinion is stupid and wrong.
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Jack Bradshaw
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Post by Jack Bradshaw »

For some weird reason, that seems to make perfect sense.....
603/329-7322
"I fail to see why doing the same thing over and over and getting the
same results every time is insanity: I've almost proved it isn't;
only a few more tests now and I'm sure results will differ this time ... "
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Post by Denny »

kinda grows on ya, don't he?
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Post by rama »

I.D.10-t wrote:
Jack Bradshaw wrote:"Why One Would Want to Bend Notes in the First Place"
Well the F nat, I would assume that you would need to (not part of the original sidcussion because this is cross fingering). You can usually find creative fingerings for the third octave (disclamer I am more a fife/piccolo player at the moment) So I would think that again it would be best to concentrate on the lower octaves.

While playing with others cork adjustment would bring the flute partly out of tune with its self, so again a necessity.

I also heard that and tuning to “Perfict” pitch would be different than tuning to “piano” pitch (sorry I do not know the correct termonology). Adjusting pitch, again seems to be a necicity depending on who you play with.

Also It seems like something to thinkabout if you want to have dynamics rather than playing lous all the time.

why i bend notes might not necessarily be to get a note to fit any scale at all, but perhaps to break out of a 'scale-ized' approach to music making, or maybe to break a pattern of notes by injecting a bit of unpredictability and creativity. for instance a slightly flat shading to a note can put a bit of funk into a tune, especially done randomly.
i don't think there are any rules that would explain this.


what comes to mind are some great old time itm fiddlers who sort of played that way, some say they had quirky intonation but i'd say they just might be a couple steps ahead of the gang...or maybe behind...
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