The BEST whistle?
- Bloomfield
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- PhilO
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Currently: Copeland soprano D, Bflat and Low G; Abell delrin D, Bflat blackwood; O'Riordan Low G; Elfsong D; WW C and A; Walton Golden Tone C.
Now who's going to search all these threads to conduct a longitudinal study as to how individuals' favorites have changed over time? Not me. And leave Jessie out; she's certainly not fickle with respect to her Abell Madagascar D.
Regards,
Philo
Now who's going to search all these threads to conduct a longitudinal study as to how individuals' favorites have changed over time? Not me. And leave Jessie out; she's certainly not fickle with respect to her Abell Madagascar D.
Regards,
Philo
Jessie, I'm shocked!On 2003-02-07 11:36, JessieK wrote:
Abell Madagascar Rosewood d.
Where's the 'Beloved'?
And as for the question, I have to admit that which ever is currently in my hand is usually my fave. There is no one whistle I reach for over all others. I rotate freely between Abell D, O'Riordan, Rose and Burke, then dip into Sweetheart, Copeland and a variety of non-D-key whistles...Dixon, Walton, Burke, Cook.
_________________
Tyghress
...And I go on, pursuing through the hours,
Another tiger, the one not found in verse.
Jorge Luis Borges
<font size=-1>[ This Message was edited by: tyghress on 2003-02-07 12:55 ]</font>
- Loren
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- Tell us something.: You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
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And get yourself free - Location: Loren has left the building.
- Loren
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- Tell us something.: You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free - Location: Loren has left the building.
Pfft!!! Yes, your Abell is sweeter, but mine has a stronger bell note and more balls! (As it should be, hee) Not to mention the C tube....and an Eb tube that absolutely rocks!
Now if I could get an Abell A/Bb set like that....
And I still want to pry that Frickin' Gold Banded Cocus D from Chris.
Loren
Now if I could get an Abell A/Bb set like that....
And I still want to pry that Frickin' Gold Banded Cocus D from Chris.
Loren
- peeplj
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Michael sent me a second head for this whistle which has about half the volume of the original...still louder than a Susato, but not as loud as a clarinet playing its loudest.On 2003-02-07 11:24, Azalin wrote:
The Cronnolly you're talking about, is it the heavy duty whistle in delrin? I tried it once and, well, let's say that Susato is a quiet whistle compared to it. I'm surprised that it's your favorite whistle.
It is responsive, has a little bite and chiff, and isn't shrill. The tuning is good, and it's just a wonderfully fun whistle to play.
It's hard to record though...I don't have a microphone that this whistle won't overdrive with either head.
I'm going to see if I can get a comparison recording between the original head and the new design.
I still play the original head sometimes, though: I like loud instruments. I like loud flutes, so I play a Hammy. I like loud whistles, and the Cronnolly fits the bill and then some.
Best,
--James
http://www.flutesite.com
- markv
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Well,
I would second Bloomfield's (with a different tube) but Jim aka Live-the-question lent me a blackwood weasel that is one amazing instrument. I think I can outrun him but he can probably find out where I live. In the end, when it comes to playing with a group where tuning and balance matter for me I end up using the Susato the most.
Mark V
I would second Bloomfield's (with a different tube) but Jim aka Live-the-question lent me a blackwood weasel that is one amazing instrument. I think I can outrun him but he can probably find out where I live. In the end, when it comes to playing with a group where tuning and balance matter for me I end up using the Susato the most.
Mark V