I guess that shows how much of an impression he made on me, then...... though, to be fair, I've only listened to my WFO CDs - and yes, I have all 3 sets, being obsessed - about three times each. I don't remember most of the other contributors either. I think the series is a fantastic and useful reference document, but they aren't particularly listenable as albums.Denny wrote:first WFO 2nd CDjemtheflute wrote:Is he on any of the WFO CDs?
Back on topic, it seems the OP doesn't like the classic ITM flute sound which is, so far as we can tell, a survivor/offshoot of the C19th English, Nicholsonian classical school of technique and sound ideal. Fair enough. I don't really know what Grey Larsen sounds like and I'm therefore not knocking him, but it would seem that if the OP doesn't like the established, mainstream sound ideal for ITM, he must prefer something more akin to the modern Franco-American classical school which dominates orchestral/Bohm flute playing, derived predominantly from the late C19th French school. It's an old controversy and aesthetic dichotomy, with fluctuations and swings in fashion and style-dominance over time. I've said before that I think Jimmy Galway (and his disciples) with his richer, more powerful tone represents a partial swing back towards the old English sound.