Sad and angry tunes.
- Henke
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Sad and angry tunes.
Has anyone got some tunes for bitter sadness that can be played very sensitivelly to wet the eyes of audience and player alike?
And tunes for angryness and rage? I would love to know of some. I haven't found anything quite satisfying yet, and I'm not much of a composer. Please help me out if you have some nice ones, I just can't bring myself to play black metal stuff.
And tunes for angryness and rage? I would love to know of some. I haven't found anything quite satisfying yet, and I'm not much of a composer. Please help me out if you have some nice ones, I just can't bring myself to play black metal stuff.
- Cathy Wilde
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- Nanohedron
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Tunes in A minor and A mixolydian have a hungry, intense, edgy quality to me, yet B minor by comparison does not nearly so. Hmmm.
For sad: The May Morning Dew in D (gotta half-hole that upper Fnat if you've got no keys). It can be played in Em, too, but I think that D gives it a brooding quality.
For angry/spooky: Pull the Knife and Stick It Again à la Larry Nugent. Check the last track on his Windy Gap CD. The slip jig preceding it is pretty good for intensity, and then he plays PTNASIA in A minor. It's usually played in E minor, but the A minor version is très Halloween.
For sad: The May Morning Dew in D (gotta half-hole that upper Fnat if you've got no keys). It can be played in Em, too, but I think that D gives it a brooding quality.
For angry/spooky: Pull the Knife and Stick It Again à la Larry Nugent. Check the last track on his Windy Gap CD. The slip jig preceding it is pretty good for intensity, and then he plays PTNASIA in A minor. It's usually played in E minor, but the A minor version is très Halloween.
- seisflutes
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Eanach Dhúin (AKA Eanach Chuin) seems sad to me--and more so if you think about the topic of the song: "A lament by the poet Raferty (1789-1835) for eleven men and eight women who were drowned in Lough Corrib near Annaghdown (Eanach Dhúin) on their way to Galway with a cargo of sheep."
Do You Remembet That Night? is another with a sad tale to match the tune: "The verses were composed by a widow whose husband had drowned bringing her cousins across the Shannon on their wedding night."
Amhrán na Leabhar (Song of The Book, AKA Cuan Bheil Inse) can be made to sound pretty plaintive, though I don't know what the original topic was.
(Quotes are from Waltons Ireland's Best Slow Airs.)
Do You Remembet That Night? is another with a sad tale to match the tune: "The verses were composed by a widow whose husband had drowned bringing her cousins across the Shannon on their wedding night."
Amhrán na Leabhar (Song of The Book, AKA Cuan Bheil Inse) can be made to sound pretty plaintive, though I don't know what the original topic was.
(Quotes are from Waltons Ireland's Best Slow Airs.)
Mike Wright
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"When an idea is wanting, a word can always be found to take its place."
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- Steven
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Cathal McConnell wrote a slow air that appears on his solo CD "Long Expectant Comes At Last" called "Leaving Waverly Park." The liner notes say it came about during a time of domestic trouble, when he was looking for a new place to live, and when he sat down with his flute this tune just came out. Hard to get more melancholy than that!! Plus it's a lovely tune.
Steven
Steven
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I have a hard time hearing "angry" in most traditional music of this sort I listen to. Maybe the first part of the Growling Old Man and Grumbling Old Woman (if that's the right title) but even so, it doesn't sound all that angry. Compare Irish or American trad music with some jazz where the musicians play short choppy phrases, saxophones screech out of the normal range and drummers drop bombs all over the place. That sounds angry. To me, a lot of the angriness comes from the phrasing. As I mentioned, it's short and choppy and explosive, much the same as angry speech. A Strathspey in a minor key can sound sort of stormy but I still don't hear anger in them.
Steve
Steve
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Leon's Waltz, by Loretto Reid
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