favorite flute key?
- tin tin
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favorite flute key?
As flutes in keys other than D become increasingly popular and available, what's your favorite...and why?
- Doc Jones
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Other than D, my favorite key is F. Something magic about F flutes.
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D, for obvious reasons.
However I like A very well, especially as it gets me D.
Also G, which gets me C.
And Bb--all of these being higher pitched, not lower.
I think the higher keyed flutes are underrated.
They're fun to play, sound great, they're easy to finger, and they
improve your embouchure too. Also they don't need
to cost a lot to sound great. Different voices welcome,
they can add something fresh to ensembles.
However I like A very well, especially as it gets me D.
Also G, which gets me C.
And Bb--all of these being higher pitched, not lower.
I think the higher keyed flutes are underrated.
They're fun to play, sound great, they're easy to finger, and they
improve your embouchure too. Also they don't need
to cost a lot to sound great. Different voices welcome,
they can add something fresh to ensembles.
- LorenzoFlute
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- Romulo
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Ronan Browne plays a Bb Woof pulled out to A here(listen to "The Big Bull Flute")Othannen wrote:Maybe you shouldn't have put the D key as an option, it's quite obvious that most people will choose that...
anyway, my favourite key is Bb, there's something magic in the sound of low flutes. I never heard a low A (conical) flute though...
http://profile.myspace.com/index.cfm?fu ... =125375085
Its difficult to compare apples with mandarins or avocados.
For instance, at present, my favourite key flute is any of these:-
a) with the lowest bell note with big sound
b) with the lowest bell note with the greatest glissandi (therefore, microtonal) possibilities
c) with the lowest bell note of small flutes that allow whistle like digit dexterity
So for the first one my favourite is my Chu C bamboo flute with bamboo lip plate. It honks and its deep. With cylindrical bore I asked the maker to use 2 thumbholes for 2 of the 6 tone holes for to facilitate reach.
Now, if I could afford it, I'd order a low Bb flute (probably in boxwood) and that would become my favourite key.
For the second one that is my bansuri with C# bell note. Its cyclindrical so the reach is a bit more difficult than one would imagine if one is thinking along lines of a tapered bore instrument. Bansuri-s are glissandi or slide technique wind instruments par excellence. This is the largest bansuri I can comfortably handle BUT as I improve in the bansuri reach and grip etc I hope to progress to the B key one and then THAT will become my favourite key.
For the third one that is my little G bamboo flute. I think once you go below G (say to F) you are getting away from small and lose a bit on speed and dexterity. I lot of people don't like F. I guess its neither big enough to be deep nor small enough for to be nimble in the hands of a lot of us.
So, you see everything's relative (once again).
For instance, at present, my favourite key flute is any of these:-
a) with the lowest bell note with big sound
b) with the lowest bell note with the greatest glissandi (therefore, microtonal) possibilities
c) with the lowest bell note of small flutes that allow whistle like digit dexterity
So for the first one my favourite is my Chu C bamboo flute with bamboo lip plate. It honks and its deep. With cylindrical bore I asked the maker to use 2 thumbholes for 2 of the 6 tone holes for to facilitate reach.
Now, if I could afford it, I'd order a low Bb flute (probably in boxwood) and that would become my favourite key.
For the second one that is my bansuri with C# bell note. Its cyclindrical so the reach is a bit more difficult than one would imagine if one is thinking along lines of a tapered bore instrument. Bansuri-s are glissandi or slide technique wind instruments par excellence. This is the largest bansuri I can comfortably handle BUT as I improve in the bansuri reach and grip etc I hope to progress to the B key one and then THAT will become my favourite key.
For the third one that is my little G bamboo flute. I think once you go below G (say to F) you are getting away from small and lose a bit on speed and dexterity. I lot of people don't like F. I guess its neither big enough to be deep nor small enough for to be nimble in the hands of a lot of us.
So, you see everything's relative (once again).
qui jure suo utitur neminem laedit
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Taking an idea from Talasiga of comparing "apples with mandarins or avacados", the organist, Anthony Newman, presents an interesting concept on his CD, "Toning". This is a CD from my collection that I have listened to many times. His basic idea is to play a piece in all of the 12 tones of the musical scale (not all at once, of course). He uses an organ pedal tone as a drone on each of the selections. You can listen to each piece and begin to get the feel of the particular key. Some keys may be especially appealing, while others may have a different effect, although the 25 second samples are hardly enough to pass judgement.
Amazon ad for "Toning"
Amazon ad for "Toning"
@ Doug
apples and oranges and avos wasn't just about diffrent pitches but more about diffrent flute makes/types. eg. how many are comparing an Eb with a D and an F by the same maker
* in the same material
* with the same style mouth hole
* with same type of tone holes
etc etc.
?
apples and oranges and avos wasn't just about diffrent pitches but more about diffrent flute makes/types. eg. how many are comparing an Eb with a D and an F by the same maker
* in the same material
* with the same style mouth hole
* with same type of tone holes
etc etc.
?
qui jure suo utitur neminem laedit
- matahari_1946
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