whistles that can be heard in sessions
- eedbjp
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whistles that can be heard in sessions
What are some well made whistles that can be heard no problem in a session? Susato and Burke come to mind from my own experience. What about Sindt, Hoover, Sweet, and some of the other models?
- eedbjp
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- Whitmores75087
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- dfernandez77
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Heard: Overton, Reyburn, Copeland
Not Heard: Depends on the volume of the other folks.
You're looking for something with presence that will not get lost among the other instruments. The three I mentioned will do it for sure - and as you said, there are more.
Cheers,
Not Heard: Depends on the volume of the other folks.
You're looking for something with presence that will not get lost among the other instruments. The three I mentioned will do it for sure - and as you said, there are more.
Cheers,
Daniel
It's my opinion - highly regarded (and sometimes not) by me. Peace y'all.
It's my opinion - highly regarded (and sometimes not) by me. Peace y'all.
- Bloomfield
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Sindts are perfectly adequate for all but the hugest sessions. It's important to remember that the whistler himself/herself has the hardest time hearing the whistle. Also, if you play in a session you should blend in and not actually be able to hear yourself stand out (except on bum notes). Overtons and Susatos tend to be too lound, imho.
/Bloomfield
- peeplj
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Good session whistles for being heard "above" the session: Overton, O'Brien narrow bore brass, Syn, Susato (IF you can play and control it!), Burke (not overwhelmingly loud but cuts through because of its purity, ditto for some Hoovers), Feadog, Oak.
Good session whistles for blending your sound into the session (which is a good thing too!): Generation, Elfsong, Clare, O'Brien whistles except for the narrow bore brass, Black Diamond (if it's a larger session, otherwise it's a "cut through" whistle).
I'm doubtlessly leaving many whistles out; if I forgot to mention your favorite, my apologies, and rest assured it's an oversight, not a deliberate omission. Also I don't feel qualified to comment on whistles I've not actually owned.
--James
Good session whistles for blending your sound into the session (which is a good thing too!): Generation, Elfsong, Clare, O'Brien whistles except for the narrow bore brass, Black Diamond (if it's a larger session, otherwise it's a "cut through" whistle).
I'm doubtlessly leaving many whistles out; if I forgot to mention your favorite, my apologies, and rest assured it's an oversight, not a deliberate omission. Also I don't feel qualified to comment on whistles I've not actually owned.
--James
http://www.flutesite.com
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"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
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"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
- dfernandez77
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- dyersituations
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Sindts work in medium sessions because they have a crisp voice than can cut through. Cheiftains are a great session whistle. I think my Humphrey wide-bore Stealth does just fine. Busmans are loud enough most of the time. Narrow-bore whistles have a harder time cutting through...
Unless you are in a big, rowdy session, most whistles will do. At the session I frequent, I don't need a loud whistle, but that's me...
-Casey
Unless you are in a big, rowdy session, most whistles will do. At the session I frequent, I don't need a loud whistle, but that's me...
-Casey
Life is good.