What Tune has Flat Out Stumped You?
I'm not talking about things that don't transpose well, or ones that have more accidentals than standard notes; I'm talking about those tunes that just have digital versions of tongue-twisters. Session-type tunes that are simply tortuous on a whistle.
From a Curious Cat
From a Curious Cat
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- Whitmores75087
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Anything with rolls or lotsa cuts, especially if it's fast.
For Si Bheag Si Mhor, get Planxty's first album -- there's a fantastic (I didn't like the piece before hearing it) yet simple version done on the pipes.
For Si Bheag Si Mhor, get Planxty's first album -- there's a fantastic (I didn't like the piece before hearing it) yet simple version done on the pipes.
Charlie
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- brownja
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Appearently, you're not the only one. At an Irish festival this past weekend, there was a young fiddle player who was really hot stuff, played the fast stuff very crisply and with nice rythm, then, near the end of her set, she played a slow air that was actually painful to listen to, awkward, strianed, screechy, all bad.On 2002-09-29 21:33, Whitmores75087 wrote:
Drowsy Maggie doesn't stump me, but a simple tune like Sheebeg Sheemore...ugh!!
Go figure,
jb
- Chuck_Clark
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I'll probably be all alone on this one. I *cannot* get Irish Washerwoman. My fingers end up tied in tight knots so bad that they have to be amputated and I can't play again for the three weeks they require to regenerate.
OK, so that last bit might not be entirely factual - the thing still completely eludes all my efforts.
(edited for spelling)
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<font size=-1>[ This Message was edited by: Chuck_Clark on 2002-09-29 22:16 ]</font>
OK, so that last bit might not be entirely factual - the thing still completely eludes all my efforts.
(edited for spelling)
_________________
"Still 'round the corner there may wait a new road or a secret gate.
And though we pass them by today, tomorrow we may come this way
And take the hidden paths that run toward the moon and to the sun."
-J.R.R. Tolkien
<font size=-1>[ This Message was edited by: Chuck_Clark on 2002-09-29 22:16 ]</font>
- JohnPalmer
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Hey Chuck,
The reason you can't get Irish Washerwoman is because you don't really want to play it. But...if you really need to, turn it into an exercise.
First, play only the first six notes over and over, without any pauses. Then play the next six notes over and over, in the same way, slowing down as much as needed to play it perfectly. Do this 6 note fragmentation thing for the whole song. Then, play 12 notes in a row, over and over, etc. This is a good way to practice anything. If the song is really tough, start with only 3 notes in a row, over and over.
Hope this helps.
JP
<font size=-1>[ This Message was edited by: JohnPalmer on 2002-09-29 23:36 ]</font>
The reason you can't get Irish Washerwoman is because you don't really want to play it. But...if you really need to, turn it into an exercise.
First, play only the first six notes over and over, without any pauses. Then play the next six notes over and over, in the same way, slowing down as much as needed to play it perfectly. Do this 6 note fragmentation thing for the whole song. Then, play 12 notes in a row, over and over, etc. This is a good way to practice anything. If the song is really tough, start with only 3 notes in a row, over and over.
Hope this helps.
JP
<font size=-1>[ This Message was edited by: JohnPalmer on 2002-09-29 23:36 ]</font>
- Chuck_Clark
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The main theme of "Riverdance" from the show. I bought a Riverdance book for tin whistle, and they sort of edited the tune to a 12/8 rhythm, just to make it easier. But the actual tune is much harder. The measures switch between 4/4 and 6/8, so it's hard to stay in time. I can play that part that goes B-DD B-DD C-E-C-E-C-E, you'd recognize it if you heard it. But the rest is difficult. Most of the tunes in Riverdance are difficult on whistle anyway. My whistles either don't have enough octaves, or the tunes are in a key other than D or C. Oh well, I guess this is a sign that I need new whistles