How to Kill a Butterfly
I've never liked the tune, The Butterfly,
but this rendition is likeable. Find myself
learning the tune from this video.
From Doc Jones' irishflutestore, the
group Butterdogs, a Japanese ITM
group. Note the aebi 6 key.
http://irishflutestore.com/Butter%20Dogs.html
There is a clear place to end the tune on
the video.
but this rendition is likeable. Find myself
learning the tune from this video.
From Doc Jones' irishflutestore, the
group Butterdogs, a Japanese ITM
group. Note the aebi 6 key.
http://irishflutestore.com/Butter%20Dogs.html
There is a clear place to end the tune on
the video.
- King Friday
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- King Friday
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- FJohnSharp
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- Tell us something.: I used to be a regular then I took up the bassoon. Bassoons don't have a lot of chiff. Not really, I have always been a drummer, and my C&F years were when I was a little tired of the drums. Now I'm back playing drums. I mist the C&F years, though.
- Location: Kent, Ohio
We go straight into Barney Bralligan after Butterfly, then end it there.
"Meon an phobail a thogail trid an chultur"
(The people’s spirit is raised through culture)
Suburban Symphony
(The people’s spirit is raised through culture)
Suburban Symphony
- monkey587
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that is NOT played "straight" the rhythm is highly "interpretive" and exaggerated. I wouldn't encourage anyone to learn it from that. You'd be better off listening to Tommy Potts, who at least keeps the beat steady the whole time. you can download it (and the whole album) from tradtunes.comchas wrote:Just add a long note at the end of the C part. I think it would be an E or an A.
Go to greenlinnet.com and find Kevin Burke's In Concert album. Click on listen to the whole album. The first cut is The Butterfly, played straight and at moderate tempo, so you can hear how he plays (and ends) it.
the reason we all groan about the butterfly at sessions is that beginners try to play it like kevin burke, and everyone's completely lost the whole time.
William Bajzek
- Jennie
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That's the second strong reaction I've heard about his playing in a week, and I don't even live among Irish musicians...monkey587 wrote:that is NOT played "straight" the rhythm is highly "interpretive" and exaggerated. I wouldn't encourage anyone to learn it from that. You'd be better off listening to Tommy Potts, who at least keeps the beat steady the whole time. you can download it (and the whole album) from tradtunes.com
the reason we all groan about the butterfly at sessions is that beginners try to play it like kevin burke, and everyone's completely lost the whole time.
The more I play, the straighter I like it.
Good thing I never started drinking whiskey, it's probably the same trend.
Jennie
- monkey587
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Objectively, the rhythm is neither straight nor consistent. I'm not saying it's bad this time. I have been known to say so in the past. I know Burke can play with good rhythm so obviously this was a choice, and it doesn't appeal to me in the least bit... However, my aesthetic sense is not the reason I recommend against learning to play it like Burke. At least not for a beginner, or anyone intending to play with other musicians.Jennie wrote:That's the second strong reaction I've heard about his playing in a week, and I don't even live among Irish musicians...
Last edited by monkey587 on Mon Oct 23, 2006 11:04 pm, edited 1 time in total.
William Bajzek
- boomerang
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Our band plays the Butterfly about 4-5 times through, finishes in the A part, on the f natural,....followed by a moderate bodhran solo, which leads beautifully into a reel, usually drowsy maggie or junior crehans, Or any other high energy reel
Its a good contrast of feeling and tempo, rather then trying to match it with annother slip jig,
works well
David
Its a good contrast of feeling and tempo, rather then trying to match it with annother slip jig,
works well
David
Never argue with an idiot, they will bring you down to their level then beat you with experience!!
- BoneQuint
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Thanks! That's very nice, and the other clips too. Although I wish the video wasn't squished. Here's some more Hatao stuff I found, with his earlier group "Craic" -- sounds like some informal session recordings:jim stone wrote:I've never liked the tune, The Butterfly,
but this rendition is likeable. Find myself
learning the tune from this video.
From Doc Jones' irishflutestore, the
group Butterdogs, a Japanese ITM
group. Note the aebi 6 key.
http://irishflutestore.com/Butter%20Dogs.html
There is a clear place to end the tune on
the video.
http://www.muzie.co.jp/cgi-bin/artist.cgi?id=a015283
Err...but I don't read Japanese...and some of it sound kinda, er, bad...so I'm not really sure what's there.
- River Otter
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I have been meaning to ask for a while . . . Is Kid On the Mountain a double jig or slip jig? I have never seen it notated and my attempts to notate it lead me to believe it could go either way. The third, fourth, and fifth part sound more like a slip jig to me.Innocent Bystander wrote:Kid on the Mountain! That's plain cruel! Segue into another slip jig there! Hunting the Hare! Sir Roger de Coverley!Chiffed wrote:Head into Kid On The Mountain. It's got a nice form, beginning middle and end. Alternately, the hornpipe Rights of Man, complete with triplets, is nice.
River Otter
Fortitudine Vincit
Fortitudine Vincit
- MacNeil
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I know one session where they finish it off with "Road to Lisdoornvarna," which definitely has an ending!
Raven Falls Photography
www.ravenfallsphotography.com
www.ravenfallsphotography.com
- crookedtune
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doogieman wrote:There's a story about Miles Davis complaining to John Coltrane for playing extremely long solos. Coltrane said something like " I keep getting more and more ideas and I don't know how to stop". Miles said "take the m@therf*#ker outta your mouth".
First time anyone's compared my playing to John Coltrane's! Well, yeah, I guess I can see the similarities.
Charlie Gravel
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde
“I am so clever that sometimes I don't understand a single word of what I am saying.”
― Oscar Wilde