A question for Olwell bamboo flute owners
A question for Olwell bamboo flute owners
Hi, all,
I just recently acquired an Olwell bamboo flute and am curious, did Patrick Olwell not put his makers' mark on them at one time? This one doesn't have 'Olwell' on it, & since I'm planning to sell it soon, I'm curious as to why this is.
It's quite possible I've just missed his marking on this bamboo flute (it's a low D, by the way).... or is it?
Thanks!
I just recently acquired an Olwell bamboo flute and am curious, did Patrick Olwell not put his makers' mark on them at one time? This one doesn't have 'Olwell' on it, & since I'm planning to sell it soon, I'm curious as to why this is.
It's quite possible I've just missed his marking on this bamboo flute (it's a low D, by the way).... or is it?
Thanks!
- Cathy Wilde
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- Loren
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- johnkerr
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Even on his "real" flutes (blackwood, cocus, boxwood, etc) Patrick's mark is quite understated and subtle, easy to miss. The truly great ones do not need to overly blow their own horns. (Unlike some other makers, who I won't name, who have rather ostentatious maker's marks on their much lesser flutes.) So my guess is that if any of his bamboo flutes have a mark, they all do - except maybe for his very early ones. Certainly if he ever was putting his mark on the bamboo flutes, he wouldn't be stopping now, because the bamboos are greatly increasing in value and thus more likely to attract copycat makers attempting to cash in on the value of his work. (That's why he possibly may not have marked them early on, since they weren't so widely recognized back then for being as good as they are.) So if the mark is not visible on one of his flutes, most likely it has worn off.
- Loren
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Same stamp, much deeper impression.johnkerr wrote:Even on his "real" flutes (blackwood, cocus, boxwood, etc) Patrick's mark is quite understated and subtle, easy to miss.
The truly great ones do not need to overly blow their own horns. (Unlike some other makers, who I won't name, who have rather ostentatious maker's marks on their much lesser flutes.)
Wow, taking makers to task for their choice of maker's mark.........
Loren
- Ro3b
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Patrick's use of his stamp seems somewhat whimsical and arbitary. The keyless blackwood flute I got from him in 1998 didn't have a stamp anywhere, but the keyed sections I got in 2000 each have the stamp. My boxwood flute only has the stamp on the headjoint. My E bamboo flute, purchased in 1997, doesn't have the stamp, but my F, purchased in 1999, does. Shrug? As John says, the stamp is kind of redundant since you can pretty much tell one of his flutes by picking it up and playing it.
- Cathy Wilde
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<GASP> You mean, you have to PLAY one to know???? Jeez. I thought you Easterners were more sophisticated than that.Ro3b wrote: As John says, the stamp is kind of redundant since you can pretty much tell one of his flutes by picking it up and playing it.
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- johnkerr
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Well, up here we're virtually surrounded by them. Which means that when you see one, you're gonna pick it it up and play it - because you know if you don't, someone else will. And then the next thing you know, they're taking it home with them. Which sucks if it's your flute they're taking...Cathy Wilde wrote:<GASP> You mean, you have to PLAY one to know???? Jeez. I thought you Easterners were more sophisticated than that.Ro3b wrote: As John says, the stamp is kind of redundant since you can pretty much tell one of his flutes by picking it up and playing it.