peeplj wrote:monkey587, I enjoyed those! The sound quality was great--how much do those little recorders go for?
On your playing, you've got great tone, and there's one thing in particular that is really nice that's going to really put fire in your playing as you gain speed--you've got a great attack on some of the notes, once you are at session speed it's going to give you a great "crunchy" sound I think...sort of like some of Noel Rice's work.
What kind of flute, by the way?
--James
I paid about $150 for my WS320M. My fiancee has the WS300M (same thing, smaller storage) and she paid about $100.
Devaney's Goat was recorded for my fiancee to learn, so I was just trying to get all the notes as I normally play them, and I wasn't nervous about recording. It sounded very restrained, so the other was recorded to show how I sound when I'm just going for it, which of course made me really tense and consequently my rhythm went south. Neither of them reflect my normal state very well, but I accept them for what they are.
The flute's an old german 1880s 8-key, sans foot keys, with a Jon C headjoint. I have a clip of Catherine McEvoy playing a phrase and then me immitating it, from Friday Harbor this year. Her tone is of course more powerful and clear, but I was surprised by how much I liked my tone. Of course, that was my OTHER Jon C headjoint that I don't use so much now...