Bouzouki reccomendations?
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Bouzouki reccomendations?
I'm considering buying an irish bouzouki, but I don't know what to look for, what names to trust, or even what the price range should be.
As for price/quality, I'm willing to pay whatever the price of a good-sounding bouzouki, but I'd prefer to avoid spending extra money on purely visual elements (ie ornately decorated instruments), as I'm far more of a recording artist than a performing one.
Any reccomendations would be appreciated.
As for price/quality, I'm willing to pay whatever the price of a good-sounding bouzouki, but I'd prefer to avoid spending extra money on purely visual elements (ie ornately decorated instruments), as I'm far more of a recording artist than a performing one.
Any reccomendations would be appreciated.
- brewerpaul
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I have a Trinity College Octave Mandolin which looks very similar, and which I LOVE. The workmanship is beautiful, and the sound is terrific.
http://www.folkofthewood.com/page97.htm
(note, I got mine used, not from this source)
http://www.folkofthewood.com/page97.htm
(note, I got mine used, not from this source)
- Unseen122
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The Trinity College instruments are made in Korea, that does not appeal to some people. I have played Paul's and it is definatly nice for the price. I play on a Petersen Level 1 Octave Mando, which is about twice as much and handmade in the US. They are pretty easily available. If you need it quick I would suggest a Petersen the Levels stand for how ornate the wood and decoration is, Level 1 is the simplest, these range from $950-$1500. For quick you can go for a Weber, pick your model these range from $1300-$6000+. Both are available at Elderly although they may not have Petersens in stock, but Gryphon Strings (google it I don't have the URL handy) also carries Petersens (I bought mine there). If you are willing to wait a couple months I recommend Jack Spira's instruments or Chris Baird's (Arches is what Baird's go by). I know both makers have websites, I just don't have the urls handy. Both of these will run around $1500 US and have a couple months wait.
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- SteveK
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If I didn't care how much I spent, I'd look at a Crump instrument. I played a couple at the first zookfest and found them to be very responsive with a big bass sound. Abnett, in England, has been making bouzoukis for a fairly long time and from what I can tell, his instruments are very good. For somewhat lower prices, I'd go Australian for a Spira instrument or McDonald. I have tried and heard recent Trinity College instrumens and I think they are a good value.
You can find links to most of the above at Han Speek's bouzouki website.
http://www.xs4all.nl/~hspeek/bouzouki/index.html
You can find links to most of the above at Han Speek's bouzouki website.
http://www.xs4all.nl/~hspeek/bouzouki/index.html
- brewerpaul
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Don't let the "made in the orient" part of the Trinity College throw you off. There are good and bad craftspeople everywhere. The workmanship on the TC is really fine and if you didn't know the source you'd think it was worth a lot more. If you buy one and get totally hooked on bouzouki to the point where you want a handmade one, you could most likely sell the TC(right here) for nearly what you paid for it.
- halfimpressive
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I also am looking for a new bouzouki. I've been playing for about 8 months and I'm pretty serious about it but mine is such an inferior instrument that i'm looking around at what kind of instruments I can get for a full-time college student budget (under 2000) and is still a quality instrument with some decor.
Here's what I've been able to put together and advice that's been given to me that has been helpful.
-I've got a list going of all the makers i've heard about on message boards and a list of their bouzouki styles, dimensions and wood types. I had to do a bit of reading about this since mine is made out of plywood or tin or something terrible, and I didn't know anything about wood. The researxh has taught me a lot already.
-People have said to go and play as many as you can and take notes and measurements. This is invauable since now i know what body depths I'll stay away from, what scales are good and what makers I think sound like trash. When you play something that sounds good to you and feels good to you then find out everything about it. See if someone can make something similar or just get one.
-Call the makers! This one is actually huge, because many of them will negotiate for an instrument with no frills or a substitution in wood type. If you let them know a price range and stick to it, they might be able to work with you. If they can't, you'll know a lot more about how they're built and what you can afford. But they can tell you what the woods sound like to them and build an intrument that has a tone that you want.
hope that helps. Oh yeah... almost forgot. I played a trinity college for a while that was a friend's and thought it was decent. Beware the long scale. I did think that it made a difference in my playing. I would go handmade personally, because you have more control over the result.
Let me know if you want any more specific info I find out. I'm still trying to learn about this stuff too.
cheers,
John
Here's what I've been able to put together and advice that's been given to me that has been helpful.
-I've got a list going of all the makers i've heard about on message boards and a list of their bouzouki styles, dimensions and wood types. I had to do a bit of reading about this since mine is made out of plywood or tin or something terrible, and I didn't know anything about wood. The researxh has taught me a lot already.
-People have said to go and play as many as you can and take notes and measurements. This is invauable since now i know what body depths I'll stay away from, what scales are good and what makers I think sound like trash. When you play something that sounds good to you and feels good to you then find out everything about it. See if someone can make something similar or just get one.
-Call the makers! This one is actually huge, because many of them will negotiate for an instrument with no frills or a substitution in wood type. If you let them know a price range and stick to it, they might be able to work with you. If they can't, you'll know a lot more about how they're built and what you can afford. But they can tell you what the woods sound like to them and build an intrument that has a tone that you want.
hope that helps. Oh yeah... almost forgot. I played a trinity college for a while that was a friend's and thought it was decent. Beware the long scale. I did think that it made a difference in my playing. I would go handmade personally, because you have more control over the result.
Let me know if you want any more specific info I find out. I'm still trying to learn about this stuff too.
cheers,
John
- tommyk
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I've a Crump B-III and it cannot be beat for wonderful tone and bassiness when needed.
Experienced musicians' jaws dropped recently at a three-hour performance this summer whenever I pulled that instrument off its stand and let loose with a melody or chords/arpeggios for a song.
I tune it DGDAE and that low D course just hits home every time.
I'm more of a performer and less of a recording artist, though, so I did splurge for the pretties; however, I think one could get a good Crump for considerably less than I paid.
Do consider the redwood top - especially if you're interested in bass response.
Also, I'm just in love with the L.R. Baggs Stereo iMix pickup system.
Experienced musicians' jaws dropped recently at a three-hour performance this summer whenever I pulled that instrument off its stand and let loose with a melody or chords/arpeggios for a song.
I tune it DGDAE and that low D course just hits home every time.
I'm more of a performer and less of a recording artist, though, so I did splurge for the pretties; however, I think one could get a good Crump for considerably less than I paid.
Do consider the redwood top - especially if you're interested in bass response.
Also, I'm just in love with the L.R. Baggs Stereo iMix pickup system.
- Tommy Kochel
The Knotwork Band
www.theknotworkband.com
FaceBook: The Knotwork Band
theknotworkband@gmail.com
The Knotwork Band
www.theknotworkband.com
FaceBook: The Knotwork Band
theknotworkband@gmail.com
- Ro3b
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I played a Joe Foley zouk for years and loved it. Other makers I'd consider are Roger Bucknall (Fylde), Steven Owlsey Smith, Graham MacDonald, and of course Stephen Sobell.
For a starter instrument, you might consider Dave Freshwater, in Scotland. His instruments are very nice for the prices he charges (570 euro for a 10-string zouk).
For a starter instrument, you might consider Dave Freshwater, in Scotland. His instruments are very nice for the prices he charges (570 euro for a 10-string zouk).
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