slow tunes?
- eilam
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slow tunes?
i wanted to know what cool slow tunes you use in between all the fast ones.
I know Sven writes and sings unreal songs, but we can't sing,
so i was wanting to find some nice slow airs.
thanks, eilam.
I know Sven writes and sings unreal songs, but we can't sing,
so i was wanting to find some nice slow airs.
thanks, eilam.
- peeplj
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Here are some of the slower tunes you could hear at our sessions:
Crested Hens
Planxty Hewlett
Planxty Fanny Power
The Ashokan Farewell
Josefine's Waltz (when Jill Winters plays this on cello, it'll bring tears to your eyes, it's so lovely)
If Ever You Were Mine
Also, every blue moon, someone will play an air or other listening piece for us. This doesn't happen often but is considered a great honor to the session when it does.
--James
Crested Hens
Planxty Hewlett
Planxty Fanny Power
The Ashokan Farewell
Josefine's Waltz (when Jill Winters plays this on cello, it'll bring tears to your eyes, it's so lovely)
If Ever You Were Mine
Also, every blue moon, someone will play an air or other listening piece for us. This doesn't happen often but is considered a great honor to the session when it does.
--James
http://www.flutesite.com
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"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
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"Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending" --Carl Bard
- bradhurley
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The funny thing about that one is that it's played slow only because Solas recorded it that way. It's a hurdy-gurdy tune, composed by Gilles Chabenat, and I think it's meant to be played as a bourrée. I heard a recording of it played by Chabenat himself and it was quite fast. Of course, it sounds nice played slow too.peeplj wrote: Crested Hens
Another tune like that is "Far Away," the waltz composed by Pete Jung from New York state. He composed it on his mandolin while driving home (steering with his knees!) from Brattleboro, Vermont, and he intended it to be played as a fast waltz. But nearly everyone (including me) prefers to play it slow, and it reportedly drives him crazy.
Up here, one of the favored slow tunes for sessions is Inisheer. A lovely melody...I hear it at almost every session but never get tired of it.
- Chiffed
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Some from our set list:
Sheebeg..
Dark Island
MacPherson's Lament
A Flook air on a big bass A bansuri (forget the name right now)
Ned o' the Hill
We don't do them very 'trad'; we either have a harmony part on hammered dulcimer, or harmony in a lower flute or whistle. When our fiddle player is with us (rarely these days), he breaks out the viola and uses lots of double-stops. Very pretty. We're also doing the second movement of the Bach Flute Sonata in Eb, transposed to D, on dulcimer and flute. Oddly, it goes great with Dark Island.
Sheebeg..
Dark Island
MacPherson's Lament
A Flook air on a big bass A bansuri (forget the name right now)
Ned o' the Hill
We don't do them very 'trad'; we either have a harmony part on hammered dulcimer, or harmony in a lower flute or whistle. When our fiddle player is with us (rarely these days), he breaks out the viola and uses lots of double-stops. Very pretty. We're also doing the second movement of the Bach Flute Sonata in Eb, transposed to D, on dulcimer and flute. Oddly, it goes great with Dark Island.
Happily tooting when my dogs let me.
- eilam
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some of the waltz's that we play that are nice (please forgive me for the botching that i am about to make)
Midnight over the water, lovers waltz, leaf's waltz (Sarah Bauhen), lonesome moonlight waltz.
some cool slow ones: she left a star & the sadness of some ( both Sarah Bauhen).
i forgot about Crested hens, we used to play it long time ago, Solas style..
thanks, e.
Midnight over the water, lovers waltz, leaf's waltz (Sarah Bauhen), lonesome moonlight waltz.
some cool slow ones: she left a star & the sadness of some ( both Sarah Bauhen).
i forgot about Crested hens, we used to play it long time ago, Solas style..
thanks, e.
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- herbivore12
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There are some slow-reel type tunes that can be nice to play:
The Sunset
The Ruined Old Cottage in the Glen
Cuz Teehan's (Is it McGoldrick who does this tune followed by Her Long Black Hair? That's a pretty nice slowish set.)
The Sunset
The Ruined Old Cottage in the Glen
Cuz Teehan's (Is it McGoldrick who does this tune followed by Her Long Black Hair? That's a pretty nice slowish set.)
Last edited by herbivore12 on Mon Jul 03, 2006 6:35 pm, edited 1 time in total.
Yes, it's McGoldrick. Dreamy.herbivore12 wrote:There are some nice slow-reel type tunes that can be nice to play:
The Sunset
The Ruined Old Cottage in the Glen
Cuz Teehan's (Is it McGoldrick who does this tune followed by Her Long Black Hair? That's a pretty nice slowish set.)
Farewell to Glasgow is very pretty. I also love The Cradle Song, which is by the Scottish fiddler J. Scott Skinner. Chris Norman has a beeeeeeeautiful version on his Man with the Wooden Flute. I like Blind Mary too.
Carol
I've told here before (but let me repeat) this story:
The tune to Gershwin's 'Someone to watch over me'
was first played very fast, if you can imagine that.
It was a little throwaway interlude as the dancers
got into place during one his his musicals. Just fluff.
Then, one day, sitting at the piano, Gershwin played
it slowly, and there was one of the most beautiful
ballads of the last century.
Bachelor's Farewell.
Moran's Return
The Osprey
The tune to Gershwin's 'Someone to watch over me'
was first played very fast, if you can imagine that.
It was a little throwaway interlude as the dancers
got into place during one his his musicals. Just fluff.
Then, one day, sitting at the piano, Gershwin played
it slowly, and there was one of the most beautiful
ballads of the last century.
Bachelor's Farewell.
Moran's Return
The Osprey
thanx for that. jim stone keeps raising this thing about the the suitability of bansuri for the precision needed in ITM. but then, methinks he is talking about jigs and things and this one is a slow air and would be amenable to the fluid bamboo flute by anyone's reckoning.Chiffed wrote: .......
A Flook air on a big bass A bansuri (forget the name right now.
.......
has anyone suggested Carrick Fergus?
and Wild Mountain Thyme?
Bonnie Light Horseman?
What about From Clare to Here?
and Song for Ireland?
I won't mention my other favourites.
qui jure suo utitur neminem laedit
- Chiffed
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Well, it's not really a bansuri. The 6th hole resides in the same zip code as the 5th, and the F# is in tune in equal temperment. I know, 'cause I made it.talasiga wrote:thanx for that. jim stone keeps raising this thing about the the suitability of bansuri for the precision needed in ITM. but then, methinks he is talking about jigs and things and this one is a slow air and would be amenable to the fluid bamboo flute by anyone's reckoning.Chiffed wrote: .......
A Flook air on a big bass A bansuri (forget the name right now.
.......
has anyone suggested Carrick Fergus?
and Wild Mountain Thyme?
Bonnie Light Horseman?
What about From Clare to Here?
and Song for Ireland?
I won't mention my other favourites.
Wild Mountain Thyme! We finally got the singer to learn this one, and it's quite fun. One can muck with the changes endlessly.
Happily tooting when my dogs let me.