dwinterfield wrote:
I would say there
must be the intention on the part of the maker to
produce something that realizes aesthetic features,
like beauty, where the principal value of the
object will be aesthetic--even if it has a functional
practical value too.
The idea that art always involves some sort of
'statement' is very interesting and worth thinking
about, but I'm not sure this is always there.
If I try to make something the chief value of
which is its beauty, that seems to me to be
sufficient for art, whether or not I make
a statement.
I've always thought that sometimes people with special abilities (skills, craftmanship etc.) intentionally produce art.
Other times people who may have the same abilities intentionally produce something they think is art, but they are wrong.
To me the most interesting event is people, who may or may not have special abilities, are doing something unrelated to art, but art it is the result.
The image above is from the web page of the American Visionary Art Museum.
Is unintended art, art?
Great question. 'Art' is sometimes an honorific.
We use it to connote successful or good art.
But there is a sense of 'art' where 'bad art'
isn't an oxymoron, and that's what interests me.
I would say that when people intentionally produce
something they think is art, probabably they have--
but their being wrong consists in their mistakenly
thinking it's any good.
'Unintended art' might be the product of somebody who
doesn't think he's creating art, but does create something
with the intention that it manifest aesthetic features,
beauty, elegance, grandeur, and so on. The costume
in your picture above probably wasn't made by
people who thought of themselves as artists, but
the makers probably did see the chief worth of their
product in its aesthetic features--it's value to them
isn't chiefly or even largely it's ability to shelter the
wearer from the sun and the cold.
Primitive art is often this way. On the other hand,
a counter-example to what I'm saying is the neolithic
cave drawings of deer and other animals. If these
weren't drawn principally to realize aesthetic
features, but to represent successful hunts in the
belief that doing so would make them happen,
then on my account they weren't art--even though
they were superbly executed and are among the
world's artistic treasures.
Well, that's what happens when you theorize about art!
Obviously we can view such objects as if they are art,
that is, as if they were executed chiefly to realize
aesthetic features. In a certain sense art, perhaps like
beauty, is in the eye of the beholder.
So I might 'bite the bullet' and say the cave drawings
aren't art, though they realize extraordinary
aesthetic values (perhaps like the decoy duck you
showed above), but we certainly can view them as art.
One lesson, perhaps, is that it may not matter a great
deal whether or not something is art. Whether the
cave drawings are art may depend on the intentions
of their makers, but whether or not they are art,
they are astonishingly beautiful, and reveal a whole
world--and that's what matters.