Development of pipes,backward or forward?
- rorybbellows
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Development of pipes,backward or forward?
Considering that a lot of "experts" express the opinion that the makers of old flat sets were the real masters and the modern makers haven,t really come up too their stardard ,does this mean that the development of flat pitched has gone backwards??
And on the other hand with makers like froment and others ,concert pitch pipes has indeed taken a big step forward ??
RORY
And on the other hand with makers like froment and others ,concert pitch pipes has indeed taken a big step forward ??
RORY
- Joseph E. Smith
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- ausdag
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Concert pitch, yes, but flat pitch - I think even Geoff Woof wrote somewhere that he has yet to discover many of the things that the masters such as Coyne and Harrington took to the grave. So, in that sense yes, pipe making knowledge and production went backwards rapidly and is only now making forward moves again slowly.Joseph E. Smith wrote:Who are these experts? Seems to me, if anything, the Uilleann Pipes (concert and flat) have taken leaps and bounds forward.
David (ausdag) Goldsworthy
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- billh
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Yes, I think it depends on the time period you're speaking of. Things have come a long way in the past 40 years, but then again they seem to have been in a pretty desperate state then.
I don't even agree that the concert pitch pipes of today are a match for the best Rowsome work of the 30's, if the preferences of top players means anything. Though the Rowsome sticks have their faults, they are still the most sought after concert pitch stick on the whole, and I don't think that's all sentimentality. Of course it has been noted that not all surviving Rowsome sticks are good, which sounds plausible to me but I'm only passing that sentiment along.
As for flat pipes, I don't think anyone making pipes today is equalling the work of the masters of the first half of the 19th century, and I am certainly not alone in this belief. Partly this is because the tradition of narrow bore pipemaking was lost/severed, and partly it's because those sets had a workmanship that's rare and expensive today.
Bill
I don't even agree that the concert pitch pipes of today are a match for the best Rowsome work of the 30's, if the preferences of top players means anything. Though the Rowsome sticks have their faults, they are still the most sought after concert pitch stick on the whole, and I don't think that's all sentimentality. Of course it has been noted that not all surviving Rowsome sticks are good, which sounds plausible to me but I'm only passing that sentiment along.
As for flat pipes, I don't think anyone making pipes today is equalling the work of the masters of the first half of the 19th century, and I am certainly not alone in this belief. Partly this is because the tradition of narrow bore pipemaking was lost/severed, and partly it's because those sets had a workmanship that's rare and expensive today.
Bill
- Joseph E. Smith
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- ausdag
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Bill, do you mean in external or internal workmanship? Can you give some examples?billh wrote:and partly it's because those sets had a workmanship that's rare and expensive today.
Bill
Cheers,
DavidG
David (ausdag) Goldsworthy
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Hmm, I think there are modern makers such as Williams, Froment, K&Q, & O'Briain to name but four, whose D pipes are as good as Leos' as regards sound and workmanship, and better as regards tuning and ease of reeding.
I can't think of that many "professional/name" pipers that actually use Leo's concert pitch pipes as their main rigs: Liam O'Flynn of course, Paddy Keenan had his Rowsome chanter till he wore it out I believe.
I can't think of that many "professional/name" pipers that actually use Leo's concert pitch pipes as their main rigs: Liam O'Flynn of course, Paddy Keenan had his Rowsome chanter till he wore it out I believe.
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- Joseph E. Smith
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OH! I didn't know.... he's one of the top Uilleann Pipe makers right?Joseph E. Smith wrote:David Williams was killed in a car crash last year... and he is sorely missed by those who knew him.Andreas Leidenfrost wrote:Does David Williams have website?
My regards
Bíonn dhá insint ar scéal agus dhá leagan déag ar amhrán
- Joseph E. Smith
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