This is certainly the case with highland pipe reeds. I once had a lesson with P/M Jimmy McColl and he told me that if you use easy reeds, they only last a few months at best. A good, stiff, hard reed (such as a McAllister, for instance) that takes some serious time to break in can last up to a year.boyd wrote:
[I have found that a reed that will stand the test of time usually needs to be "blown in" and will be a little bit hard for a few weeks or months before it settles into a decent place]
B
Well, I did wind up with a pretty hard reed nearly a year ago (can't remember why now...), took forever to get it broken in and nearly killed me in the process, but it's still going strong now...When it goes, I think I'll stick something easier in there, though...
The reed in my Scottish smallpipes was made by Fin Moore about 7 years ago and was an absolute monster of a reed. It had a bit of a humidity shock incident a month ago and the top hand notes have gone sharp (or the bottom hand notes have gone flat, depending on your point of view...) and I'm not sure how to remedy the problem. If any other smallpipe owners have advice on this, please get in touch.
The original O Briain reed that came with my chanter was fantastic and lasted about two years, but the snap temperature/humidity change in Japan around mid-late-October caused the sides to split and it was beyond resuscitation. Put in another excellent O Briain reed and the same thing happened exactly a year later.
When I came back to Portland, OR, I got Brad Angus to make some wide-bore chanter reeds for me despite his protestations. The one I've got in there right now sounds great and seems to be getting better with age. I've also got a nice backup reed by Alan Burton as well. I've had both for a year and a half.
I've also got three stalks of cane, each about 2.5 meters long, out in the garage...At some point I guess I should start whittling through it...