Green Linnet lawsuit?
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- Caj
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Hee hee. I got a threatening letter, in fact, from the RIAA. So did my employer at the time, and the employers of all my coauthors. And the program chair of the conference we submitted to, and his employer. Poor guy almost lost his job because of that.brianc wrote:From the site provided by Wanderer:
Why is it important to know if an album was released by an RIAA member or not?
That's possibly a fairly long answer, but just the highlights of the RIAA's practices involve price-fixing, blaming its poor financial state on unfounded digital piracy claims (and in turn, blaming and suing its own consumers), ...
What amazes me is that they weren't objecting to us breaking their security system so much as describing how their system worked. Sometimes security measures are so flimsy that they are compromised merely by telling people about them---like leaving a key under a doormat. And there aren't many DRM systems that are better, security-wise, than leaving a key under a doormat.
Caj
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- anniemcu
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That is a bit like buying stolen goods though, you understand. I don't mean to accuse you, of course, but to point out that if the company is indeed cheating it's artists, and there is very good reason to believe that, it is counter productive to support such people.djm wrote:Maybe, maybe not. I am more interested in older recordings, than newer "celtic" groups anyway, and for that stuff I wouldn't cut myself off if Green Linnet had stuff I wanted, e.g. Seamus Ennis' 40 Years of Piping.
djm
anniemcu
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"You are what you do, not what you claim to believe." -Gene A. Statler
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There is no reason to believe that at this time. That's why they created courts - to air both sides and have a judge or jury decide. Who knows what the contract(s) spelled out that was signed between both parties.anniemcu wrote:and there is very good reason to believe that...
Artists have been unhappy with promoters and producers since time immemorial.
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The Green Linnet dispute isn't just over contract technicalities. Some artists say they never received *any* royalties for their work on GL's label. And GL refused to let the artists see the sales records for their own cds.
I find it hard to believe GL would act this way, but I find it even harder to believe that the musicians involved would launch an unfounded case. I know which side I'd rather err in favor of at this point.
I find it hard to believe GL would act this way, but I find it even harder to believe that the musicians involved would launch an unfounded case. I know which side I'd rather err in favor of at this point.
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I've seen little publicity, but I've talked face to face with several of the musicians involved. I know them as people, not just faces on a stage or names in a newspaper article. They gave Wendy at GL the benefit of the doubt for many years before finally taking the issue to court. I wonder how many people would be so patient if it was their paycheck being withheld?
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- anniemcu
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And often with very good reason. We aren't talking about a bunch of spoiled little rich folk here... we're talking real working musicians who deserve fulfillment of their agreements.Jim McGuire wrote:Artists have been unhappy with promoters and producers since time immemorial.
anniemcu
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"You are what you do, not what you claim to believe." -Gene A. Statler
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"Olé to you, none-the-less!" - Elizabeth Gilbert
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http://www.sassafrassgrove.com
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"You are what you do, not what you claim to believe." -Gene A. Statler
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"Olé to you, none-the-less!" - Elizabeth Gilbert
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http://www.sassafrassgrove.com
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