How many play Uillean Pipes too?
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How many play Uillean Pipes too?
I'm thinking about buying a set next year, but am worried about the flute playing. What are your thoughts concerning the Pipes? Does anyone out there play? Are there any philosophies concerning playing multiple instruments?
Any and all responses appreciated.
Thanks,
Matt
Any and all responses appreciated.
Thanks,
Matt
Teaching in Bolivia--that's in South America.
- Nanohedron
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Oh, yeah: also a mod here, not a spammer. A matter of opinion, perhaps. - Location: Lefse country
I'm working at the pipes (C set, so I won't exactly be taking them to your average session some day). For me, they're addictive even though I have very far to go. It's a real possibility that one's flute practice can take second seat, so if you're not playing flute on a regular basis either at gigs or at sessions or ceilis, you might be up against a dilemma unless you apply some self-discipline practicewise. If you've been playing flute for several years and preferably more, your fluteplaying shouldn't suffer so long as you keep at it.
I think it's true that the best result in most cases is gotten by concentrating on one instrument alone, at least until you're without question proficient at it. I don't think utter mastery is a necessary requirement before one takes up additional instruments, though.
That being said, am I a proficient fluteplayer? Well, I can save myself from drowning, but I won't be swimming in the Olympics soon, if you follow.
At least others can learn from my mistakes!
I think it's true that the best result in most cases is gotten by concentrating on one instrument alone, at least until you're without question proficient at it. I don't think utter mastery is a necessary requirement before one takes up additional instruments, though.
That being said, am I a proficient fluteplayer? Well, I can save myself from drowning, but I won't be swimming in the Olympics soon, if you follow.
At least others can learn from my mistakes!
- fluti31415
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Re: How many play Uillean Pipes too?
When classical musicians double, they say that the biggest issue is in the possible compromise to their embouchure. I think you will be safe from that problem!!baggins_21 wrote:I'm thinking about buying a set next year, but am worried about the flute playing. What are your thoughts concerning the Pipes? Does anyone out there play? Are there any philosophies concerning playing multiple instruments?
Any and all responses appreciated.
Thanks,
Matt
Actually, if you don't get out of hand with it (and try to play a gazillion instruments), I think that playing more than one instrument can help your overall musicianship. You see a different perspective to the music, and you see what kinds of things carry over from one instrument to another, and what kinds of things are unique to certain instruments. So I say go for it.
Additionally, anything with a double reed has to be good.
Shannon
(aka fluti31415)
(aka fluti31415)
- Bill Reeder
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I used to be a multi-instrumental type, including flute, but it all fell by the way side when I got serious about my piping. I pick up the flute once in a while, but it doesn't hold my interest very long any more.
Bill
"... you discover that everything is just right: the drones steady and sonorous, the regulators crisp and tuneful and the chanter sweet and responsive. ... I really look forward to those five or six days every year." Robbie Hannan
"... you discover that everything is just right: the drones steady and sonorous, the regulators crisp and tuneful and the chanter sweet and responsive. ... I really look forward to those five or six days every year." Robbie Hannan
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See the similar thread in the U.Pipes forum.
Kevin Krell
Kevin Krell
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A non-profit 501c3 charity/educational public benefit corporation
Wooden Flute Obsession CDs (3 volumes, 6 discs, 7 hours, 120 players/tracks)
https://www.worldtrad.org
A non-profit 501c3 charity/educational public benefit corporation
Wooden Flute Obsession CDs (3 volumes, 6 discs, 7 hours, 120 players/tracks)
https://www.worldtrad.org
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I'll play the flute often times when attending a session where I know there won't be room for the pipes, or when travelling. However, I think its very difficult to maintain one's embrochure without very regular practice. As a result, I primarily play a Terry McGee instrument that has a very forgiving response, hard not to get a good sound out of it.
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thanks
Thanks all, I appreciate the comments. The comments concerning the danger of losing embochure seem a real concern for me--it's easy to let that slip. Yet, I also see the possibility that piping could increase my understanding and ability with the music itself.
Bill, why the entire eschewing of the flute?
Thanks all,
Matt
Bill, why the entire eschewing of the flute?
Thanks all,
Matt
Teaching in Bolivia--that's in South America.
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- Bill Reeder
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Re: thanks
As Michael mentioned, regular playing is necessary to keep up the embrouchre. I was so driven to play pipes that neglected everything. Now the lip is gone, the bowing arm is shot, and I've lost the callous on my fingers. It's just too hard to put the pipes down long enough to resurrect old skills. Still, I haven't completely given up the flute, fiddle or guitar. I'll play them on special occasions when I have enough lead time to get things together, but the days of casually moving from one instrument to another in sessions are pretty much over for me.baggins_21 wrote:
Bill, why the entire eschewing of the flute?
Thanks all,
Matt
Bill
"... you discover that everything is just right: the drones steady and sonorous, the regulators crisp and tuneful and the chanter sweet and responsive. ... I really look forward to those five or six days every year." Robbie Hannan
"... you discover that everything is just right: the drones steady and sonorous, the regulators crisp and tuneful and the chanter sweet and responsive. ... I really look forward to those five or six days every year." Robbie Hannan
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- Nanohedron
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Oh, yeah: also a mod here, not a spammer. A matter of opinion, perhaps. - Location: Lefse country
- Cathy Wilde
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I've been dying to learn the pipes. Or maybe the concertina.
(Or maybe I should just shut up and learn the flute, eh?)
BUT. I do know that I generally love the way pipers play flute & whistle when they pick them up .... they seem to nail that elusive burbling thing so very nicely.
(Or maybe I should just shut up and learn the flute, eh?)
BUT. I do know that I generally love the way pipers play flute & whistle when they pick them up .... they seem to nail that elusive burbling thing so very nicely.
Deja Fu: The sense that somewhere, somehow, you've been kicked in the head exactly like this before.
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Cathy -
I suspect that certain "burbly" piper thing you are talking about is the way we (pipers) learn to cran early in our piping. Some say the essence of good piping is in the cran. So when we pick up the flute or whistle - the crans just seem to come out there as well.
...then again, I could just be full of crap -- (a cranfull of course) : )
- tw
I suspect that certain "burbly" piper thing you are talking about is the way we (pipers) learn to cran early in our piping. Some say the essence of good piping is in the cran. So when we pick up the flute or whistle - the crans just seem to come out there as well.
...then again, I could just be full of crap -- (a cranfull of course) : )
- tw