An Olwell is born . . .
- BMFW
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I just checked the drawings that I have made of the flutes I have (or had) and see that Hammy is 11.6x10.3, my Wilkes-headed Prowse is 12.2x10.9 and a Wylde that I had was in the order of 12.2 x 12.0 (but it had been butchered).eilam wrote: thats small, even 11.6x10.2 would be on the small side, I like small embouchures, but most makers make them bigger for ITM
What I don't know is how much of the playing charecteristics are in the physical size or plan shape of the hole, and how much comes from the shape of the undercutting and the like. (And before anyone points it out, I think we all know that the player is by far the biggest variable.)
PS - Sorry for hijacking your Olwell thread Sturob!
Graham
- Cathy Wilde
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- Cathy Wilde
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Sorry, that sounded weird. What I'm trying to say is just because you have lots of blowhole real estate doesn't mean you have to occupy it all. But I guess that's why I like bigger blowholes -- they give me more options.
Deja Fu: The sense that somewhere, somehow, you've been kicked in the head exactly like this before.
- Cathy Wilde
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- sturob
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Actually, I think smaller embouchure holes are better IF you can play them. If I recall correctly, Andrew's mentioned the same impression before.
They're not as forgiving as a big hole, but if you play precisely, wow, you can actually play FORTE or piano.
And you didn't hijack my thread, Graham! It's weird, but since you mentioned it, I almost can't look at the embouchure in the pics because it looks SO BIG.
Stuart
They're not as forgiving as a big hole, but if you play precisely, wow, you can actually play FORTE or piano.
And you didn't hijack my thread, Graham! It's weird, but since you mentioned it, I almost can't look at the embouchure in the pics because it looks SO BIG.
Stuart
I have always had the impression that if people learn to blow on a small hole they will play better and can choose from then on how they produce their sound.They will find that they don't need a big hole !
My round hole Rudall & Rose plays as well as the others.
The flutemaster tells me that the hole on the Patent head Rudall is too big, and he is itching to bush it !
As regards boxwood darkening over time / use I have to say that my Rudall & Rose boxwood flute of 1832 is yet to darken !
I am still waiting.
My round hole Rudall & Rose plays as well as the others.
The flutemaster tells me that the hole on the Patent head Rudall is too big, and he is itching to bush it !
As regards boxwood darkening over time / use I have to say that my Rudall & Rose boxwood flute of 1832 is yet to darken !
I am still waiting.
I don't think that you are going to get very many listers to believe that you are that old!andrewK wrote:I have always had the impression that if people learn to blow on a small hole they will play better and can choose from then on how they produce their sound.They will find that they don't need a big hole !
My round hole Rudall & Rose plays as well as the others.
The flutemaster tells me that the hole on the Patent head Rudall is too big, and he is itching to bush it !
As regards boxwood darkening over time / use I have to say that my Rudall & Rose boxwood flute of 1832 is yet to darken !
I am still waiting.
Denny
- Cathy Wilde
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True, but what I'm saying is you can also play precisely on a big one, with similar results. A tight embouchure is a tight embouchure regardless of what you're deploying it on.sturob wrote:Actually, I think smaller embouchure holes are better IF you can play them. If I recall correctly, Andrew's mentioned the same impression before.
They're not as forgiving as a big hole, but if you play precisely, wow, you can actually play FORTE or piano. ....
But yes, I agree, the bigger ones are more forgiving. Personally, I also like the tonal range they offer if you decide to go for a looser embouchure & the resulting tone color -- just for for variety, of course.
Shoot, that still sounds weird.
Deja Fu: The sense that somewhere, somehow, you've been kicked in the head exactly like this before.
- Cathy Wilde
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