What whistles do famous musicians play?
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- Wanderer
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I'm pretty sure I didn't make any connection between what a player plays, and how good they play.
But there's certainly a connection between what a player plays, and the tonal qualities. That is, unless you're willing to go back on your statements that you can't make good music with a Sweetone, Peter. :roll:
If someone hears Mary Bergin, and wants that same tonal quality (again, not the same thing as playing quality), then it would perhaps behoove them to look into the same brand of instrument, don't you think?
But there's certainly a connection between what a player plays, and the tonal qualities. That is, unless you're willing to go back on your statements that you can't make good music with a Sweetone, Peter. :roll:
If someone hears Mary Bergin, and wants that same tonal quality (again, not the same thing as playing quality), then it would perhaps behoove them to look into the same brand of instrument, don't you think?
- vomitbunny
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I believe there is some slight correlation between the price of a whistle and the sound it produces in a novice. When you buy an expensive whistle, you either feel like playing more because the whistle is nice, or you feel obligated to practice more because you've spent so much money.
I've been in slumps befor and not played so much, only to bounce back into heavy practicing by a new whistle.
I've been in slumps befor and not played so much, only to bounce back into heavy practicing by a new whistle.
My opinion is stupid and wrong.
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If I was a newbie just considering purchasing my first or second whistle, I might have an interest in what whistle a "famous" person plays only because I would assume they'd know a good whistle when they played one, but that's the only reason I can think of that I'd have a real interest in what somebody plays. I think the more comfortable you become with your music, the less important it becomes to play the same type of whistle that some well-known musician plays. For me it's become more important to get into the music and not so much into the whistle itself.
Susan
Susan
- PhilO
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I'm currently studying and practicing a lot now and basically just using two whistles, Burke D and Sindt C; but, I'm not that famous.
I've never been at all interested in what whistles others play, but I've loved to collect and play lots of different whistles myself.
Philo
I've never been at all interested in what whistles others play, but I've loved to collect and play lots of different whistles myself.
Philo
"This is this; this ain't something else. This is this." - Robert DeNiro, "The Deer Hunter," 1978.
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Can they?FJohnSharp wrote:Can anyone (meaning a pathetic schlub whistle toodler like me) buy a Gen modified by Peter Hunter?Peter Laban wrote:Sean Potts had very outspoken ideas about high end whistles last time I talked to him. He played Generations modified by
Peter Hunter but bought a Humphey since.
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- jkrazy52
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I don't know what make whistle any 'famous' players use -- but I like the idea of having a list, like Wanderer is suggesting. I always look on my CD covers to see if the brand of whistle is mentioned. If I like the sound on one song, but don't care for the tone of another, it would be helpful to know what whistle is producing the sound I like. (Yes, I know I wouldn't get that same sound ... )
Besides ..... I get curious. I can't recognize many whistles at a glance. A few weeks ago James Galway had a TV special on an NPR station here. He played a black whistle with what seemed to be silver fittings (not sure - the TV set's color is kinda wanky). So ... was it a O'Riordan? or what? Enquiring minds would like to know.
Joanie Madden plays Burkes (among others, probably) .... doesn't she?
~Judy
Besides ..... I get curious. I can't recognize many whistles at a glance. A few weeks ago James Galway had a TV special on an NPR station here. He played a black whistle with what seemed to be silver fittings (not sure - the TV set's color is kinda wanky). So ... was it a O'Riordan? or what? Enquiring minds would like to know.
Joanie Madden plays Burkes (among others, probably) .... doesn't she?
~Judy
- lixnaw
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i believe in general most famous musicians appreciate both expensive and inexpensive whistles
when it comes to high whistles, there's not much difference there.
but there isn't that much to choose from when it comes to low whistles,
the cheap low whistes are like practice flutes, so they buy expensives kinds.
when it comes to high whistles, there's not much difference there.
but there isn't that much to choose from when it comes to low whistles,
the cheap low whistes are like practice flutes, so they buy expensives kinds.
Last edited by lixnaw on Sat Feb 05, 2005 4:47 am, edited 1 time in total.
Does Mary Bergin's playing have the same tonal quality as Micho Russell?Wanderer wrote: If someone hears Mary Bergin, and wants that same tonal quality (again, not the same thing as playing quality), then it would perhaps behoove them to look into the same brand of instrument, don't you think?
But go for it, get a Generation eflat and see which of them you'll resemble.
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I was just reading an interview with Paul McCartney. He tells of a bass player recognising him in a shop and asking him what strings he used. He thought for a bit and answered 'long shiny ones.'
Perhaps I'm gullible, but I'm inclined to believe the story. Some people are gear heads and some people just aren't.
That said, the right gear can make a difference. When I was fairly new to guitar, I tried for over a year to get the sound I was after out of an electric guitar I owned without success. I even had one of the pickups changed but still no luck. I sold it and bought another guitar. As soon as I plugged it into an amp (before buying), there was the sound I was after. It isn't always the player. In a similar vein, I defy anyone to play well on a leaky and unresponsive concertina.
Perhaps I'm gullible, but I'm inclined to believe the story. Some people are gear heads and some people just aren't.
That said, the right gear can make a difference. When I was fairly new to guitar, I tried for over a year to get the sound I was after out of an electric guitar I owned without success. I even had one of the pickups changed but still no luck. I sold it and bought another guitar. As soon as I plugged it into an amp (before buying), there was the sound I was after. It isn't always the player. In a similar vein, I defy anyone to play well on a leaky and unresponsive concertina.
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So, you'll be switching to a Sweetone then?Peter Laban wrote: Does Mary Bergin's playing have the same tonal quality as Micho Russell?
But go for it, get a Generation eflat and see which of them you'll resemble.
Which is it, Peter? The whistle makes a difference, or the whistle doesn't make a difference?