Substance for filling in holes on wood flutes?
Substance for filling in holes on wood flutes?
Anyone know of a clear or light-colored substance (easy-to-use resin of some sort, perhaps) for filling in a little bit of a hole (to flatten the pitch slightly) on an antique flute?
Last edited by JessieK on Fri Jan 09, 2004 3:53 pm, edited 1 time in total.
~JessieD
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I dunno how well it would stick (if the wood's resinous), but a clear epoxy, like Dubl Bubl, might be worth a try. Available at your local home improvement shop.
Charlie
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Beeswax, as it can be removed without damaging the instrument. I'm fascinated by the fact that my flutes will most likely live much longer than I will, and would always try to make the job of the flute restorers down the road as easy as possible (especially if the instrument is antique even to me, in my lifetime).
Sonja
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Speaking from a GHB standpoint *room empties, crickets chirp* beeswax was the old fashioned way to flatten notes on toneholes. Nowadays we use tape (usually electrical or medical). Might sound kind of sloppy but when you think of all the folks with rubberbands over the keys of their old flutes it's not too bad. Just replace the tape regularly and use fresh tape to get any gunk off of the wood.
Cheers,
Aaron
Cheers,
Aaron
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It might get soft, but as you don't usually poke around in the tone holes of a flute with sharp pointed things accidentally, this shouldn't be a problem. It will certainly not melt to the point of liquidity. To my knowledge beeswax has a higher melting point than other / synthetic waxes commonly available and used in candles - but I admit being too lazy to google for it now.JessieK wrote:I will try beeswax, but I would think it would melt under my fingers.
Beeswax is also used on recorders for the same purpose. At least over here in the old world.
cheers + happy tuning,
Sonja
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I've had good success mixing beeswax with a few drops of pure linseed oil for malleability and melting it in an aluminum pie plate over a pan of boiling water. Formed into a block (I pour mine into an empty, foil-lined Altoids tin (& then peel off the foil after the mix cools)), this is also a great emergency tool for "dirtying up" a loose tuning slide or joints contracted by cold. Have also used it around loose tuning corks. Best of all, it wears off eventually or is wipeable. Good luck!
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Good! now I can go to sleep
I keep thinking that there is some Shellac stick that you melt, like hot glue stick, that is used by flute makers to set the pads? but I've never used it. I have used wax to retune recorders, but did not like the fact that you could not call it a permanent fix. I have used epoxy as well, and shaped the hole with a Dremel tool.
Jessie, there are great wax's in the jewelry industry for casting, I'm sure you know more then I do about that, but they seem much harder and more stable then bee's wax.
I keep thinking that there is some Shellac stick that you melt, like hot glue stick, that is used by flute makers to set the pads? but I've never used it. I have used wax to retune recorders, but did not like the fact that you could not call it a permanent fix. I have used epoxy as well, and shaped the hole with a Dremel tool.
Jessie, there are great wax's in the jewelry industry for casting, I'm sure you know more then I do about that, but they seem much harder and more stable then bee's wax.
Yes, but jeweler's waxes are dark blue, green, or burgundy...they wouldn't look very good on boxwood, and I wouldn't know how to get them to stick.
A non-permanent fix will be fine for now. But if I find that it doesn't poorly affect the rest of the tuning, I will try something more permanent.
A non-permanent fix will be fine for now. But if I find that it doesn't poorly affect the rest of the tuning, I will try something more permanent.
Last edited by JessieK on Sat Apr 12, 2008 2:02 pm, edited 1 time in total.
~JessieD