Why play whistle in such ununsual a key?

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TonyHiggins
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Post by TonyHiggins »

Are you guys talking about an E above soprano D? Doesn't it get a bit shrill? Just a question. I'm addicted to playing a Bb, which has some qualities of a high whistle and some of a low one. When I pick up a high D after that, it sounds a bit squeaky high.
Tony
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Tyghress
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Post by Tyghress »

There are only three really good reasons for buying a whistle in a weird key:

1) to play along with someone who plays in that weird key
2) to be sure that when you play what you wish to be a solo almost everyone else gives up and lets you play
3) because you want to
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Post by The Weekenders »

I use an E a lot. I would consider getting a B just to not be as shrill but avaiable for E tunes. Sea chanteys like that key as well as guitar-based folks, as mentioned above. It's not high on my list, but I will get a B someday.
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Post by Wombat »

TonyHiggins wrote:Are you guys talking about an E above soprano D? Doesn't it get a bit shrill? Just a question. I'm addicted to playing a Bb, which has some qualities of a high whistle and some of a low one. When I pick up a high D after that, it sounds a bit squeaky high.
Tony
I have an Elfsong E which is nice. Obviously it is getting pretty high but isn't terribly shrill. But I also have an Abell F and I wouldn't call that shrill. I'd like to have all keys covered because I play in non-celtic styles a lot. I'd get a low E if I felt the need but high E and B cover E pretty well for the few occasions I need to play in that key.
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Post by chas »

My Water Weasel high-E had belonged to Loren -- he thought it was loud and shrill. I think it's quite nice, but then I like loud whistles. The Thin Weasel E, OTOH, is a narrow bore and is not at all shrill in the upper register. I think E just speaks to me, though.
Charlie
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Post by Jack »

I got my wide bore Elfsong E (it also fits D and C tubes - not the smaller sassy brass version) from AndreaZ, and it's not shrill at all.

I've flirted with the idea of getting a low E too, but I don't really 'need' E for anything specific like singers or other instruments, I just like it.
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Tak_the_whistler
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Post by Tak_the_whistler »

Tyghress, for me it must be #3. :D

You know, if you have B, besides being able to play (also) in the key of E you can play along a blues tune in C#m7 or F#m7 as well.

":roll: Not too many blues in C#m7" ? Forget that! :P


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by means of droning B, ornamentations.
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Post by Feadan »

My next two whistles acquisitions are a trade for two Sindts, B and C#. The key of B mostly for the secondary key of E and the C# for the secondary key of F# so I can play along with certain recordings I have of Northumbrian Smallpipes that play in that key (don’t know if it is because of the pipes or the recording speed). Also just so I can fill a couple of gaps in available keys in my whistle collection.
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Post by cj »

Dangit! Just finished the latest attack of WhOA, and now y'all have to go and make me want a B whistle . . .

Glauber's right, guitarists love the key of E.
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Post by msheldon »

Cranberry wrote:I've been wanting a whistle tuned to B minor, just don't have the $$.
Hmm, that would be A (major).

One of my more heavily used whistles.
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Post by Jack »

Quote @ msheldon
Hmm, that would be A (major).

One of my more heavily used whistles.
I meant a whistle that XXX XXX is B and 'normal' playing produces the minor scale...
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Post by Wombat »

Cranberry wrote:Quote @ msheldon
Hmm, that would be A (major).

One of my more heavily used whistles.
I meant a whistle that XXX XXX is B and 'normal' playing produces the minor scale...
Daniel Bingamon already produces whistles like this in some of the minor modes and would probably produce them in others if asked. As a matter of curiosity, why won't an a whistle do the job you want done well enough?
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Post by Jack »

Quote @ Wombat
Cranberry wrote:
Quote @ msheldon
Quote:
Hmm, that would be A (major).

One of my more heavily used whistles.


I meant a whistle that XXX XXX is B and 'normal' playing produces the minor scale...


Daniel Bingamon already produces whistles like this in some of the minor modes and would probably produce them in others if asked. As a matter of curiosity, why won't an a whistle do the job you want done well enough?
I don't need any 'job done', I just stated I'd like to have a 'true' B minor whistle. An A whistle probably would do the job, but that wasn't what I wanted in a perfect world, just within the talk of odd and unusual keys (the subject of this post). And, I admit, I just like to be special. :P Now stop grilling me, people (half kidding ;) )!
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Tak_the_whistler
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Post by Tak_the_whistler »

Yeah!! Yeaahhhh!!!!! Symphony in B!!!!!!!!

(gasp)

Second keys are important as well, aren't they? but with a Modal D/C, you can have third (G) and even fourth (F)...:)

Feadan, good suggestion about C#. but I can't afford one yet.

Wait...maybe someone can make me a, say, Modal C#/B :D


T
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Daniel_Bingamon
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Post by Daniel_Bingamon »

Yes, I do make a whistle that play B as a bell note and proceeds up through the minor key. That is harmonic, melodic or natural minor scales.

Minor keys are great!
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