ashokan farewell (wide range)

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BillChin
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ashokan farewell (wide range)

Post by BillChin »

Ashokan Farewell is a beautiful melody, popularized in Ken Burns' Civil War TV series on PBS. I have found several versions via tunefinder
http://trillian.mit.edu/~jc/cgi/abc/findtune

The question (and problem) is how do whistler players handle the wide range in the song? Do you start way up high to be able to get the low notes? Do you transpose so it fits a whistle's natural range better? I know some folks must know this tune and hopefully can give me some ideas as to how to proceed on a whistle.
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Post by msheldon »

For playing on a D whistle, it's best played in the key of G. Fact is, unless you've got a rare whistle that sounds good into the third octave, you don't have much choice.
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Post by trisha »

Replied to this, but it's etherised... :-?

We play this as a ceilidh waltz on a D whistle starting on A. Phrases that cut below the playeable the two whistles play in the second octave which weaves nicely above the fiddles (ie from the first F sharp). Clear as mud, but it works!

Trisha
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Post by Tyghress »

Ashokan Farewell is one of the good reasons to have an A whistle on hand.

We play it in it's 'native' key of D, but on an A whistle that's fingered as G, so it works perfectly. I've heard others simply transpose the too-low notes, and still others use the harmony notes at the bottom of the scale, but I feel those two options remove so much of the drama of the tune.

Speaking of Jay Ungar's music, one of my fave's is Lover's Waltz, which you can play the first two times in the key of G (and skip the bottom note if you must) and then for the final go, shift it up to D...very dramatic.
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Post by brewerpaul »

You can start Ashokan on the second octave D, and there is only one note which goes below the range of a D whistle. Fabulous tune
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Post by janice »

A couple of years ago, my conducting prof was raving about this new Concert Band piece that was "absolutely beautiful, simple, but absolutely beautiful!" (it was a band arrangment of Ashokan Farewell)

I throughly enjoyed telling hime that it was originally a fiddle tune, written at a fiddle camp, and that all of the trad musicians that I knew had been playing it for years. :)
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Post by Flyingcursor »

One of my favorite tunes. I like to play it better on a lower pitched whistle just to avoid ear damage. I've also played it as trisha mentioned but I hate to leave out the lower notes.
It sounds great on a hammered dulcimer as well.
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Post by corinthia »

I transpose. Sometimes, if it doesn't screw up the melody, I play some notes on an octave that is in the whistle's range... For example, in King of The Fairies, I play a B above middle C when the tune actually calls for the B below. But it really depends on the song. Some tunes, that sounds good... some, it sounds bad.
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Confused

Post by bjs »

I am a bit confused here. Just downloaded and transposed to G and the tune goes from D in first octave to C in the second octave. Have I got the wrong tune?

BTW Having fun with Danny Boy in C which goes to E in the third octave.

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Post by Doc Jones »

Tyghress wrote:Ashokan Farewell is one of the good reasons to have an A whistle on hand.

I would agree with Tyghress here...not that that's unusual or anything. An A tooter is quite handy for this tune.

However, when I play this one at my gigs I play it with my lovely and charming wife on fiddle so I don't have to play melody. This frees me to play harmony on a Low-D Reyburn which is wonderful fun.
Tyghress wrote: Speaking of Jay Ungar's music, one of my fave's is Lover's Waltz, which you can play the first two times in the key of G (and skip the bottom note if you must) and then for the final go, shift it up to D...very dramatic.
Do you mean you play a G whistle and then switch to a D whistle?

Lover's Waltz is another one we often do but it's always been as a fiddle duet. I had a sneaking suspician that it was really a whistle tune. Now I know. :lol:

Doc
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Post by Bill Reeder »

When the tune first came out, one of my friends went out and bought an A whistle from Pat O'Riordan so she could play it without fudging the tune. I've never heard her play it however.

I transposed the tune to key of G in order to play it on my pipes. It's great fun to play and one of the rare times I get to use my c natural and f natural keys on my chanter.

edited for a typo.
Bill

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Post by trisha »

geek4music wrote:One of my favorite tunes. I like to play it better on a lower pitched whistle just to avoid ear damage. I've also played it as trisha mentioned but I hate to leave out the lower notes.
It sounds great on a hammered dulcimer as well.
It's one of the few where earplugs are worthwhile...it allows us two whistlers to soar above four fiddles and two flutes on the melody... :) . Otherwise I'd agree...I'm a Bb down to F whistle whistler for preference.

Trisha
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Post by Chuck_Clark »

Paul Haywood (Silkstone) used to have a simple G version on his website, but I haven't been able to get his tunes page to open today.
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Post by hillfolk22 »

I have the CD to the pbs Cival War Special.

There is a letter that is read on the CD about a soldier writing to his love.

Chokes me up everytime.

:sniffle:

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Post by selkie »

I have sheet music for key of D. ? F# and C#. I would post a jpeg but don't know how to or if I'm allowed to. I find it lovely but most of our folk group thinks it's dreary. But you can put so much feeling into it. just by changing the tempo and loudness of it.[/img]
<img src=http://www.lifeforms.org.uk/whistler.gif><BR><B>....... I shall whistle from the Underworld .......</B>
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