my chanter's flat e
- joey_schu
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my chanter's flat e
I attribute this to my extreme beginnerism:
The low e on my concert chanter is very noticeably flat. The d below it is sunken a little, too. Is this some sort of reed problem? There are no teachers in my area, so I had to try my best to set it up right on my own. For all I know it could be positioned for bad tuning.
What can I do to raise those bottom notes?
Thanks,
Joey
The low e on my concert chanter is very noticeably flat. The d below it is sunken a little, too. Is this some sort of reed problem? There are no teachers in my area, so I had to try my best to set it up right on my own. For all I know it could be positioned for bad tuning.
What can I do to raise those bottom notes?
Thanks,
Joey
- anima
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I wouldn't do anything yet Joey. New player, new reed, let things settle in more. Check it under different humidity conditons.
Your chanter may sound sharp or flat one day and the next be in tune..
Don't mess with your reed until it has been played in for a few more weeks.
That being said, my original Stephenson reeds hated the rapid and frequent humidity fluctuations over here, but more importantly it was me being impatient, inexperienced, and screwing around with the reed that did it in.
Here's a good tuning chart.
http://daye1.com/reed_diag.html
Jeff
Your chanter may sound sharp or flat one day and the next be in tune..
Don't mess with your reed until it has been played in for a few more weeks.
That being said, my original Stephenson reeds hated the rapid and frequent humidity fluctuations over here, but more importantly it was me being impatient, inexperienced, and screwing around with the reed that did it in.
Here's a good tuning chart.
http://daye1.com/reed_diag.html
Jeff
Last edited by anima on Thu Jun 12, 2003 12:24 pm, edited 1 time in total.
- Lorenzo
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Re: my chanter's flat e
Taping holes and rushing the bore lowers the pitch. Sounds like you need to raise the two lower notes. For the low E, lift the chanter off the knee and see if it comes true. Some one correct me if my memory fails me, but a flat E may also mean the V has been scraped too thin in the upper area. Raising the bottom D might mean pushing the reed into the chanter further which would also raise other notes. Too humid, or reed too thin will lower the D too, besides the most obvious of course...the hole at the bottem bell note being too narrow.joey_schu wrote:The low e on my concert chanter is very noticeably flat. The d below it is sunken a little, too. What can I do to raise those bottom notes?
Sometimes it's good to remind us whose reed and chanter you have.
Jeff's advice to leave things alone for a while is a good idea. I had to wait for a few weeks with my AlanB reed to come in, plus playing it a lot.
Last edited by Lorenzo on Thu Jun 12, 2003 12:23 pm, edited 1 time in total.
- magroibin
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First of all I would suggest that you don't even think of it as your "Chanter's" flat e. Instead think of if as your "reed" has a flat e! (I've seen new guys butcher a perfectly good chanter thinking that they could improve the tuning.)
Another suggestion: try using an electronic tuner. Sometimes just seating the reed so that it is in tune solves those kinds of problems.
Another suggestion: try using an electronic tuner. Sometimes just seating the reed so that it is in tune solves those kinds of problems.
- AlanB
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Hi all,
Seems like ages. Hope you're all well.
If a note is very out and flat, usually, there's not much you can do without deconstructing the reed (or hacking the chanter ).
Magroibin is quite right, the reed seat can make a helluva difference, particularly in Concert pitch stuff, and, if you don't fiddle with 'em, you won't learn about them. A reed can withstand constant adjustment (not whilst in a social situation I hasten to add).
I nearly ditched my reed a few times over winter and tweaked it severely on occasion, but it's weathered through (yeah, S.W. England is a notoriously extreme climate ).
Cheers
Alan
Seems like ages. Hope you're all well.
If a note is very out and flat, usually, there's not much you can do without deconstructing the reed (or hacking the chanter ).
Magroibin is quite right, the reed seat can make a helluva difference, particularly in Concert pitch stuff, and, if you don't fiddle with 'em, you won't learn about them. A reed can withstand constant adjustment (not whilst in a social situation I hasten to add).
I nearly ditched my reed a few times over winter and tweaked it severely on occasion, but it's weathered through (yeah, S.W. England is a notoriously extreme climate ).
Cheers
Alan
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I think that the low e and the bottom d are going to be a little flat , as that is just the way uilleann pipes are . As a beginner , it is important to understand that your ear , and the way you play , will correct alot of problems . If you have ever let a master piper play your set , and then golly gee how did they make it sound so good ? It is because after so much time playing pipes , a good piper , please excuse the term " master " , will be able to compensate for small tuning probs , while playing .
It is true though , if you have done all you can , sometimes either the chanter is not well made , or the reed , or both . I guess it is back to the drawing board and face it . You need to have a better chanter , and or reed .
p.s. A cure all for the lower notes being too flat is to use a narrower staple , and a narrower reed , widthwise . You might try chopping the corners at the top of the reed .
It is true though , if you have done all you can , sometimes either the chanter is not well made , or the reed , or both . I guess it is back to the drawing board and face it . You need to have a better chanter , and or reed .
p.s. A cure all for the lower notes being too flat is to use a narrower staple , and a narrower reed , widthwise . You might try chopping the corners at the top of the reed .
- joey_schu
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Hi stew,
Actually, the said notes have been a little droopy ever since I got the chanter, sorry for not specifying that. However, I have noticed it more-so recently, which to me feels like a reed problem (?). Keep in mind I've only had this chanter for about 3-4 weeks, but while I can get the rest of the notes steady and in tune, that low e is not playing nice.
Thanks for the help everyone. Thanks stew.
Joey
Actually, the said notes have been a little droopy ever since I got the chanter, sorry for not specifying that. However, I have noticed it more-so recently, which to me feels like a reed problem (?). Keep in mind I've only had this chanter for about 3-4 weeks, but while I can get the rest of the notes steady and in tune, that low e is not playing nice.
Thanks for the help everyone. Thanks stew.
Joey
- anima
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Again Joey,
Knowing how new you are to the instrument, I would be very cautious about messing with the reed. Part of learning to play the uilleanns is learning the idiosyncracies of your particular stick. Work with it for a while and see what happens. I wish someone had told me that when I was starting out.
Jeff
Knowing how new you are to the instrument, I would be very cautious about messing with the reed. Part of learning to play the uilleanns is learning the idiosyncracies of your particular stick. Work with it for a while and see what happens. I wish someone had told me that when I was starting out.
Jeff
- joey_schu
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Yeah Jeff,
I won't be touching the reed anytime soon. I'm not sure exactly what I'd do anyways, plus for all I know it may not even be done "adjusting" completely. This is why I'm looking forward to Irish Fest in Milwaukee - it'll be my first time talking to other uilleann pipers in person. Sad, huh? I'm gonna have alot of questions...
Thanks,
Joey
I won't be touching the reed anytime soon. I'm not sure exactly what I'd do anyways, plus for all I know it may not even be done "adjusting" completely. This is why I'm looking forward to Irish Fest in Milwaukee - it'll be my first time talking to other uilleann pipers in person. Sad, huh? I'm gonna have alot of questions...
Thanks,
Joey
- MacEachain
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Hi Joey,
If you haven't already done so, you should download the 2 free publications from "The South-Western Assoc. of Uilleann Pipers" www.swaup.org . One is called "A Handbook for Uilleann Pipers" and the other "Reed Making for Uillean Pipes". There's lots of information in both, including tuning tips etc. It's a credit to the SWAUP that they make this freely available, thanks Guys
Mac
If you haven't already done so, you should download the 2 free publications from "The South-Western Assoc. of Uilleann Pipers" www.swaup.org . One is called "A Handbook for Uilleann Pipers" and the other "Reed Making for Uillean Pipes". There's lots of information in both, including tuning tips etc. It's a credit to the SWAUP that they make this freely available, thanks Guys
Mac
In theory there's no difference between theory and practice but in practice there is.