Garry Somers Aluminium Flute With Delrin Head
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Garry Somers Aluminium Flute With Delrin Head
I recently purchased a Garry Somers Practice flute, and since I couldn’t find much firsthand information on the web about this flute I decided to post a quick review.
I play the Boehm flute and tin whistle, but this is my first “Irish” flute. (I’m not sure that an aluminum flute made in Brazil can claim to be all that Irish, but I’m not very Irish either). In other words, I won’t be offended if you take my thoughts with a grain of salt. I’m sure you’re all dying to hear all the lengthy considerations I went through before buying this flute, but the short version is one evening I thought “why not” and ordered one from Whistle and Drum. Less than three days later it arrived on my porch.
The most important thing is obviously the sound. To me it sounds quite good. It has a tone that is warmer than a concert flute with a bit of a reedy edge that I find nice. I’ve been able to get a respectable amount of volume from the instrument, but find that it still sounds good when played softly.
The finish on the body gives enough texture that the flute is very easy to hold onto. I was surprised by the size of the holes (remember that I am new to keyless flutes) and Mr. Somers states that the holes are similar in size to a Pratten model, but even though my fingers are relatively narrow I found that I prefer playing with fingertips than using a piper’s grip.
The joints fit together well giving the flute a nice solid feel when assembled, but can be adjusted or separated without applying excessive force. While I don’t advocate abusing any instrument, this flute is definitely rugged. I think it would take gross negligence to seriously damage it. If you are an outdoors type this could be a perfect travel instrument. This is doubly true due to its light weight. My scale puts it at 209 grams.
In summary for a relatively modest sum I received a solid instrument with a good tone that I wouldn’t hesitate to recommend to others. Additionally I was very impressed by Whistle and Drum’s service and will be sending them more business in the (hopefully near) future.
[Thread title changed at request of the flute maker. - Mod]
I play the Boehm flute and tin whistle, but this is my first “Irish” flute. (I’m not sure that an aluminum flute made in Brazil can claim to be all that Irish, but I’m not very Irish either). In other words, I won’t be offended if you take my thoughts with a grain of salt. I’m sure you’re all dying to hear all the lengthy considerations I went through before buying this flute, but the short version is one evening I thought “why not” and ordered one from Whistle and Drum. Less than three days later it arrived on my porch.
The most important thing is obviously the sound. To me it sounds quite good. It has a tone that is warmer than a concert flute with a bit of a reedy edge that I find nice. I’ve been able to get a respectable amount of volume from the instrument, but find that it still sounds good when played softly.
The finish on the body gives enough texture that the flute is very easy to hold onto. I was surprised by the size of the holes (remember that I am new to keyless flutes) and Mr. Somers states that the holes are similar in size to a Pratten model, but even though my fingers are relatively narrow I found that I prefer playing with fingertips than using a piper’s grip.
The joints fit together well giving the flute a nice solid feel when assembled, but can be adjusted or separated without applying excessive force. While I don’t advocate abusing any instrument, this flute is definitely rugged. I think it would take gross negligence to seriously damage it. If you are an outdoors type this could be a perfect travel instrument. This is doubly true due to its light weight. My scale puts it at 209 grams.
In summary for a relatively modest sum I received a solid instrument with a good tone that I wouldn’t hesitate to recommend to others. Additionally I was very impressed by Whistle and Drum’s service and will be sending them more business in the (hopefully near) future.
[Thread title changed at request of the flute maker. - Mod]
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Re: Garry Somers Practice Flute
Hello Kirby, and welcome to Chiff! Nice to hear someone new has found something great they like, and by your excellent description, no doubt it would appeal to many others. It even made me want to try one!
Good luck on your journey, and have a blast!
Good luck on your journey, and have a blast!
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Barry
Barry
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Re: Garry Somers Practice Flute
Ironically I have been comtimplating getting one of these. You have sparked my interest even more, thanks for the review!
Re: Garry Somers Practice Flute
Thanks for the info. Interesting.
I recently got Garry Somers Pratten flute and absolutely love it. Thinking about his Rudall model or the practice.
Best, Cyril
I recently got Garry Somers Pratten flute and absolutely love it. Thinking about his Rudall model or the practice.
Best, Cyril
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Re: Garry Somers Practice Flute
Not wanting to nitpick - I'm sure it's a nice instrument - but what is a "practice flute" supposed to be?
"If you take music out of this world, you will have nothing but a ball of fire." - Balochi musician
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Re: Garry Somers Practice Flute
Maybe something you can take anywhere, and keep practicing instead of leaving your good flute at home?
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Barry
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Re: Garry Somers Practice Flute
Good to see you're still hanging around, Cyril! Enjoy your flute!GoldTop wrote:Thanks for the info. Interesting.
I recently got Garry Somers Pratten flute and absolutely love it. Thinking about his Rudall model or the practice.
Best, Cyril
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Barry
Barry
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Re: Garry Somers Practice Flute
Or maybe it's just a flute you can start on for a reasonable price, without investing $300-$500 to find out how you do, or like the flute. And then you practice, practice, practice...seems a good name to me.Nanohedron wrote:Not wanting to nitpick - I'm sure it's a nice instrument - but what is a "practice flute" supposed to be?
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Barry
Barry
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Re: Garry Somers Practice Flute
Yeah, I guess maybe so. The word "practice" gave me some crazy notion about using it for your practice and saving your superbad Rudall 8-key for performance, a concept that to me just doesn't make sense. But as long as the idea is now out there: Don't do that. Play one or play the other, as the case may be.
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Re: Garry Somers Practice Flute
It's the opposite of a theory flute. Of course.
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Re: Garry Somers Practice Flute
practical theory makes for a very wise flute
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Re: Garry Somers Practice Flute
Just to clarify this - I don't actually call this model a 'practice flute' anywhere. I call it the 'aluminium flute with delrin head' or sometimes just 'the aluminium flute'. Hammy Hamilton uses the term 'practice flute' for his aluminium flute with nylon head and I think that's what the original poster (Kirby) had in mind.Nanohedron wrote:Not wanting to nitpick - I'm sure it's a nice instrument - but what is a "practice flute" supposed to be?
I'd prefer if the title of the thread, at least, could be changed to 'Garry Somers Aluminium Flute With Delrin Head' to avoid confusion but not to worry if it's too late.
Garry
Garry Somers Flutes: http://www.somers-flutes.com
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Re: Garry Somers Aluminium Flute With Delrin Head
Done. Cheers!
"If you take music out of this world, you will have nothing but a ball of fire." - Balochi musician
Re: Garry Somers Practice Flute
I've also heard of whistles and flutes referred to as "session whistles" or "session flutes". That made me wonder, too.Nanohedron wrote:Not wanting to nitpick - I'm sure it's a nice instrument - but what is a "practice flute" supposed to be?
Quidquid latine dictum sit, altum viditur. (Anything is more impressive if you say it in Latin)
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Re: Garry Somers Aluminium Flute With Delrin Head
I would think that's a somewhat different issue. From what I observe, people who are looking for "session" instruments tend to want those that can be heard (primarily by oneself, I charitably surmise) amid the noise of a good-sized group whether by volume or a piercing quality. I do think this would be a more important issue among whistles than flutes (which - construction aside - are entirely dependent on how they are played for volume, projection, or other audibility factors). But even on a bad day I've never really had difficulty hearing myself in sessions, so I can't speak to others' motivations.
"If you take music out of this world, you will have nothing but a ball of fire." - Balochi musician