jim stone wrote:Which leads to the question: is there a reason to play ITM on boehm flutes?
They seem to have a plain advantage with jazz and classical and they are
tempting because you can get a very good one for less money than you
can get a very good 'Irish flute.' And what would be the sort of boehm one would
want, given that one isn't up in the fourth octave, etc?
I often wonder the same. To be honest, I actually prefer the 'sound' of my more specialist ethnic flutes, than the standard Boehm concert flute (the alto flute, however is a different matter altogether, and I love the sound of this even more). It's just than the Boehm flute is very versatile: you can use it to play most things, with a few limitations, whereas ethnic keyed flutes, like the Irish flute, are fixed in a specific key - and you'd need an army of flutes to cover all the available Irish music out there ... not to mention regional music; Balkan; Armenian; Native American; Southern American; Chinese; Japanese. All of these regional styles are possible (but not necessarily great sounding!) on a Boehm.
In that respect - I think a Boehm flute is a good investment for your music taste if you wish to learn one embouchure style as a newcomer to flutes, rather than buy a Duduk, or a pentatonic minor flute, which requires different skills for embouchure, or many different kinds of competing embouchures to master, before churning anything vaguely reminiscent of 'music'. A Boehm flute can be used to get a taste for the music - and if you like the music, then move on into building up an array of ethnic flutes, and then learning to specialise in different embouchures. Alternatively - a fipple whistle is a great way to start
Contrary to what others say - I find I am much faster on open hole flutes, compared to closed key or open key Boehm flutes. The same is true for the baroque flute, and as great as keys are, they limit how your finger dexterity gets the finger a The spring mechanism of the Boehm flute requires a travel distance, so when you are bending notes using finger slides, you have to actually depress the key first, and then slide on, or slide off the finger. This is a longer action than on an open hole flute. I prefer open key flutes over closed key flutes, although these are more expensive. I can't say I play a huge amount of ITM - I only have a few volumes, and most are jigs and reels, less than 1 minute long. However when people hear ITM played on a Boehm flute - their reaction is usually very curious: to hear it played on a different instrument, than a traditional tin whistle, really makes their minds perk up
Not sure, but maybe volume, cost, intonation, availability to test and try, consistency of tone between notes, better ergonomics, ability to play a wide range of keys, ability to switch between styles of music, prior familiarity, ease of finding repair work and parts, fewer humidity concerns, less cracking, lighter weight, no cork grease, wood allergies, large choice of head makers/styles, etc.?
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Well said. I've just cracked two wooden flutes from overplaying this weekend in the open (15 degrees Celsius). Although a metal or composite Boehm system flute can cost as cheap as $100 secondhand for a decent one, or up to $4000 for a semi-professional one - my Boehm flutes have lasted years with no maintainance issues (just the usual spring mechanism servicing + pad changes).