I'm learning some tunes off the Lunasa albums, and one set in particular: Dr. Gilbert/Devils of Dublin/Black Pat.
Unfortunately Dr. Gilbert, being a fiddle tune, doesn't translate to the whistle, using a lot of notes below D that can't really be changed without losing the feel of the tune.
Please could anyone suggest some alternatives, that would fit well before Devils of Dublin?
Locum for Dr. Gilbert please
- Martin Milner
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- Martin Milner
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- colomon
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- Tell us something.: Whistle player, aspiring C#/D accordion and flute player, and aspiring tunesmith. Particularly interested in the music of South Sligo and Newfoundland. Inspired by the music of Peter Horan, Fred Finn, Rufus Guinchard, Emile Benoit, and Liz Carroll.
I've got some compositions up at http://www.harmonyware.com/tunes/SolsTunes.html - Location: Midland, Michigan
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One of the local whistlers here does a fine version of Dr Gilbert's on whistle, just by shoving the octaves around a bit. (Don't know how she does it, it sounds like crap when I try it.)
Peter Horan (and I believe Michael Coleman before him) plays "Boys of the Lough" before "Devils of Dublin". And Carmel Gunning plays "Pigeon on the Gate" before it.
Peter Horan (and I believe Michael Coleman before him) plays "Boys of the Lough" before "Devils of Dublin". And Carmel Gunning plays "Pigeon on the Gate" before it.
- Ro3b
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Right, that's what I do too. On the flute, I just play the notes below low D up an octave. On the whistle, it sounds a little better to pop whole phrases up, rather than the offending notes.On 2003-01-14 09:50, colomon wrote:
One of the local whistlers here does a fine version of Dr Gilbert's on whistle, just by shoving the octaves around a bit.
Here's the tune as Henrick Norbeck has it on his site:
X:80
T:Doctor Gilbert's
R:reel
Zhn-reel-80
M:C|
K:Edor
eBBA ~B3c|dBA=c BAGF|EDB,D G2FG|EDB,E DB,A,2|
B,EED EDB,D|GEED EFGA|(3Bcd ed Bdgb|afdf efgf:|
|:eB~B2 gB~B2|defg afdf|g2bg fgaf|edef edBd|
afdf edBc|dBAF AFDF|EG=cA Bdgb|afdf efgf:|
You could play the 1st part like this:
eBBA ~B3c|dBA=c BAGF|EDBd g2fg|edBe dbA2|
BEED EDBD|GEED EFGA|(3Bcd ed Bdgb|afdf efgf:|
Simple enough, and it sounds cool with other musicians because you're still playing the same notes as the fiddles. I almost never premeditate these kinds of transformations; mostly I just keep the tune in my head and let 'er rip.