What would you do if this walked into your session?

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iriSHred
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What would you do if this walked into your session?

Post by iriSHred »

I've been going back and forth about posting this, but I decided I'd throw it up and let you decide what you think.

For years I've been a rock/heavy metal guitarist and within the past year I've delved into irish trad and now play tinwhistle and, very soon, uilleann pipes.

That said, I've naturally messed around with playing some irish tunes on guitar as well.

While admittedly unorthodox :D , I've managed to take this:

http://www.youtube.com/watch?v=Ghcn-vypkJI

and turn it into this:

http://www.youtube.com/watch?v=ojIHar8yDso

I've learned quite a few other tunes in a similar fashion.

What do you think? Good? Bad? Ugly? I'd like some honest feedback. Thanks!
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Re: What would you do if this walked into your session?

Post by benhall.1 »

There's quite a lot that could be said about that, but I'll start the ball rolling with just a comment or two:

Firstly, it depends what you want to do with that sort of music. I think you've got the spirit of the original in your playing, and it's quite impressive. If you're doing that for your own fun, then great. If the question is the one which is in the thread title, then I don't think the instrument is appropriate for a session. I can imagine myself playing in a gigging band with someone playing like that, though.

The other thing that occurs to me off the top of my head is: it's quite fast. The original clip is much faster than I normally like. However, given that they are who they are, they are able to get away with it. Played that speed on electric guitar it sounds a bit manic. Your technique is good enough that you're not actually rushing - I just don't think that impression (being manic) is avoidable at that speed on that instrument. I'd be interested to hear a take from you on accoustic guitar and a fair bit slower. It's good to be able to play the same stuff at a wide range of tempos anyway.
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Re: What would you do if this walked into your session?

Post by Kypfer »

Basically ... very nice ... I'd like to hear it without the backing track, or at least with the backing muted a bit, the audio on the clip sounds "cluttered", difficult to differentiate the instruments ... certainly a concept worth pursuing :)
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Re: What would you do if this walked into your session?

Post by Denny »

perhaps switching to banjo would be a small step in a vague general direction kink of way :lol:

as usual I agree with Ben, session no, ya need a band w/mikes & amps for your sound

technique :thumbsup:
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Re: What would you do if this walked into your session?

Post by fearfaoin »

Denny wrote:perhaps switching to banjo would be a small step in a vague general direction kink of way :lol:
Never thought of a banjo as "kinky"...
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Re: What would you do if this walked into your session?

Post by Nanohedron »

benhall.1 wrote:Played that speed on electric guitar it sounds a bit manic.
I find myself agreeing with that. And yet oddly enough that is the same speed as on the original clip. Just goes to show we must pick our battles. Great playing, BTW. :)
fearfaoin wrote:
Denny wrote:perhaps switching to banjo would be a small step in a vague general direction kink of way :lol:
Never thought of a banjo as "kinky"...
I do all the time. Kink 'em enough, and you get this:

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Re: What would you do if this walked into your session?

Post by iriSHred »

Thanks for the responses guys. The thread title was meant to be a bit tongue in cheek, as I know that it wouldn't be appropriate for a session.

Right now I'm just kind of noodling around and enjoying doing so. I do play traditional instruments as well so perhaps down the road I'll fuse everything into a gigging band. As I said, I know it's quite unorthodox but I just figured I'd post it since I'm new to the forum.
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Re: What would you do if this walked into your session?

Post by Nanohedron »

And not a bad introduction at all.

But just to let you know that if you show up at our sesh with that axe, we'll firmly insist you put it back in the case and then we'll usher you to the bar and sit you on a stool. :wink:
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Re: What would you do if this walked into your session?

Post by iriSHred »

Fair enough :wink:

I'll bust out my whistle and pipes instead, god knows Boston sessions need a piper. I haven't seen one yet in my travels...
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Re: What would you do if this walked into your session?

Post by Nanohedron »

iriSHred wrote:Fair enough :wink:

I'll bust out my whistle and pipes instead, god knows Boston sessions need a piper. I haven't seen one yet in my travels...
Odd. You'd think Boston of all places would have pipers. Here in Minneapolis/St. Paul (with our contrary climate no less) we've got a good few of 'em. But on the other hand they don't come to sessions like clockwork, either. Maybe pipers just spend more time at home in Boston, too...
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Re: What would you do if this walked into your session?

Post by Cathy Wilde »

Actually, if you ever do go to St. Paul with that rig, look up Brian Barnes. He'd probably love to get his Telecaster out for a few tunes with you. :-)

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Re: What would you do if this walked into your session?

Post by tommykleen »

iriSHred wrote:Fair enough :wink:

I'll bust out my whistle and pipes instead, god knows Boston sessions need a piper. I haven't seen one yet in my travels...
Boston actually has an uilleann pipers' club. Might be on Facebook. There are a good many/good pipers in the area.
As for pipers showing up at sessions, well...sessions are filled with people playing faster than they should. For many (me inc.) speed can be the death of good piping.

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Re: What would you do if this walked into your session?

Post by Denny »

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It's dizzying, the possibilities. Ashes, Ashes all fall down.
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Re: What would you do if this walked into your session?

Post by MTGuru »

tommykleen wrote:For many (me inc.) speed can be the death of good piping.
You're just complaining because you can't keep up with them on the regs. :lol:
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Re: What would you do if this walked into your session?

Post by Nanohedron »

MTGuru wrote:
tommykleen wrote:For many (me inc.) speed can be the death of good piping.
You're just complaining because you can't keep up with them on the regs. :lol:
Hell, you should see him when he doesn't play a particular tune: he plays the regs as a backup instrument. Pretty darn decently, too. In fact he was doing that last Sunday. My only beef with that was that we already had a bouzouki, a cittern, and - count 'em - three guitars, and all of us would-be backup players. Enter the regs. At least I had the good manners to refrain from playing my cittern in a hell like that. I'm relegated to the position of taking up the slack when a tune's harmonic contour is too challenging for the others with stringy things in their laps. "Okay, li'l backupsters: Here's how you do it. Listen and learn." That's kind of an uphill battle with some of those people, though, to be honest. You give it to 'em on a silver platter, and what do they take home? Bupkes. :wink:

Really, we're getting enough backup players now that I absolutely think the same "one bodhran at a time and take your turn" rule should apply to the gizmologists as well (and I am trying to lead by example on this very idea), with the codicil "If you don't know the tune - or if you know it but haven't worked out what to do with it - have the good grace to not make an embarrassment of yourself, and an irritation to us." I have already put forth this opinion and have run into some objection on the notion, but I have every confidence that the wisdom of it will eventually be seen and taken to heart. Chippin' away. I suppose they say it's easier for me because at least I have flute to fall back on.
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