Flat chanters
- PJ
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Now that's an idea!!wharfedalecarving wrote:Trying to have an "all singing all dancing" set of drones suitable for a chanter of another key is asking alot from a set.
Has anyone ever set up a stock with two sets of drones and no regulators - one set of drones would be concert and the other would be flat? It would probably require a 3-way switch (Concert/Flat/off), but it would enable a piper to change chanter, flick the switch and be playing in another key with accompanying drones.
- Joseph E. Smith
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I'm not certain if such a beastie exists, but DAMN, would it be cool!PJ wrote:Now that's an idea!!wharfedalecarving wrote:Trying to have an "all singing all dancing" set of drones suitable for a chanter of another key is asking alot from a set.
Has anyone ever set up a stock with two sets of drones and no regulators - one set of drones would be concert and the other would be flat? It would probably require a 3-way switch (Concert/Flat/off), but it would enable a piper to change chanter, flick the switch and be playing in another key with accompanying drones.
- ChristianRo
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[quote="PJ"
Has anyone ever set up a stock with two sets of drones and no regulators - one set of drones would be concert and the other would be flat? It would probably require a 3-way switch (Concert/Flat/off), but it would enable a piper to change chanter, flick the switch and be playing in another key with accompanying drones.[/quote]
I've seen and heard it done. I am sure A. Froment does this kind of sets. I have heard Tom Kannmacher play a set with 3 D and 2 E drones between which he switched back and forth while playing. Nice effect, when you hear it for the first time...
Has anyone ever set up a stock with two sets of drones and no regulators - one set of drones would be concert and the other would be flat? It would probably require a 3-way switch (Concert/Flat/off), but it would enable a piper to change chanter, flick the switch and be playing in another key with accompanying drones.[/quote]
I've seen and heard it done. I am sure A. Froment does this kind of sets. I have heard Tom Kannmacher play a set with 3 D and 2 E drones between which he switched back and forth while playing. Nice effect, when you hear it for the first time...
Christian
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I'm thinking about Bb and D - imagine the effect of the key change!! You'd have to be pretty quick on the change from one chanter to another - but maybe there's a way to have 2 chanters on the one bag, fitted with chanter stop valves. Imagine what that set would look like - CerberusChristianRo wrote:I've seen and heard it done. I am sure A. Froment does this kind of sets. I have heard Tom Kannmacher play a set with 3 D and 2 E drones between which he switched back and forth while playing. Nice effect, when you hear it for the first time...
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[quote="PJ"
I'm thinking about Bb and D - imagine the effect of the key change!! You'd have to be pretty quick on the change from one chanter to another - but maybe there's a way to have 2 chanters on the one bag, fitted with chanter stop valves. Imagine what that set would look like - Cerberus
quote]
Ah, c'm on, get past your Jimmy Page-stage and focus on making music
[/
I'm thinking about Bb and D - imagine the effect of the key change!! You'd have to be pretty quick on the change from one chanter to another - but maybe there's a way to have 2 chanters on the one bag, fitted with chanter stop valves. Imagine what that set would look like - Cerberus
quote]
Ah, c'm on, get past your Jimmy Page-stage and focus on making music
[/
Christian
- PJ
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You may be on to something here!!Joseph E. Smith wrote:I'm wondering if B and D wouldn't be a better choice. There are plenty of Bminor tunes that would go nicely on a D chanter with B drones humming away well under it all. Food for thought.
What if...
Instead of 2 sets of 3 drones, you had 3 sets of 2 drones (and either a 4-way switch or three 2-way switches). Have three base and three baritone drones, B, D and E. That way you could cover Bmin, Dmaj and Emin. Now all we have to do is figure out a way to add Gmaj and Amin and we'll never need regulators again!!
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On the topic of D/C convertible drones, has anyone from the uilleann world ever tried out the concept of "tuning beads"? On a set of Northumbrians, the drones often have a hole drilled a whole-step higher to enable changing the drones to fit the key of the tune. However, this can also enable the player with a traditional (e.g., "flat") set in F to re-tune drones to play with a concert G chanter. The "bead" is nothing more than a brass ferrule which can be rotated to open the hole. I've even (IIRC) seen sets with more than one tuning bead on some drones, to enable more than a whole step change in pitch. This would require the drones to be built or reeded in "C" first, and then the "D" hole/bead created to raise the pitch.
I once briefly owned a set of Swedish sackpipa, and the single drone on that pipe has an open hole which allows the piper to cover the hole and drop the pitch of the drone (sort of a keyless regulator).
Best,
Tim
I once briefly owned a set of Swedish sackpipa, and the single drone on that pipe has an open hole which allows the piper to cover the hole and drop the pitch of the drone (sort of a keyless regulator).
Best,
Tim
- Joseph E. Smith
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