A bird in the hand...?

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bradhurley
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Post by bradhurley »

Martin Milner wrote: Excellent info, Brad, thanks! Avanutria been learning a tune called The Battle of Aughrim recently too, off a CD.
Okay, but now we can go back to talking about sex.

Oh wait, but before we do, if you're interested in the Battle of Aughrim there's an excellent summary (including photos of the sites today, though sadly St. Ruth's Bush is not shown) here:

http://www.monasette.com/archive/000435.html
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Post by moxy »

bradhurley wrote:Okay, but now we can go back to talking about sex.
There's SEX in Irish music?
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Post by brewerpaul »

moxy wrote:
bradhurley wrote:Okay, but now we can go back to talking about sex.
There's SEX in Irish music?
Sure-- what do you think the author was doing with that Maid Behind The Bar...?
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moxy
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Post by moxy »

brewerpaul wrote:Sure-- what do you think the author was doing with that Maid Behind The Bar...?
Might explain your Boy in the Bush :)


:o

Wait, that wasn't it... You mentioned the Boy in the Boat!! Is there a Boy in the Bush??...
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Post by djm »

I can't help but think someone's been smoking the shrubbery. Its the only explanation for questions like, "Is there SEX in Irish music?" What? Are you kidding me? Those softly undulating pulses are what make Irish music stand out against the mechanical banging of Scottish music. And how is it that no-one has mentioned An Phis Fliuch yet?

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Post by bradhurley »

Not to mention Kitty Got a Clinking On The Way Home From the Fair."

Nobody seems to know for sure what a "clinking" was, but it's certainly open to interpretation ;-)
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Post by NicoMoreno »

The great thing about An Phis Fluich isn't just the direct translation (The Wet Pussy) but all the other translations or names for it such as:

The Choice Wife (hmm? What's the criteria for a choice wife? You don't say? I'll have to get her to change that...)

O'Farrell's Welcome to Limerick (well, I guess they do say that absense makes the heart grow fonder)

And of course, my personal favorite:
The Poor Little Kitty that Fell in the Bog



Other great tune sets: "I buried my wife and danced on her grave" followed by "Will you come home with me?"

Behind the Haystack, Merrily Kissed the Quaker's Wife (which is often shortened to Merrily Kiss the Quaker...), Maid on the Green (think about it...) and of course Kid On the Mountain.
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Post by The Weekenders »

I have heard it as Merrily Danced the Quaker's Wife which is sorta strange as they don't or didn't dance much, compared to other sects. Not big on kissin' either.
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Post by moxy »

The Weekenders wrote:I have heard it as Merrily Danced the Quaker's Wife which is sorta strange as they don't or didn't dance much, compared to other sects. Not big on kissin' either.
They're missing out then. :D
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Post by moxy »

bradhurley wrote:Not to mention Kitty Got a Clinking On The Way Home From the Fair."

Nobody seems to know for sure what a "clinking" was, but it's certainly open to interpretation ;-)
Regarding the title, Seamus Ennis was once asked what it meant, and supposedly replied that clinking was "an intimate act of warm affection.”
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Post by Cynth »

Am I to take it then that "Rolling in the Rye Grass" is not talking about young children larking about on a summer's day?
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bradhurley
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Post by bradhurley »

Cynth wrote:Am I to take it then that "Rolling in the Rye Grass" is not talking about young children larking about on a summer's day?
No, I think it's about clinking.
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Post by djm »

When there are lyrics to a tune, the tune then often tends to take on various names from different lines within the lyric. I have heard words to the effect of "Merrily kiss the Quaker's wife, and merrily kiss the Quaker". Here's another version:

The Quaker's Wife

The Quaker's wife got up to bake
With all her children round her
She gave them each a slice of cake
And there the baker found her
He chased her up and down the town
As fast as he could make her
And merrily danced the Quaker's wife
And merrily danced the Quaker

The Quaker's wife came to my door
To borrow a market penny
But I'd been had that way before
And said I hadn't any.
And oh she sighed and oh she cried
Then went up the street O
But the wind it blew her cloak a-side
And there was the butcher's meat O!

My Aunty died a week ago
And left me all her money
A little black hen a pig in a pen
And twenty jars of honey
The hen and pig they danced a jig
And knocked against the door O,
The honey it came trickling down
And stuck their feet to the floor!

Collected by Ruth Tongue. [No when, precise where, or who from, typical of Ruth Tongue's editing.]

[From 'The Quaker's Wife and other Sommerset Folk Songs', by Ruth Tongue and Felton Rapley, Chappell & Co., London, 1965.]

Another enticing tune title - Pull the Knife and Stick it Again

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Post by amar »

moxy wrote:
brewerpaul wrote:Sure-- what do you think the author was doing with that Maid Behind The Bar...?
Might explain your Boy in the Bush :)


:o

Wait, that wasn't it... You mentioned the Boy in the Boat!! Is there a Boy in the Bush??...
if he gets lucky, yes.
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Post by NicoMoreno »

Of course, there's the obvious:
Last Night's Fun
and the slightly less obvious
Last Night's Joy ( :boggle: )

Of course you also have to wonder about the Rambling Pitchfork and the Sporting Pitchfork...

And I don't want to know about "The Old Bush"
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