The Arty Bollocks Generator

[Anyanka]

Thank you, thank you, thank you! I'm a working artist, but qualified in Graphic Design & Illustration instead of Fine Art, which means that I never got the proper training in pontification, verbalisation and general heavy-headedness. Have a look at my website (http://www.kgbaron.co.uk). You will find that my work explores the relationship between new class identities and life as perfomance. With influences as diverse as Blake and Roy Lichtenstein, new combinations are created from both explicit and implicit meanings. Ever since I was a student I have been fascinated by the theoretical limits of the human condition. What starts out as vision soon becomes corrupted into a cacophony of temptation, leaving only a sense of decadence and the chance of a new synthesis. As shifting impressions become transformed through boundaried and diverse practice, the viewer is left with an insight into the inaccuracies of our future.

[MTGuru]

With influences as diverse as Blake and Roy Lichtenstein

How funny. My influences really do include Blake and Roy Lichtenstein, though in very different ways. So we must be kindred spirits. Praise the bollocks!

[technowhistle]

Diddley diddley dee, diddley diddley da dum,
Diddley diddley dee, diddley diddley da dum.

I know that tune, it's a good one!

[Innocent Bystander]

Somebody was bound to recognise it.

[Hotblack]

ARTHUR ....I thought that some of the metaphysical imagery was particularly effective
VOGON Yes!
ARTHUR Oh....and, er, interesting rhytmic devices too which seemed to counterpoint the....er.....
FORD counterpoint the surrrealism of the underlying metaphor of the...er
ARTHUR Humanity of the ..err..
FORD Vogonity.
ARTHUR Vogonity, sorry, of the poet's compassionate soul which contrives throught he medium of the verse structure to sublimaste this, transcend that, and come to terms with the fundamental dichotomiesof the other, and one is left with a profound and vivid insight into....into...
FORD Into whatever it was the poem was about.