What got you started playing?

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Stellatum
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What got you started playing?

Post by Stellatum »

So, I was sitting on my porch today playing the whistle, because it's spring. The Occasional Saturday Mailman, whom I don't know, was so taken by my whistling that he made me write down website addresses where he could buy a whistle, and the names of tinwhistle CDs.

I am very flattered, because I'm a beginner (OK, about two years, but I'm a slow learner)--I mean, my rolls have only been rolling for a few months, and my A rolls are still crappy, that kind of a beginner. Even so, there's something about tinwhistling in the spring.

I bought my first whistle after I went to a concert at my son's high school. Before the choir came on stage, while people were getting seated, there was a whistler in the front of the gym. I realized immediately that the whole purpose of my life was to play the tinwhistle. So I sold everything I owned and bought a sweet-tone on the internet for $2.95, and the rest is history.
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Flogging Jason
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Post by Flogging Jason »

I grew up with my Dad being a Highland Piper. I was constantly exposed to Celtic culture and music which, naturally, cultivated a love for such things within myself. He is also a historical re-enactor and so I was constantly exposed to old styles of music. He happened to play whistle when he wasn't piping and I picked up his whistle one day(I was maybe 11 or 12) and started playing "the minstrel boy" by ear. I learned several tunes by ear and when I entered middle school I learned how to play sax and therefore to read music. Naturally, armed with the knowledge of notation, I took off with the whistle. Fifteen years later, I'm still in love with whistles.
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s1m0n
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Post by s1m0n »

When I was 25, I saw a package which consisted of the Bill Ochs tutor, tape (in C) and a Clarke original in C. I think it'was about $25, and I thought "that's not much to have lost if I find it impossible".

A little later I saw an article on a new 'school' of Irish music in Montreal, and went to find out about it. I discovered the whistle teacher (Nancy Lyons) was a former student of Ochs in NYC, so I signed up for her class.

And it worked.

~~

All my life many things have come very easy to me, particularly anything that happens in words. I just get it without having to work all that hard.

Learning to play music was the thing I did in order to prove to myself that I could learn something that was hard; that I had no innate talent for at all.

I persisted despite the slow progress I was making in comparison to the other students in the group. *I* could tell I was making progress, even if no one else could, and that was enough to keep me going on.
And now there was no doubt that the trees were really moving - moving in and out through one another as if in a complicated country dance. ('And I suppose,' thought Lucy, 'when trees dance, it must be a very, very country dance indeed.')

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thistledown
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Post by thistledown »

What got me into whistling was an initial interest in the Uilleann pipes. I was reading the FAQ on Seth Gallagher's website and saw that while you wait for your pipes to arrive(approx. 2.5 years), you should take up the whistle to get a feel for the songs and to have some basic musical knowledge before taking on the beast. So I read all I could about whistling and ended up with my Feadog, and most recently, my Dixon Trad. The whole thing has reopened my eyes to music as I had grown bored with all the instruments that I already play.
patrickh
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Post by patrickh »

Another vote for the Bill Ochs package with Clarke whistle. Recently I was able to take a lessson from him and really enjoyed it.
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Post by TheSpoonMan »

I honestly don't remember... Scottish music was always listened to in my family, Irish was pretty natural to me then; but I don't remember ever taking and interest in Irish music. I remember reading about tinwhistles on some web page; and I remember seeing one at the store and buying it cause it was cheap. I don't remember when ITM came into it; I mean I've always known it was there but I don't remember ever consciously "getting into" is. It just kinda grew.
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Post by TheSpoonMan »

I honestly don't remember... Scottish music was always listened to a bit in my family, Irish was pretty natural to me then; but I don't remember ever taking and interest in Irish music. I remember reading about tinwhistles on some web page; and I remember seeing one at the store and buying it cause it was cheap. I don't remember when ITM came into it; I mean I've always known it was there but I don't remember ever consciously "getting into" is. It just kinda grew.
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Post by pipersgrip »

i always wanted to play music, especially celtic. i tried piano, harp, guitar, mandolin, and concertina. but none of them were for me. i really never thought about playing the flute or whistle, becaues i thought people would laugh at me for playing such an instrument as the whistle. i saw a clarke at a music store and bought it, the moment i played it, i just knew that was the instrument for me. everybody in the world has an instrument for them, just a lot of people never find it. well, this was the instrument for me. i am always playing it, i never had any real influences or music instructions except for the one in the clarke box, i just played songs by ear and using my own types of ornaments(that i thought i invented lol). but then i got some books and cds to learn more, and a lot of the ornaments i thought i made up were in there. so there is the story of my whistle finding and loving every bit of it.
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Post by brewerpaul »

Years ago, I saw the Chieftains on Saturday Night Live on or near St. Patricks Day. I had no idea who they were, but I NEEDED to learn how to play that stuff. I already played recorder, so whistle was the natural choice.
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BillChin
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Post by BillChin »

Many years ago I went on a vacation trip to the Pacific Northwest. I was in the aquarium in Newport, Oregon and heard this soothing music as background music, most likely Native American flute. Later during that trip I was in Pike's Place market in Seattle and there was a vendor selling clay flutes. I thought to myself, great, I can learn to play the tune I heard.

I picked up one of the flutes, and of course, nothing. The vendor gently suggested I try an ocarina. I bought one with a fish painted on it. I started with that. Some time later I found the Bill Ochs whistle kit and tape in a bookstore. Since that time, I have played almost every day. It has been such a blessing to me, and I have shared my music with many other people. I'm not much for the Irish tunes, mostly I play my own compositions.

Finding Chiff and Fipple open up a new vista. I was a one whistle person for so many years, now I have ten whistles, two keyless flutes, one Native American flute, and a recorder.
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Post by The Weekenders »

I have been playing music since I was six. I got my music degree from SF State in classical guitar and played many concerts as a soloist and in a flute-guitar duo. I also sang a lot and even wrote songs.. I was manager of a music store for my day job in the late 70s and bought a Feadog and Larry McCulloughs old white tinwhistle tutor, where they sat at my house for quite a few years, with periodic attempts to play.

In the mid-90s, I got into a folk group, doing historical music of California. For Gold Rush gigs, I started using the whistle for some of the tunes and bought different key Gens. I had always liked trad music, but owned more Scots than Irish cds and was a big fan of Battlefield Band and Ossian . I went to the Scottish Games and really liked pipeband music and even thought about playing Highland pipes.

Sometime, maybe around 2001 or so, I really wanted to play along with a Patrick Street record with the whistle. The tune was one version of Lad Obeirne's reel. I found CF that year, got more information and started whistling for real. Through CF, I met more players, went to whistle parties, got more whistles, etc etc. In 2002, I joined a "celtic" band, more Scots than Irish, but it was fun till it broke up in 04. I am currently music director of a historical music group and we gig a fair bit, but am not playing Irish music out anywhere.

That's how I got here.
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Bill Hennessy
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Post by Bill Hennessy »

My wife bought me the first whistle, just last Christmas. But for years I had been talking about wanting to take it up. I've always loved the sound of a slow Irish air on the whistle. It's melancholy in an affirming way, sort of like my ancestors themselves, I think. Something about the music transports me and I have a need to produce it somehow. Anyway, I've been working at it and I'm making some progress.

BTW, where in the world is anyone where it's spring!? In Michigan it's still pretty frigid. :)
The Weekenders
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Post by The Weekenders »

Bill Hennessy wrote:My wife bought me the first whistle, just last Christmas. But for years I had been talking about wanting to take it up. I've always loved the sound of a slow Irish air on the whistle. It's melancholy in an affirming way, sort of like my ancestors themselves, I think. Something about the music transports me and I have a need to produce it somehow. Anyway, I've been working at it and I'm making some progress.

BTW, where in the world is anyone where it's spring!? In Michigan it's still pretty frigid. :)
Blue skies, green grass here. Flowering trees, mostly cherries and ornamentals. Apples haven't popped yet, but getting close. Probably 70 today at its warmest.
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pastorkeith
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How I took up the whistle

Post by pastorkeith »

Our family always goes to the Florida Renaissance Faire and my wife must have noticed how much I hung around Eric the Flutemaker's booth.
Years pass and many visits to the Faire and the booth and a Soprano D ends up wrapped up for me for my 41st birthday. So it's her fault - God bless her!

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Post by blackhawk »

Bill Hennessy wrote: I've always loved the sound of a slow Irish air on the whistle. It's melancholy in an affirming way, sort of like my ancestors themselves, I think. Something about the music transports me and I have a need to produce it somehow.
That was what did it for me. I heard Eoin Duignan play a slow air in a pub in Dingle, Ireland, and I wanted to be able to make that kind of magic myself. I've been hooked on Irish slow airs ever since. In Irish music, it's 99% of what I listen to and play. I love how they sound on my Bb and A whistles.
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