It depends on what you mean by traditional. There is heavy classical. light classical, semi classical, different folk idioms. All involve raags because they contain melodies. It is how a melody is treated that makes something traditionally classical or not.Jetboy wrote:I am working with Mitch at Oz whistles on an Indian set of whistles designed for playing traditional Indic Raaga music using Poorvi/Bhairav/Hijaz tunings.
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Now, if you make a pipe with the intervals pre set for the scale you will have the intervals for the raag's scale but the playing of it will require further shading in performance depending on the demands expected of the type of music. That means, you won't ever be able to just pick up a customised scale pipe and play it and lo! claim that you are playing traditional classical raag music anymore than playing an Irish flute makes one, automatically, an Irish musician (I remind myself! )
Having said that I want to say this:-
A few years ago I had an inventive flute repairer make me a PVC fife for playing the Bhairav and Pooravi scale music with "XXX OOO" tonic. I have used this instrument at concert performances and done some studio work for others on it and it is appreciated by Westerners and indo music lovers at well. I use it for gypsied jazz, middle eastern dance accompaniment, indo spirituals (semi-classical to folk tradition) and indo pop. I would not claim traditional full blown indo classical on it. That would require a traditional bansuri (diatonic pipe like the tin whistle or Irish flute) with large tone holes to facilitate half holings not just to acheive half notes as per a keyboard but shading to acheive subtle microtonal values so necessary in distinguishing one raag form another within the same notional scale.
If you settle XXX OOO as your tonic or keynote
you should get pooravi if you flatten XXO OOO
and XXX XXO
and you should be able get bhairav scale by xfingering or half holing the all finger off note OXX OOO
ie.
pooravi - 1:3:2:1:1:3:1
bhairav - 1:3:1:2:1:3:1
(Interestingly bhairav is a symmetrically intervalled scale. See that 2 thats the perfect fifth and on either side is 1:3:1
The only mode relative to the major scale that is symmetrical is the dorian
2:1:2:2:2:1:2 See that - either side of the 2 is 2:1:2.
Tittilating stuff! )